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Table of Contents:
Announcing AfterWalkerEvans.com and AfterSherrieLevine.com
"AfterWalkerEvans.com" <[email protected]>
Fwd:_[roundtable]_Medienforum_Muenchen_Art_Award_2001
Nina Stuhldreher <[email protected]>
Announcement: TECH FLESH
"geert lovink" <[email protected]>
Aesthetics and education?
acm acm <[email protected]>
nato.0+55 \\ siggraph
[email protected]
Critical Theory and Experimental Music (Australia)
fran ilich <[email protected]>
CyberFlats 2001 Workshop
jeremy hunsinger <[email protected]>
"Lost Worlds of the Internet: Stalking the Ruins of Virtual Reality"
"geert lovink" <[email protected]>
Reminder 9th NY Digital Salon 2001 Deadlines
victor acevedo <[email protected]>
>> last call for shortfilms
garage <[email protected]>
call for cast01 conference - deadline for submission: May 31, 2001
"Claudia Valle" <[email protected]>
photograhpic exhibition / e-phos 2001
"ALAS" <[email protected]>
Erinnerung: Einladung zur Pressekonferenz
=?iso-8859-1?Q?AG_=D6ffentlichkeitsarbeit?= <[email protected]>
CFP: Research E-ditions 2001
jeremy hunsinger <[email protected]>
Calling all outlaw artists: phenomANON seeks entries for our anonymous guerrilla
acm acm <[email protected]>
------------------------------
Date: Thu, 10 May 2001 08:47:23 -0700
From: "AfterWalkerEvans.com" <[email protected]>
Subject: Announcing AfterWalkerEvans.com and AfterSherrieLevine.com
http://AfterWalkerEvans.com
http://AfterSherrieLevine.com
Michael Mandiberg
"Paula Cooper Gallery"
32 N Moore, 6th Floor
May 18 - June 13 by appt.
Reception Friday, May 18 (6-9pm)
In 1936, Walker Evans photographed the Burroughs, a family of
sharecroppers in Depression era Alabama. In 1979, Sherrie Levine
rephotographed Walker Evans' photographs from the monograph "First
and Last." In 2001, Michael Mandiberg scanned these same
photographs, publishing them on the Web sites AfterWalkerEvans.com
and AfterSherrieLevine.com - virtual galleries designed to facilitate
the dissemination of these images as part of a commentary on how we
arrive at information in this burgeoning digital age.
On AfterWalkerEvans.com you will find a browsable selection of these
images, links to the high-resolution exhibition-quality images
available for download and print-out, along with a certificate of
authenticity for each image (that you print out and sign yourself)
and, finally, directions on how to frame the image so that it will
fulfill the requirements of the certificate.
By making the image's URL its title - with titles such as "Untitled
(AfterWalkerEvans.com/1.jpg)" - the images can be easily located and
downloaded by anyone. By distributing the images online with
certificates of authenticity, the images can be owned by anyone.
Unlike the work of the late Felix Gonzalez-Torres - known for his
spills of candy and stacks of paper from which the viewer can take a
piece - Mandiberg's certificates are used to insure that each
satellite image be considered equally authentic. In the work of
Gonzalez-Torres the sole certificate of authenticity, and thus, the
right to reproduce the work, is sold like a traditional art object.
Mandiberg's work assumes an explicit strategy to create a physical
object with cultural value, but little or no economic value.
Michael Mandiberg is a conceptual artist who uses the net to explore
issues surrounding commerce, labor, and language. His ongoing
project Shop Mandiberg is a fully functional e-commerce web site that
markets and sells every last one of his personal possessions. Shop
Mandiberg (http://www.Mandiberg.com) has received 80,000 hits, and
sold over 60 of his possessions to date. His work has been written
about by the New York Times, the Chicago Tribune, The Berliner
Zeitung, Artbyte.com, Eyestorm.com, among others. His work is
currently included in Net.Ephemera, curated by Mark Tribe at the
Moving Image Gallery in New York.
______________________________________________________________________________
For more information please contact: [email protected], or
917-584-2177
Please click the following link for a print ready version of this
press release:
http:/www.AfterWalkerEvans.com/AfterWalkerEvans_PressRel.doc
Please click the following links to access the sites:
http://www.AfterWalkerEvans.com
http://www.AfterSherrieLevine.com
http:/www.Mandiberg.com
- --
------------------------------
Date: Thu, 10 May 2001 17:17:53 +0200 (MEST)
From: Nina Stuhldreher <[email protected]>
Subject: Fwd:_[roundtable]_Medienforum_M=FCnchen_Art_Award_2001_-_please_forward
- --- Weitergeleitete Nachricht / Forwarded Message ---
Date: Thu, 10 May 2001 15:15:23 +0200
From: Imke Boesch <[email protected]>
To: [email protected]
Subject: [roundtable] Medienforum M�nchen Art Award 2001 - please forward
> Medienforum M�nchen Art Award 2001
> Deadline for receipt of materials: 25 June 2001
>
> Mobile Goals
>
> After an era of land reclamation in virtual space, bought at the price
> of slavish occupation at the computer work station, real space is
> returning to the horizon of developers and artists as a relevant
> parameter of technological innovation. The new generation of
> multifunctional mobile phones and wireless data transfer via notebooks
> promises a mobility, which might be achieved by a complete incorporation
> of miniature telecommunication units.
>
> The new mobility dissolves fixed frames of reference to our world.
> Mobile telecommunication units enable people � at least in theory � to
> communicate with one another at any time and place on earth. The model
> of local points of reference is confronted with a model of unlimited
> mobility.
>
> The question is, what importance might fixed points of reference (for
> example, virtual architecture) still have in a future of total mobility?
>
> We are looking for an art project that starts from the experience of
> real space, examines it and then takes up the question of the location
> of the fully mobile individual. The media-technological aspect of the
> submitted works must be clearly discernible. The project may be in any
> technical medium or form.
>
>
> Conditions of submission
>
> The award is DM 20.000,--.
> By accepting the award, the artist agrees to realize his or her project
> with the funds awarded and to present it personally from the 18. �
> 25.October 2001 in Munich. The artist may decide how to allocate the
> funds, whether for cost of living, operating expenses (for example,
> travel), the acquisition of material or services for the creation of the
> work.
> Additional payments will not be granted.
> The art project remains in the possession of the artist.
>
> The submission must include:
> - Description of the project
> - Description of the technological and space requirements for the
> realization of the project
> - Schedule
> - Itemized budget
> - Curriculum Vitae
>
> Applicants are asked not to submit originals.
> Material will only be returned to the sender if specifically requested.
> As a general rule, submitted materials will be archived at the
> Medienforum, in the event that, after consultation with the artist, the
> project is recommended elsewhere.
>
> Deadline for receipt of materials: 25 June 2001
> Decision of the jury: 1 July 2001
> Presentation of the object: 18 � 25 October 2001
>
> Jury:
> Ulrich M�ller (Vice-President, MFM), KP Ludwig John (MFM), Tjark Ihmels
> (Award-Winner 2000), Monika Fleischmann (GMD), Gerfried Stocker (Ars
> Electronica Center)
>
>
> Address:
> Medienforum M�nchen e.V.
> Literaturhaus M�nchen
> Medienforum M�nchen Kunstpreis 2001
> Salvatorplatz 1
> D-80333 Munich
>
> E-Mail: [email protected]
> Fax: +49-89-24228458
>
- --
GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net
- --========GMXBoundary26713989507873
------------------------------
Date: Thu, 10 May 2001 20:06:36 +1000
From: "geert lovink" <[email protected]>
Subject: Announcement: TECH FLESH
From: "CTHEORY Editor" <[email protected]>
Sent: Thursday, May 10, 2001 5:00 AM
Announcement: TECH FLESH
Dear CTHEORY readers,
We have just published on CTHEORY'S web site (www.ctheory.com) a
series of articles and interviews devoted to a critical exploration
of the Human Genome Project. This will be followed in early June by a
special multimedia presentation of Tech Flesh by some really amazing
new media artists, all of whom work to unconceal the uncertainty
field of the gene.
Here's the formal announcement:
The triumph of biotechnology as the key emergent tendency of the 21st
century indicates that we may be entering a final phase of
technology--harvesting human flesh. Breeding virtual bodies better
suited to the vectors and virtualities of post-biological life.
Widely hyped as a "bible of life" and a "map" to the future of human
evolution, the Human Genome Project throws into sharp ethical relief
critical social issues raised by this newest phase in eugenic
experimentation. Simultaneously speaking in terms of the language of
facilitation (post-genetics as about the eradication of disease and
the extension of the human life span) and the language of control
(genetic sequencing as the latest pharmaceutical version of the
social hygiene movement), the Human Genome Project with its vision of
pure genes and designer biology raises again the specter of
scientific hubris and the silent political interests of a potential
genetic superclass.
With the collaboration of Eugene Thacker (Rutgers University/Georgia
Tech), this issue of CTHEORY is devoted to a diversity of critical
perspectives on the promise and perils of the Human Genome Project.
Here, artists, writers and theorists provide an alternative, critical
vision of the genome and its infotech ideology.
We are grateful for the active and generous support of Boston
College, particularly the Department of Sociology and its Chair,
Professor Stephen Pfohl, in developing this issue, and we very much
appreciate the technical assistance of Jeffrey Wells and Carl
Steadman.
In June, 2001, the multimedia version of Tech Flesh
(http://ctheorymultimedia.cornell.edu), curated by Arthur and
Marilouise Kroker and Timothy Murray, will be published and hosted by
Cornell University's Electronic Publishing Program.
------------------------------
Date: Thu, 10 May 2001 23:02:46 -0700 (PDT)
From: acm acm <[email protected]>
Subject: Aesthetics and education?
What is VAC-UP?
VAC-UP stands for "Virtual Aesthetic Curriculum User
Program." It is a PROformance designed by artofficial
construction media that attempts to address in both
pragmatic and symbolic ways problematic aspects of
aesthetic training in institutions of higher
education, such as job placement.
What is "problematic" about the "aesthetic training in
institutions of higher learning"?
Well, acm believes that there are many aspects of the
education process that are problematic for aspiring
cultural producers. There has also been some
discussion of such problems in various other forums
that suggests that it is not just us complaining. Some
of the aspects we would like to address are: the
contradictions in the inverted relationship between
rising educational costs and decreases in "real" work
opportunities; the small number of jobs available
compared to the large amount of recruiting; the
justification of these trends with neo-social
Darwinism (the survival of the fittest) coupled with
blatant social engineering.
Does VAC-UP offer solutions, or just complain?
VAC-UP is, of course, not an entity in the individual
sense of the word. VAC-UP cannot offer solutions, per
se, but is rather designed to aid in the development
of possible solutions through an opening up of
discourse about education. So, from acm's perspective,
this is part of a solution, but we would caution that
any interpretation of both problems and solutions
include their political economy.
What does ACM mean by "PROformance"?
acm's use of the term "PROformance" is meant to
suggest the connection between VAC-UP as a cultural
product, and VAC-UP as a professional endeavor by ACM
as educational practitioners. The performance method
of VAC-UP does not preclude the affect of such actions
beyond "the stage" so to speak. This is merely a
continuation of established ideas about art, critical
theory, and specificity (Joseph Kosuth, etc..)coupled
with recent developments in contemporary aesthetics
(Andrea Fraser,
etc...)and education.
Can ACM put these words into action?
Yes and no. ACM is committed to the goals set forth in
VAC-UP and ACM members will do what they can to
institute VAC-UP concepts in their own professional
lives. ACM is also actively pursuing the
implementation of VAC-UP as a collaborative venture,
and will work with institutions and organizations in
just about any capacity willing to take VAC-UP or
similar programs on.
http://www.artofficial-online.com/vac-up
__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/
------------------------------
Date: Fri, 11 May 2001 18:09:40 +0200 (CEST)
From: [email protected]
Subject: nato.0+55 \\ siggraph
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2:15-4:00 PM on Thursday in room 404.
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f3.MASCHIN3NKUNST
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17.hzV.tRL.478
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------------------------------
Date: Fri, 11 May 2001 15:41:45 -0500
From: fran ilich <[email protected]>
Subject: Critical Theory and Experimental Music (Australia)
CALL FOR PANEL ON THEORY AND EXPERIMENTAL MUSIC AT THE UNIVERSITY OF
TASMANIA CONFERENCE, 'WHAT'S LEFT OF THEORY?' (details of conference
below this call).
I am seeking abstracts for papers to be included on a panel on 'Critical
Theory and Experimental Music'.
Recent experimental music, especially in the electronic domain, has of
late shown itself to be theoretically informed. Artists such as DJ
Spooky can regularly be heard citing various texts from the Critical
Theory canon, and the number of labels or various artists compilations
themed around the works of Theorists and Philosophers is ever increasing
(cf "In memoriam Gilles Deleuze", the label Mille plateaux and its
offshoot Ritornell to name but a few).
Papers are sought which investigate this intersection between
experimental music and critical theory.
Questions to be addressed might include but are not restricted to:
- --How does theory inform music and what kind of music does this produce?
Does such music differ substantially in its intentionality?
- --How are the ideas of various philosophers and theorists translated
into a musical vocabulary?
- --Do works that attempt to express in music the musical ideas contained
in the written texts of various philosophers convey the sense of the
latter sense more faithfully than the original?
- --To what extent does theoretically-informed music inform or transform
theory?
- --How do we read music theoretically?
Submissions should also take into account the general theme of the
conference (details below).
Abstracts should be sent to:
[email protected]
before May 30th 2001.
Queries on THIS CALL ONLY should be addressed to this same address.
A final decision on papers for this panel will be made soon after to
leave any rejected papers the opportunity of resubmitting as an
individual papers before the major conference call deadline.
QUERIES ABOUT THE CONFERENCE itself (details below) should be addressed
to Ian Buchnan (University of Tasmania) whose contact details follow the
conference info.
CALL FOR PAPERS.
"What's Left of Theory?"
University of Tasmania, Hobart December 8-10 2001
Keynote Speaker: Fredric Jameson
Fredric Jameson once said, we can't really know what a thing is until it
has become something else. It might therefore be said that theory's truth
will only be available to us when it has ceased to be. Which prompts the
question: is theory still alive and well, or has it indeed mutated into
something else? If it has vanished did it leave a trace? Is it its
successor stained with its legacy? But just as importantly, we can perhaps
now, for the first time, determine what theory really is/was.
Fredric Jameson also said that in his opinion, theory itself is a product
of a leftist impulse in critical thinking. Thus despite all the criticism
that has been heaped on theory's progenitor structuralism for its
apolitical approach to analysis, it was in Jameson's view at least, born
of Marxist modes of thinking. This gives our question above quite a
different spin: is theory a leftist enterprise? Or perhaps we should ask,
was it a leftist enterprise? And if it was, is its successor still
leftist? Or has there been a swerve to the right in critical thinking to
go along with the movement beyond theory?
Papers are called for that address these questions in an interdisciplinary
fashion. The Deadline for abstracts is July 20 2001.
Please contact Ian Buchanan, School of English and European Languages
and Literatures, The University
of Tasmania. [email protected]
------------------------------
Date: Sat, 12 May 2001 11:54:49 -0400
From: jeremy hunsinger <[email protected]>
Subject: CyberFlats 2001 Workshop
>
>
>CyberFlats 2001 Workshop
>August 19 Aarhus University, Aarhus Denmark
>August 20-22 Aalborg University Esbjerg, Denmark
>
>
>WHAT WE ARE DOING
>
>We are looking for a few electronic media writers, artists, and
>developers to work together with hypermedia system developers to share
>
>ideas and solve specific problems. If you would like to collaborate
>with an exciting, bleeding edge group, please provide a proposal
>outlining a specific project (a narrow, focused problem to solve) or
>offering your interests and insights to use a developer's system and
>ideas.
>
>CyberFlats will be a chance for hypermedia system developers and
>artists and writers to work together to provide development tools to
>address hypermedia system needs. A maximum of 10 writers and10 system
>developers will gather for a one day meeting August 19 right after
>Hypertext 2001 at Aarhus University to discuss projects,
>collaboration, and electronic media and hypermedia issues. Developers
>
>and artists and writers will work in small groups together for 2 -3
>days (August 20 - 22) at Aalborg University in Esbjerg, Denmark.
>
>Please submit a description of your work and your goals for working
>together by June 10. We will pair up groups so that you can discuss
>and share work ahead of the meeting.
>
>WHAT YOU CAN GET OUT OF THIS
>
>Writers will submit a work in progress with a detailed programming
>problems relating to (open) hypermedia -- structures of different
>kinds, behaviors of different kinds, integration / enabling of new
>(legacy) applications. We are interested in integrating new tools
>(such as a 3D modeling tool) to work within a hypermedia environment
>and (depending on the nature of the tools) in enhancing integrated
>tools to provide new and powerful hypermedia features .
>
>System developers will determine which projects they would like to
>work on, and will work with the writer to find ways to address these
>problems. System developers will submit a short proposalon how they
>will be able to help realize the development goals of the workshop.
>
>HOW YOU CAN PARTICPATE
>
>Writers and Artists
>
>Please submit a proposal to work on an electronic media works in
>progress and to work on a specific problem. Proposals will be judged
>by the following criteria:
>
> Problem is clearly defined
> Problem can be solved
> Work cannot be completed without addressing this
> problem
>
>Proposals for works in progress should be submitted by June 10, 2001
>and sent to [email protected]. Proposals should be contained in
>
>the body of the email message and should contain:
>
> Author's name(s) and affiliation(s).
>
>
> Mailing address.
>
> Name and email address of the primary contact for
>the submission.
>
> Work Description -- Describe the content and
>philosophy behind the work. Discuss the navigational
>techniques, overall structure, and framework for the work. How
>will readers engage with this work? List the elements
>in the work, such as sound, imagery, and text. What do
>these elements add to the work and why do they need to
>be there?
>
> Platform Description -- List all software used to
>develop the work. Describe the actual running and
>publishing environment--will this be a work on the web? on a
>disk? using what end software?
>
> Problem Description -- Explain in detail the
>specific, narrowly focused problem you
> would like to work on. Explain clearly what the
>work should do and how it should do it.
>
> This should be a miniature requirements paper. If you expect that
>your work may involve special electrical, space, or network
>resources, please describe these as clearly as possible in your
>initial submission email. We will be sending additional details, and
>perhaps asking additional questions, once we have reviewed the
>submissions.
>
>System Developer Proposals
>
> System developers should submit a brief statements of what
>type of resources that they can bring to the meeting to help
>realize the developments goals of the workshop. Resources can be of
> different types:
>
> Expert knowledge of the area.
> Programming resources.
> Equipment.
>
> Proposals from system developers should be submitted by June
>
>10, 2001 and sent to [email protected]. Proposals should
>be contained in the body of the email message and should
>contain:
>
> Proposer's name(s) and affiliation(s).
> Mailing address.
> Name and email address of the primary contact for
>the proposal.
> Description of the resources that are brought to
>the workshop and how they can help realize the development goals of
>the workshop.
>
>
> Shortly after the submission deadline, the organizers will
>match proposals from writers with resources from system
>developers. The system developers will be involved in this process.
>
>
>
>jeremy hunsinger wrote:
>
> > Thanks Deena,
> >
> > Hope things are going well:)
>
>
>--
>------------
>
>http://www.deenalarsen.net/
>Come on over to explore the amazing possibilities in hypertext
>------------
>
Jeremy Hunsinger http://www.cddc.vt.edu
Instructor of Political Science Center for Digital Discourse and Culture
Webmaster/Manager CDDC http://www2.cddc.vt.edu/cyber
526 Major Williams Hall 0130 http://www.cddc.vt.edu/jeremy --my homepage
Virginia Tech (yes i need to update it)
Blacksburg, VA 24061 (540)-231-7614 icq 5535471
------------------------------
Date: Mon, 14 May 2001 08:55:10 +1000
From: "geert lovink" <[email protected]>
Subject: "Lost Worlds of the Internet: Stalking the Ruins of Virtual Reality"
From: "CyberForum@ArtCenter" <[email protected]>
Sent: Monday, May 14, 2001 5:16 PM
CyberForum@ArtCenter is trimming the mailing list
for the Summer 2001 series. If you wish to attend
a Forum event in the next 3 months - events are free
and open to the public - please click the link below
and press "Send" to receive details for each event.
mailto:[email protected]?Subject=SummerCyberForumSubscribe
Theme of the Summer 2001 CyberForum
"Lost Worlds of the Internet: Stalking the Ruins of Virtual Reality"
Nearly a decade ago, in the first rush of enthusiasm for Virtual Reality,
hundreds of 3D worlds were launched on the Internet. As commercial
exploitation began to dominate the Web, public attention never
quite reached these islands of 3D experimentation - some of which are
unremarkable and some of which are exquisite gems of low-bandwidth VR.
These virtual art works fell into obscurity even their authors abandoned
them for Web commerce and mainstream activities.
The Summer 2001 CyberForum will conduct biweekly expeditions into
these "lost worlds of the Internet." We will put on avatars and visit these
worlds in real time as we chat with the author-artists who conceived them
and with critics who are interested in the 3D Web.
Past Forum logs: http://www.mheim.com/cyberforum/html/archive.html
The CyberForum@ArtCenter is a production of the Virtual
Worlds Team at Art Center College of Design in Pasadena,
California, under the direction of Michael Heim ([email protected])
------------------------------
Date: Mon, 14 May 2001 01:19:32 -0400
From: victor acevedo <[email protected]>
Subject: Reminder 9th NY Digital Salon 2001 Deadlines
Reminder - CALL FOR ENTRIES: The 9th New York Digital Salon is a digital
art exhibition
that showcases the work of international computer artists. It provides
an
ongoing Internet (www.NYDigitalSalon.org) and international traveling
venue
for this new art form. Entry categories include 1) Gallery Work (prints,
installations, sculpture, CD-ROMs, performances, etc.), 2) Internet Art
(URLs, Net Art), 3) Computer Animation and Digital Video, 4) Digital
Audio
and Music, and 5) Essays on digital art and culture. A special issue of
Leonardo published by the MIT Press will serve as the exhibition
catalog. The
deadline for the Essays has been extended to May 15. All other
categories,
June 1. See www.NYDigitalSalon.org for details. Please send entries to
Laura
Yeffeth, New York Digital Salon, School of Visual Arts 209 E. 23rd St.
New
York, NY 10010 - 3994, USA. For further information call 212-592-2181,
fax
212-592-2509, or email [email protected]
------------------------------
Date: Mon, 14 May 2001 10:54:37 +0200
From: garage <[email protected]>
Subject: >> last call for shortfilms
last Call for Entries
(see english version below)
III. internationales Kurzfilmfestival g-niale
16.-19. August in Stralsund/Germany
[[[[[[[[[[[[ zwischen bild und ton ]]]]]]]]]]]]]]]]]
Das III. internationale Kurzfilmfestival g-niale findet vom 16.-19.
August 2001 im Rahmen des Festivals garage in Stralsund statt.
Veranstalter der g-niale sind garage und Filmclub Blendwerk e.V.
