Richard Evans on Wed, 19 Sep 2001 15:52:21 +0200 (CEST) |
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[Nettime-bold] A Kind Of Prayer |
A Kind Of Prayer Written September 19, 2001. by Richard Evans May you die a thousand deaths runs the proverb, and so they have, those victims of the World Trade Centre terrorist attacks, their deaths replayed a thousand times on television, featured a thousand times on magazine covers and in newspapers, images which have now been collated into a distinct set, repeated. The news value of such images has long been expired as has the aspect of surprise, of instant shock and outrage: it is also reasonable to assume that everyone with television access has now seen footage of the fall of the Twin Towers more than once. But still those images are repeated every time the attacks are mentioned, even when the news story in question is about the traumatic effects of watching such images, especially in terms of the impact upon children, something I have now witnessed on more than one network on more than one occasion and which seems to reflect broader conventions regarding media treatments of tragedy rather than a response to the recent terrorist attacks per se. Something bereft of respect and dignity- or so it seems to me, when watching an interview with an Adelaide man about the death of his twin brother who was on the one hundred and third floor of the north tower of the World Trade Centre when the first plane hit, the news image cutting from a shot of the talking brother to the collapsing towers. And it was all too easy to imagine that twin brother, running up to the World Trade Centre roof, running through smoke and debris and the screams of fellow workers: it is all too easy to imagine such things without needing to watch the footage as well. The only reason that I can think of to show such footage in such a context is because that is how such news stories are treated: if someone is talking about a specific event and there is footage of that event then you show the footage irrespective of context. But just once it would be wonderful to see an interview which is just that, an interview with a person rather than a pretext to show yet another angle of yet another tragedy and part of the difficulty I've faced in trying to come to terms with such televised tragedies is trying to create a sense of personal space, a sense of balance between the image and the response, between information and empowerment, between what I have seen and what I can do. Which is not very much in the current case in terms of either preventing the recurrence of such terrorist acts or shaping the eventual response, which will almost definitely include some televised aspect providing yet another pretext to show the demise of certain buildings and this is not an anti-media rant but a plea for dignity and space and the attempt to distinguish between the necessary and the gratuitous. If there is anything I do not need to see ever again it is footage of all of those people in all those buildings, dying. And while the actual footage may very well show a building collapse what is also being shown is the death of an estimated five thousand people: our spectacle is their grave. copyright Richard Evans 2001 ______ Echoes: Words and Images By Richard Evans: http://www.well.com/user/rje/ _______________________________________________ Nettime-bold mailing list [email protected] http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold