Lessard, George on Sat, 29 Apr 2000 16:22:33 +0200 (CEST) |
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<nettime> LIST Triumph of Content |
-----Original Message-----
From: Phil Agre [mailto:[email protected]]
Sent: Friday, April 28, 2000 6:06 PM
To: Red Rock Eater News Service
Subject: [RRE]Triumph of Content
[James Beniger at USC has been writing about the wired world longer than
almost anyone; he is best known for his book "The Control Revolution:
Technological and Economic Origins of the Information Society" (Harvard
University Press, 1986).]
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Date: Fri, 28 Apr 2000 11:24:54 -0700 (PDT)
From: James Beniger <[email protected]>
[...]
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Announcing...
TRIUMPH OF CONTENT -- NEW INTERNET MAIL LIST
[email protected]
Content as New Economic and Cultural Sector of Global Society
To join, contact: [email protected]
Annenberg School for Communication
University of Southern California
Los Angeles, California
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The triumph of content--a triumph of text and graphics, speech and music,
art and photography, video and games, but all of these as if now but a
single generalized entity called "content"--constitutes a revolutionary
and profound change in the world's economy. This change has also produced
a new economic and cultural sector (if not the *most* important
commercial sector) of global society, especially as global society is
increasingly found on the Internet and World Wide Web.
That this profound change reflects a vast array of other societal
changes--not the least being the increasing commodification of all
creative expression--is reflected in even the recent and entirely new
uses of the word "content" itself, as in: content provider, content
industry, and content hole (the last-mentioned recently found in a major
Website). Napster and other new online technologies for distributing
music via the Web, as just one example, have already threatened the
dominance of the music industry by the major record labels.
Because of the potential of the Internet and Web to absorb virtually all
forms of creative content through digitization, it is impossible to
consider content's triumph apart from the culture of globalization as
represented on the Web. Mass-marketed content today also reflects tastes
and influences not only national but increasingly global. While Beanie
Babies are popular in Japan as well as in America, for example, Pokemon,
a Japanese creation, continues to take American children by storm. While
Disney blockbusters like "The Lion King" and "Beauty and the Beast" are
appreciated by children throughout the world, Japanese animation like
Hayao Miyazaki's "Kiki's Delivery Service" and "Princess Mononoke" are
admired in American college anime circles no less than by American
toddlers barely able to walk.
Soon everyone now suddenly in the content business--from the creative
arts to marketing, academia to mass media, print to Web--will be
struggling to understand these various and profound changes wrought by
the sudden and simultaneous triumph and globalization of content.
And so we invite you to join us, at
[email protected]
along with other
academics editors poets
advertising executives fashion designers producers
agents filmmakers publicists
animators graphic designers publishers
architects illustrators social scientists
artists industrial designers students
broadcasters journalists theme park designers
cartoonists marketers toy designers
composers market researchers tv & cable executives
copywriters musicians video game designers
critics performing artists Web designers
dramatists photographers writers
who choose to make an early start on attempting to understand the triumph
of content--as both a new economic and cultural sector, and also as a
central force toward an increasingly global society.
James Beniger
Keiko Mori
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To join, contact: [email protected]
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