Thema 2001 ist �zwischen Bild und Ton". Dabei soll es um eine bewu�te
filmische Auseinandersetzung mit Wahrnehmung von Einzelmedien und
ihrer Durchmischung gehen, soll das Sehen und das H�ren thematisiert
werden - ob durch Betonung oder konsequentes Weglassen eines der
beiden Elemente. Gesucht sind Formen der Beziehung zwischen
akustischer und visueller Ebene. Wirkungen, Funktionen, Vermittlung
und Darstellung, Ger�usche und Geschichten - was geschieht zwischen
Bild und Ton?
Studenten von Film- und Kunsthochschulen sowie Filmschaffende aller
Sparten sind eingeladen, Kurzfilmbeitr�ge neuerer Produktion bis max.
20 min L�nge einzureichen. Beschr�nkungen hinsichtlich des Genres
gibt es nicht. Die vorjurierten Arbeiten werden dem Publikum
pr�sentiert, welches am Ende des Festivals �ber ein Stimmverfahren
den mit 2000,- DM dotierten Publikumspreis vergeben wird.
Dar�berhinaus wird der Spezialpreis der Jury verliehen.
Einsendeschlu� ist der 5.Juni 2001.
PDF Anmeldeformular unter: http://www.garage-g.de/g-niale2001*.pdf)
g-niale Filmfest
c/o Stabenow
Badenstr. 1
18439 Stralsund/Germany
Info: +49 (0) 3831/298429
oder +49 (0) 30/4412015
e-mail: [email protected]
www.garage-g.de
[[[[[[[[[[[[ between image and sound ]]]]]]]]]]]]]]]]]
The 3rd international short film festival "g-niale" will run from
August 16th to 19th, 2001 and is part of the "garage" festival in
Stralsund. Organizers of the "g-niale" are garage and Filmclub
Blendwerk e.V.
The topic of 2001 is: �between image and sound" as a conscious
discussion of perception of individual media and its interaction with
film and beyond. Thereby illustrating seeing and hearing in a wider
sense - by emphasizing or consistent dropping of one of the two
elements. Looking for forms of relations between the acoustic and the
visual level. Impacts, functions, mediation and presentation,
noise and story-telling - what happens between sound and image?
Students of film and art schools and professional filmmakers of all
genres are invited to send their newly produced short films (max. 20
minutes) to the festival. No restrictions apply to the genre of
submitted works. The preselected films will be presented to an
audience which, at the end of the festival, will choose the three
winners. The festival prize is worth 2.000 DM. Additionally, the
special prize of the jury will be awarded. Deadline will be June 2001.
PDF entry forms under: http://www.garage-g.de/g-niale2001*.pdf)
g-niale Filmfest
c/o Stabenow
Badenstr. 1
18439 Stralsund/Germany
Info: +49 (0) 3831/298429
oder +49 (0) 30/4412015
e-mail: [email protected]
www.garage-g.de
------------------------------
Date: Mon, 14 May 2001 13:04:47 +0200
From: "Claudia Valle" <[email protected]>
Subject: call for cast01 conference - deadline for submission: May 31, 2001
********************************************************************
cast01 Conference on Communication of Art, Science and Technology
September 21-22, 2001 / GMD - Schloss Birlinghoven, Sankt Augustin /
Bonn, Germany
CALL FOR ENTRIES / deadline for submission: May 31, 2001
We invite you to participate in the cast01 conference on intersections
of artistic, cultural, technological and scientific issues of:
LIVING IN MIXED REALITIES
cast01 invites submissions of innovative research, media art practise
and theory. We are looking for ground breaking media art and inspiring
research projects on topics like: Semantic Web, Mixed Reality, Advanced
Interfaces and Future Media Spaces that symbolise the influence of
information technology on patterns of life and work in a networked
society.
Proposed contributions (english or german) may be in the form of
research papers or artistic presentations as well as blueprints and
posters of developing concepts. Researchers, artists, theorists,
practitioners and entrepreneurs are encouraged to submit
interdisciplinary projects and critical reflections on the merging
of the virtual and the real.
Topics:
* Agents and Narrative Intelligence
* Artistic Productions / Mixed Reality Architecture
* Awareness, Memory Space and Knowledge Discovery
* Cultural Archives
* Distributed Systems and Parallel Architectures for the Web
* Hypermedia Formats (XML, VRML, MPEG-4, MPEG-7)
* Interactive TV
* Mixed Reality Environments
* Performative Interfaces
* Tracking, Tracing, Vision Systems
DEADLINE FOR SUBMISSIONS: May 31, 2001
Notification of acceptance: June 30, 2001
Camera-ready papers: July 15, 2001
Early registration deadline: July 31, 2001 (reduced price)
PROCEEDINGS: Accepted papers and blueprints will be published in the
Conference proceedings. A special issue of netzspannung.org journal of
Art, Design and Innovation Research will be published with cast01
conference best papers.
BEST PAPER AWARD: The best paper, artistic presentation, blueprint /
poster and student presentation will be honored with the cast01 award.
http://netzspannung.org/cast01
e-mail: [email protected]
cast01 is organised by netzspannung.org and by the GMD - German National
Research Center for Information Technology. It is supported by the
German Federal Ministry for Education and Research (bmb+f) and by the
European Commission. It is hosted by MARS Exploratory Media Lab:
http://imk.gmd.de/mars
------------------------------
Date: Mon, 14 May 2001 13:54:51 +0300
From: "ALAS" <[email protected]>
Subject: photograhpic exhibition / e-phos 2001
''e-phos 2001''
3=EF International Festival on Film & New Media on Art
STARTS TOMORROW =20
TUESDAY 15th MAY
AS PART OF THE FESTIVAL=20
''e-phos 2001''
=20
PHOTOGRAPHIC EXHIBITION
''THE TRANSITIONAL BODY''
Group exhibition held at the Photography Center of Athens, Sina 52
from 15/5 to 8/6.=20
OPENNING TUESDAY 15 =CC=C1Y 20:00
Five Photography Artists, Eugenia Aravantinou, Kostantinos Vavilousakis, =
Haris Zevlaris, Vassilis Polichronakis and Johanna Weber approach in =
their own unique way the human body and the credibility of photographic =
pictures.
www.filmart.gr=20
The festival "e-phos 2001'' takes place
23 May - 2 June 254 Pireos Str., Tavros
at the former industrial areas of Foundation of Hellenic World =
''Hellenic Cosmos''=20
tel. 7568088
ART IN FOCUS Festival of Documentaries on Art
AFASIA Multimedia Theatrical Performance
THE SHEDDING OF THE ANGEL Telematic Dance Performance
e- LiVe Electro Music Festival=20
=CFRLAN Conferences=20
TRANSDANCE Research Workshop on Dance and Technology
MEDIATRIUM off Line Exhibitions of New Media=20
Commedy Nights=20
Shiatsu, Tattoos
www.filmart.gr=20
------------------------------
Date: Fri, 11 May 2001 01:39:32 +0200
From: =?iso-8859-1?Q?AG_=D6ffentlichkeitsarbeit?= <[email protected]>
Subject: Erinnerung: Einladung zur Pressekonferenz
Die Karawane f�r die Rechte der Fl�chtlinge und MigrantInnen
The Voice Africa Forum e.V. Refugee Human Right Group (Jena)
Fl�chtlingsinitiative Brandenburg (Potsdam)
B�ndnis gegen Residenzpflicht (Berlin)
Pressekontakt: [email protected]
"Movement is our right!"
17. bis 19. Mai auf dem Schlossplatz:
Bundesweite Aktionstage gegen die Residenzpflicht
Einladung zur Pressekonferenz am Dienstag, den 15.05.2001, 11.00 Uhr
Ort: Haus der Demokratie und Menschenrechte, Greifswalder Str. 4, 10405
Berlin
Sehr geehrte Damen und Herren,
Unter dem Motto "Movement is our Right" fordern Fl�chtlinge aus dem gesamten
Bundesgebiet die Abschaffung der Residenzpflicht. Um dieses Menschenrecht
�ffentlich einzuklagen, finden vom 17. bis 19. Mai auf dem Schlossplatz in
Berlin-Mitte die Aktionstage gegen die Residenzpflicht statt.
Der Schossplatz wurde aufgrund der zentralen Lage gew�hlt, au�erdem bietet
er den Fl�chtlingen die M�glichkeit ihren Protest sichtbar zu machen.
Fl�chtlingsunterk�nfte sind in der Regel abgelegen oder mitten im Wald, so
dass die BewohnerInnen gezwungen sind isoliert zu leben. Die Residenzpflicht
verbietet Fl�chtlingen den Landkreis, indem ihre Unterkunft liegt, ohne
Erlaubnis zu verlassen. Dadurch wird ihnen das Menschenrecht auf
Bewegungsfreiheit genommen. Auf diese Weise kann die Ausl�nderbeh�rde jeden
Schritt der Fl�chtlinge �berwachen. Den Fl�chtlingen wird jegliche
Privatsph�re genommen.
Von Donnerstag bis Samstag ist der Schlossplatz rund um die Uhr zentraler
Veranstaltungsort. Am Donnerstag �bergibt eine Fl�chtlingsdelegation ein
Memorandum zur Abschaffung der Residenzpflicht an den Bundestag. Im
Anschluss daran findet zwischen 11.00 und 13.00 Uhr am Pariser Platz eine
Kundgebung statt. Am Samstag beginnt um 12.OO Uhr am Alexanderplatz die
bundesweite Demonstration gegen die Residenzpflicht. Auf dem Schlossplatz
finden Podiumsdiskussionen und workshops statt. Am Donnerstag und Freitag
Abend sind Filme und Konzerte geplant.
