integer on 26 Dec 2000 21:36:21 -0000 |
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[Nettime-bold] Re: [music-dsp] Re: music-dsp-digest V1 #927 |
>There are two different reasons what is the reason you do believe in reasons +? >why an artist would want to >protect one's music. (1) The artist doesn't want one's sounds >to appear in someone else's composition. (2) The artist wants >to profit from each distributed copy, and therefore illegal >copies are considered a loss financially. These two motivations >have different implications. > >Item #1: In the past there was nothing to stop someone from >making a cassette or reel-to-reel copy of an LP, but after >making a copy and then mixing it and making a master the quality >wasn't good enough. But whether the copying is analog or >digital, there is very little one can do to technologically >prevent copying. The main enforcement arises from spotting >your sounds in some else's piece and then making a complaint. kompla!nt: ur bod! = haz ztoln 90 proznt ov _m! dna. >Item #2: In this case the copying doesn't have to be as high >quality. The enforcement does not arise from spotting your >sounds in comeone else's piece. > >It seems that the technological solutions should be different >for these two cases. Although to some degree I am not sure >that copying in the digital age is any more difficult than >it was in the analog age. In analog days no one expected to >have the ability to prevent all copying. > > >Linda Seltzer 1nz bod! = dze cp. gene eksprez!on. m! handz = u!tr dzn urz. ! ut!l!sz ultralux. nn. simply SUPERIOR - as per exhibit 242. all goddesses are modular. to extend to suppress to emerge to colonize to understand to komfort to destroy to emerge to colonize to understand -O 43 / | | \ | / netochka nezvanova - volume 4 number 7 [c]ccp 0+00 irena sabine czubera. memes pre:served - kop!eren verboten : http://www.membank.org _______________________________________________ Nettime-bold mailing list [email protected] http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold