<nettime-ann> MEDIA ART HISTORIES CONF: RE-CREATE â THEORIES, METHODS AN

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<nettime-ann> MEDIA ART HISTORIES CONF: RE-CREATE â THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY

To: "Image Science" <[email protected]>
Subject: <nettime-ann> MEDIA ART HISTORIES CONF: RE-CREATE â THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY
From: "Image Science" <[email protected]>
Date: Tue, 27 Oct 2015 13:26:27 +0100

CONF: RE-CREATE â THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY
MontrÃal, 5-8 November 2015

UniversitÃ du QuÃbec Ã MontrÃal, Agora Hydro-QuÃbec, Coeur des Sciences, 175, avenue du PrÃsident-Kennedy, MontrÃal
Exhibition openings and reception on November 5 at Concordia University, E.V. building, 1515 Ste-Catherine West, MontrÃal

REGISTRATION is still OPEN!
http://www.mediaarthistory.org/recreate-2015

Re-Create conference focuses on six core thematic questions:
1). Theoretical Currents: How do the Senses, Animals and the Apocalypse inform research-creation practices ?
(2). Sites: How have sites of research and practice evolved in Latin America, Eastern Europe, Japan, Sweden and Indigenous Cultures?
(3). Histories of the Studio Lab: How have Australian, British, Canadian and American artists historically worked in academia, industry and generative art?
(4). New Methods: What can the concept of co-production (STS),musique concrÃte,intersectionality theory and critical race studies, as well as the debates about the "practice turn" in higher education provide to the historical and critical positioning of practice?
(5). Digital Humanities and Critical Practices: What are the challenges and the future of transdisciplinary collaboration? What can media archeology do for the humanities and contemporary academic culture? How has failure impacted practice-led research?
(6). Curatorial Actions and Practices: How have philosophy, industrial creation, feminism, sound and "imageness" historically entered into curatorial practices?
Program Chair: Dr. Christopher Salter, Co-Director, Hexagram; Associate Professor Design and Computation Arts, Faculty of Fine Arts, Concordia University
Co-Program Chair: GisÃle Trudel, Professor, School of Visual and Media Arts, Arts Faculty, University of QuÃbec at Montreal. Trudel is the former Director of Hexagram-UQAM (2011-13) and Co-Director of Hexagram (2012-15).

Emerging Researchersâ (ER) Symposium des Chercheurs Ãmergents 04.11.2015 ER Programme here:
http://www.mediaarthistory.org/recreate-2015/programme-overview-emerging-researchers-symposium

EVENT OVERVIEW

Thursday/jeudi 5.11.2015
DAY/JOUR 1 Media Art Histories Re-CREATE 2015

13h-15h30 OPENING ADDRESS/DISCOURS DâOUVERTURE

Chris SALTER, Concordia University
Oliver GRAU, Media Art Histories, Danube University

SESSION 1 â Setting the Stage : Overview and Precedents

"Pathways to Innovation in Digital Culture" Revisited
Michael CENTURY, Rensselaer Polytechnic Institute

Regard transversal sur des pratiques inter- et trans-
Louise POISSANT, FRQSC

Art-Science: A lab for discerning modes and logics of interdisciplinarity
Georgina BORN, Oxford University

Weaving Strands: Research-creation practices in universities, cultural institutions and artist-run culture in Montreal

GisÃle TRUDEL, UniversitÃ du QuÃbec Ã MontrÃal + Cheryl SIM, DHC/ART Foundation for Contemporary Art
17h â Concordia University, EV building

FOFA Gallery
Biomateria + Contagious Matters
Exhibition â WhiteFeather HUNTER + Tristan MATHESON, Concordia University

Mangling Methodologies in Biological Art and Display Practices
Discussion Panel â FREE, OPEN TO PUBLIC

Jens HAUSER, University of Copenhagen, White Feather HUNTER, Concordia University, Tristan MATHESON, Concordia University, Andrew PELLING, University of Ottawa

FOFA Gallery â York Vitrine
Tourmente
Interactive Public Screens â Jean DUBOIS, UniversitÃ du QuÃbec Ã MontrÃal

Hexagram BlackBox
Copacabana Machine Sex: Behind the Scene
Robotics installation in process â Bill VORN, Concordia University

KEYNOTE 1
Joan JONAS, Artist, New York
18h-23h â Pavillon PrÃsident-Kennedy, UQAM

Irradiate. Drawing electromagnetic frequencies with wind. Projection architecturale modulÃe par donnÃes environnementales (vent et ondes ÃlectromagnÃtiques). Ãlab (GisÃle Trudel) with Guillaume Arseneault, UniversitÃ du QuÃbec Ã MontrÃal

Friday/vendredi 6.11.2015 DAY/JOUR 2 Media Art Histories Re-CREATE 2015

9h-10h30 Session 2A â Methodological Entanglements

La mÃthode de Pierre Scheaffer
Yan BREULEUX, UniversitÃ du QuÃbec Ã Chicoutimi

Post-digital Circulationism. On- and Offline Intermedia Discourse in Contemporary Art and Scholarship, Katja KWASTEK, VU, University Amsterdam

Discourse-analytical aesthetics for digital cultures
Martina LEEKER + Irina KALDRACK, Leuphana University

Practices and Languages of Art
Sally Jane NORMAN, University of Sussexã

Session 2B â Practices : Histories of the StudioLab

Fallout and Spinoffs: Commercializing the Art-Technology Movement.
Patrick McCRAY, University of California at Santa Barbara

Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, Industry, Science and the Academy. Martyn JOLLY and Anthony OATES, Australian National University

Multimedia artists and fieldwork (1960-80s)
Jelena MARTINOVIC, Geneva University of Art and Designã

11h-12h KEYNOTE 2
Christine VAN ASSCHE, Chief Curator, Centre Pompidou, Paris

13h-15h WORKSHOP/ATELIER
Rekall â An open-source environment to document, analyze and simplify the restaging of time based media artworks. Clarisse BARDIOT + Guillaume MARAIS, UniversitÃ de Valenciennes et du Hainaut-CambrÃsis

Session 3A â Theories : Limiting the Anthropocene.

End Time: Apocalyptic Systems in Media Art and Design
Kevin HAMILTON, University of Illinois, Urbana-Champaign

Orit HALPERN, The New School University

Instrumental Anthropocentrism: insects, sustainable culture and technological innovation
Roberta BUIANI, Lakehead University

Cultural Software â Materiality and Abstraction in 60s art and technology
Simon PENNY, University of California at Irvine

Session 3B â Re-Making the Critical University Media Labs, Making, and Critical Practice [Panel], Moderator : Nicholas BALAISIS, Postdoctoral Fellow, University of Waterloo

The productive contradictions of critical making
Matt RATTO + Ginger COONS, University of Toronto

Technoromantics, Maker Culture, and Critical Neo-Luddism
Marcel OâGORMAN, University of Waterloo

Audio Toy Box: Building customizable communication therapy toys using Radio Frequency Identification, Owen CHAPMAN + Eric POWELL, Concordia University

Launch of the Media-N Journalâs special edition: Research-Creation: Explorations
15h30-17h

Session 4A â Sites : Pioneering Experiences in Art, Science and Technology in Latin America [PANEL]

Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early Interaction.

AndrÃs BURBANO, Universidad de los Andes, Bogota
Franceso Mariotti: in pursuit of a hybrid ideal through art, media and nature

JosÃ-Carlos MARIÃTEGUI, Alta TecnologÃa Andina, Lima
Sighting Technology in Modern and Contemporary Latin American Art

MarÃa FERNÃNDEZ, Cornell University, Ithaca

Interdisciplinaries Approaches to Second Order Cybernetics During the Early 70s in Chile : Artistic, Scientific and Techno/Political Experiences. Marcel VELASCO, Universidad de Chile, Santiago

Session 4B â Archiving Failure: Film, History and Unfinished Projects [Panel]

Notebooks, raw film reels and ephemera as Research-creation (Process)
Monika Kin GAGNON, Concordia University

Mechanography, Film and Education
Mark HAYWARD, York University

Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada
Alison Reiko LOADER, PhD candidate, Concordia University

Filming Simondon: Cultural Hysteresis and Technological Humanism
Ghislain THIBAULT, Wilfrid Laurier Universityã

Saturday/samedi 07.11.2015

DAY/JOUR 3 Media Art Histories Re-CREATE 2015

9h-10h30 Session 5A â Media Archaeology and Humanities Labs: Creative Knowledge and Practice-Based Theory [PANEL]
Moderator: Jussi PARIKKA, University of Southampton

Exhibition as Lab. Erkki Kurenniemi in 2048, Documenta 13
Joasia KRYSA, Liverpool John Moores University in partnership with Liverpool Biennial

Media and Computer Archaeology at Humboldt University
Stefan HÃLTGEN, Humboldt University Berlin

The Theory & Practice of Posthumanities in the Media Archaeology Lab
Lori EMERSON, University of Colorado at Boulder, Media Archaeology Lab

Situating the Media Archaeology Lab: Research, Art, and the Public
Jesper OLSSON, Linkoping, Sweden

Darren WERSHLER, Concordia University

Session 5B â Practices : Curating alternate histories

Museums of the Unfinished for Unstable Memories
Giselle BEIGUELMAN, University of SÃo Paulo

Ca-Re: Mapping and reactivating variable media artworks in the Latin American context
Jo-Ana MORFIN and Fernando MONREAL, Escuela Nacional de ConservaciÃn ENCRyM

Image-material-media â a philo-curatorial interrogation
Srajana KAIKINI, Manipal University

On display : the history and representational politics of feminist new media and performance art, Barbara CLAUSEN, UniversitÃ du QuÃbec Ã MontrÃal

BOOK LAUNCH : Chris SALTER. Alien Agency: Experimental Encounters with Art in the Making. MIT Press

11h-12h KEYNOTE 3 Skawennati, Artist, Montreal

13h-15h WORKSHOP/ATELIER
Perception, Movement, Image â Always More Than Human
Anna MUNSTER + Michele BARKER, University of New South Wales; Erin MANNING, Concordia University

13h30-15h Session 6A â Theories : Other Senses

Re-Habilitating Bacteria
Jens HAUSER, University of Copenhagen

Coming To Our Senses: A Report on the Sensory Turn in Curatorial and Media Art Practice
David HOWES, Concordia University

Edmund Carpenterâs Experiments across Visual Anthropology and Critical Media Pedagogies
Michael DARROCH, University of Windsor, Hart COHEN, University of Western Sydney, Paul HEYER, Wilfrid Laurier University

Session 6B â Practices : Curating as research.

Virtual Volumes and Electric Choreographies Kinetic and Light Art in the David Bermant Collection and Recent Exhibitions
Christiane PAUL, The New School

Sound Citizen: Curating Sound Art in Public Spaces
Morten SÃNDERGAARD, Aalborg University

Projection Studies
Gabriel MENOTTI, Universidade Federal do EspÃrito Santo

New Media Curating : Sound as a Technological Medium
Laura Plana GRACIA

BOOK LAUNCH : Jussi PARIKKA and Joasia KRYSA. Writing and Unwriting (Media) Art History. MIT Press

Session 7A â Methods : Interdisciplinary Imbroglio.
The Co-production of Art: Collaborations between artists, scientists and engineers in Sweden, 1967-2009
Anna ORRGHEN, Uppsala University

Armonica/Automaton: Media Archaeologies of Affective Programming
Alison De FREN, Occidental College, Los Angeles

Writing on sound/writing with sound: intersection between sound art practice and research in sound studies
Budhaditya CHATTOPADHYAY, University of Copenhagen

Session 7B â Practices : Tactics, ethnicities and matters

Tactical media in the age of communicative capitalism â closed story, unfinished project or current alternative?
Maciej OÅÃg, University of ÅÃdÅ

Matter and Thought: Gordon Paskâs Practice-Based Research
MarÃa FERNÃNDEZ, Cornell University (Ithaca)

Intersectionality and New Media Art: Your Ethnic Apparel is Still Downloading
Alice Ming Wai JIM, Concordia University

17h15-18h
Michaela SEISER, DanubeU/Wendy COONES, DanubeU: Archive of Digital Art â Archive of the Field

Award Ceremony MediaArtHistories 2015 for Barbara STAFFORD
Laudatio Oliver GRAU, DanubeU/tba

Sunday/dimanche 08.11.2015
DAY/JOUR 4 Media Art Histories Re-CREATE 2015

9h-10h30 Session 8A â Practices : Differential Sites

Slow-Scan TV Art; Revisited/Revived
Patrick LICHTY, American University of Sharjah

Psychedelic Circuitry 1880â1980. Signals between Esotericism, New Religions, Engineering and Art â Their Potentials of Positive Diffraction Today
Shintaro MIYAZAKI, University of Applied Sciences and Arts Northwestern Switzerland

Chroma Glitch: Datamosh for Digital Video
Carolyn L. KANE, Ryerson University

Session 8B â Interdisciplinarity : Circuit breakdown.

On A Critical History of Media Art in Japan (2014)
Jung-Yeon MA, Tokyo University of the Arts

A Brief (Media) History of the Indigenous Future
Jason Edward LEWIS, Concordia University & Aboriginal Territories in Cyberspace

Digital Art History, 56Â56â51âN 24Â6â23âE
Solvita ZARINA, University of Latvia

International Networks of Early Digital Arts
Darko FRITZ, Zagreb

11h30-12h30 Session 9 â Challenges, Best Practices, and the Future of Transdisciplinary Collaboration in Media Art, Science and Technology [PANEL]
Ruth WEST, University of North Texas
Roger MALINA, University of Texas
Sara DIAMOND, OCAD University
FranÃois-Joseph LAPOINTE, UniversitÃ de MontrÃal

12h30-13.30h
WRAP UP SESSION/PLENIÃRE

ANNOUNCEMENTS/ANNONCES
MAH 2017 Venue + Closing remarks/Les mots de la fin

VENUES/LIEUX

Agora Hydro-QuÃbec, Complexe du Coeur des sciences, Hexagram-UQAM
Salle dâexpÃrimentation, Pavillon des Sciences biologiques, Hexagram-UQAM
Hall Building, Concordia University
FOFA Gallery and York Vitrine, EV Building, Concordia University
BlackBox, Hexagram-Concordia, EV Building
Pavillon PrÃsident-Kennedy, UQAM

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