Aus diesem Anlass laden wir Sie am Dienstag, den 15.05.2001, zu einer
Pressekonferenz um 11.00 Uhr ins Haus der Demokratie und Menschenrechte,
Greifswalder Str. 4, in Prenzlauer Berg ein.
Wenn Sie an der Pressekonferenz teilnehmen m�chten, bitten wir Sie herzlich
uns per e-mail Bescheid zu geben (Pressekontakt: [email protected]).
Auf der Pressekonferenz am 15. Mai stehen Ihnen von den Veranstaltern Gaston
Edua und Osaren Igbinoba, The Voice Africa Forum (Jena), sowie Betty
Muriithi und Christopher Nsoh, Fl�chtlingsinitiative Brandenburg (Potsdam)
zur Verf�gung. Juristische Fragen beantworten Anw�ltInnen des
Republikanischen Anwaltsvereins und der Berliner
Strafverteidigervereinigung.
Mit freundlichen Gr��en
Die PresseAg
------------------------------
Date: Fri, 11 May 2001 11:41:46 -0400
From: jeremy hunsinger <[email protected]>
Subject: CFP: Research E-ditions 2001
The Center for Digital Discourse and Culture (CDDC) in the College of Arts
and Sciences at Virginia Polytechnic Institute and State University is
accepting new manuscripts for digital modes of publication in its Research
E-ditions series. The CDDC ( http://www.cddc.vt.edu ) has been in operation
for over two years, and it publishes hypertext journals, hosts digital
research archives, and cooperates with many international cyberculture
organizations. You can find examples of our Research E-ditions at
http://www.cddc.vt.edu/editions.html .
As an entirely digital point-of-publication, the CDDC will review and then
produce professional academic research works--either single-authored or
edited collections--in a digital format. Proposals could take the form of
an "e-book" that simply makes available a scholarly monograph in online
format, or a collection of academic papers organized around a central
theme, or a fully hypertextual experiment with new forms of digital
discourse. Proposals could also be made for hosting or mirroring material
that you have on your site or for community building or teaching resources
like bibliographies or discussion systems for your specific community.
Arrangements can be made for "print on demand" (POD) paper versions of
these works, but the main focus of the CDDC is to explore the new
communicative potentials of hypertext, hypermedia, and web-centered
publication. The review processes will be as extensive and rigorous as
those experienced in print academic communication, but it too will be
conducted in a fully on-line format.
All topics are potentially of interest in the Research E-ditions series,
however, we are particularly interested in manuscripts, digital archives,
and hypertexts from the humanities and social sciences relating to the
areas of cyberculture, social theory, literary studies, digital art, and
cultural studies. In addition, the CDDC is committed to Proposals from
applied and natural sciences that relate directly to the fields of
bioinformatics, energy and environmental studies, and information
technology and communications.
To propose a publication project, or to get more information, contact the
Center for Digital Discourse and Culture at [email protected] .
Jeremy Hunsinger http://www.cddc.vt.edu
Instructor of Political Science Center for Digital Discourse and Culture
Webmaster/Manager CDDC http://www2.cddc.vt.edu/cyber
526 Major Williams Hall 0130 http://www.cddc.vt.edu/jeremy --my homepage
Virginia Tech (yes i need to update it)
Blacksburg, VA 24061 (540)-231-7614 icq 5535471
------------------------------
Date: Fri, 11 May 2001 22:27:14 -0700 (PDT)
From: acm acm <[email protected]>
Subject: Calling all outlaw artists: phenomANON seeks entries for our anonymous guerrilla art show
CALLING ALL OUTLAW GUERRILLA ARTISTS, STICKER BOMBERS,
AGITPROP POSTER
MAKERS,
STENCIL HEADZ, SUBVERTIZERS, BILLBOARD LIBERATORS, AND
GRAF ARTISTS
EVERYWHERE!
phenomANON WANTS YOUR SUBMISSIONS FOR OUR ANONYMOUS
SUMMER ART
INSTALLATION AT
THE INDEPENDENT MEDIA CENTER IN SEATTLE.
**************freely forward this shout out far and
wide!********************
Send your stickers, agitprop posters, stencil
templates, billboard reclamation pics, zines, etc...
to:
Phenomanon
c/o IMC
Seattle, WA 98101
Show opens June 9 - DEADLINE for submissions is June 1
Exhibit will run through July 31.
email inquiries to:
[email protected]
=====
artofficial construction media
A collaborative effort to screw in a lightbulb.
visit us on-line at
http://www.artofficial-online.com
__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/
------------------------------
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