nettime_at_a_loss on 23 Jul 2000 14:15:28 -0000


[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]

<nettime> announcer000723.1


      E'va Tettenborn <[email protected]>
 essay collection
      "t.whid" <[email protected]>
 WebSite Unseen #25 Launches
      Patrick Lichty <[email protected]>
 Looking Glass Exhibit Update
      [email protected] (KOGO)
 SNOOPIES
      roger szmulewicz <[email protected]>
 FIFTY ONE'S FLASH
      Michael <[email protected]>
 New Job opportunities at the Lux Centre
      laudible <[email protected]>
 n ew  stuff<<
      martin dodge <[email protected]>
 Cyber-Geography Research Bulletin, Vol. 2, No. 01
      officegallery <[email protected]>
 7/21 - office/gallery panel discussion
      Melentie Pandilovski <[email protected]>
 UNDERSTANDING THE BALKANS
      "no art" <[email protected]>
 NETworked Exposures

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Date: Sun, 16 Jul 2000 20:41:09 +0200
From: E'va Tettenborn <[email protected]>
Subject: essay collection

We are soliciting critical papers to be included in a collection on death
and the corpse. Essays should investigate events or cultural phenomena
that focus on the actual display of corpses in public, for example the
German exhibit "Koerperwelten". Of particular interest are works
investigating the spectacular aspects of such events. 

Topics may include but are not limited to:
o the real corpse as art, art and the corpse
o the aesthetics of death
o the corpse as public phenomenon
o corpses and freak shows
o anatomy and the public, public anatomy
o ethical questions

Please send abstracts (2 pages) by 09/30/2000 to:

Eva Tettenborn
Binghamton University, SUNY
Department of English
PO Box 6000
Binghamton, NY 13902-6000

or e-mail abstracts to [email protected] (please do not send
attachments)

The deadline for the completed paper is 11/30/00.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: Sun, 16 Jul 2000 18:54:46 -0400
From: "t.whid" <[email protected]>
Subject: WebSite Unseen #25 Launches

MTAA (M.River & T.Whid Art Associates) are proud to announce the 
launch of our newest WebSite Unseen #25: Ten Digital Ready-Mades. 
WebSite Unseen #25 was commissioned by Patricia Harris, she found out 
about WebSite Unseen through the Fluxlist listserv.

Check it out at MT Enterprises WorldWide http://www.mteww.com

+++

about MTAA
MTAA is a Brooklyn-based conceptual and net art collaboration of the 
artists M. River and T. Whid. Visit their online contextualization, 
MT Enterprises WorldWide, at http://www.mteww.com.


about MT Enterprises WorldWide:
MTEWW.com is the fake corporate front for M.River & T.Whid Art 
Associates (MTAA). MTEWW.com has been the portal to all of MTAA's 
online art practice since February of 1999 as well as a commercial 
contextualization for the MTAA collaborative. MTEWW.com is committed 
to providing the best in online artainment and supporting the online 
artainment community. MTEWW.com runs solely on contributions from 
M.River & T.Whid, as well as enlightened collectors of MTAA art and 
artifacts. MTEWW.com is for-profit, but as yet, is a loosing 
proposition.

-- 
=
=
=
<<<<t.whid>>>>
http://www.mteww.com

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: Sun, 16 Jul 2000 18:45:36 -0500
From: Patrick Lichty <[email protected]>
Subject: Looking Glass Exhibit Update

Release Date:
July 15, 2000
Index:
1: Lev Manovich Essay Added
2: Link changes and site changes
3: Suggestions

Lev Manovich Essay, "The Interface as a New Aesthetic Genre" added to TTLG
texts.

The Through the Looking Glass exhibition, sponsored by the Beachwood center for
the Arts in Beachwood Ohio, continues its year-long exhibition of many of the
leading names of online art and cultural criticism with the addition of Lev
Manovich's essay, "The Interface as a New Aesthetic Genre".  The essay, an
adaptation of Manovich's presentation at the Sins of Change: Media Arts in
Transition conference held at the Walker Art Center, deals with the aesthetics
of the computer interface and its role in the shaping of paradigms within
digital culture.

Note: Due to a server glitch, the intro page may show a very long table.  We
will try to get this fixed soon.

Bio of Lev Manovich
Lev Manovich is an artist and a theorist of new media. His book "The Language
of New Media" will be published by MIT Press in 2000. Manovich was born in
Moscow where he studied fine arts, architecture and computer science. He
received an M.A. in experimental psychology from NYU [1988] and a Ph.D. in
Visual and Cultural Studies from University of Rochester [1993]. Manovich has
been working with computer animation, digital cinema, digital photography, and
interactive multimedia since 1984. He has been teaching digital arts since
1992. Manovich lectures widely on new media theory and aestetics, and his
writings have been published in many countries. In 1995 he was awarded a Mellon
Fellowship in Art Criticism by California Institute of the Arts. Currently he
is an Assistant Professor at the University of California, San Diego were he
teaches studio and theory classes in digital arts.

2:LINKS AND SITE CHANGES
Several visitors to the TTLG website have remarked that a number of virtual
exhibitors' links are not incorrect or inoperable.  This is due to the fact
that a number of the projects are ongoing or time-based.  As such, 'linkrot' is
inevitable.  At this time, our best solution is to inform you which sites are
no longer accessible.

If you find another, please let us know.

3:SUGGESTIONS
The addition of Lev Manovich's essay signals the final planned expansion of the
TTLG exhibition until its official end on March 30, 2001.  Currently the
exhibition serves as a media resource for the arts community, and the potential
for additional activity exists.  The question is posed: As the net is always in
flux, should TTLG evolve with the digital environment until its close date? 
What more could be done?  More artists, texts?  Online forums?

We would like to hear your comments. However, please bear in mind that
additional functions will be determined byt he time and resources of the
curator and the BCA.

Thank you for your support of this landmark show, as it is the first of its
kind in Northeast Ohio, and in many ways, the first show of its kind, period.

Best,
Patrick Lichty
Curator

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: Sun, 16 Jul 2000 12:19:32 +0200
From: [email protected] (KOGO)
Subject: SNOOPIES

20th july 20h
at EXPO 3000
Kopernikus Strasse 1  in Friedrichshain

SNOOPIES
*candy factory

Takuji Kogo
Tetsu Takagi
Philip Horst

http://www.bekkoame.ne.jp/i/ga2750/expo.html

Welcome your home.
As you know here is not so comfortable
now you are afraid of your stupid noisy dog will kill some child
also always harassment phone is ringing,

but it will be ok, you have some good couch,
also some of extotic decoration with some
japanese style, or also you have a minimal art.
but it's now getting dusty.

maybe you should just sit here, and wondering about
how to kill your neighbours,
who laughed you when you walked the street.
or you should pay them back about the harassment messages.
you must get good idea here.

so welcome back your home.

Takuji KOGO
   [email protected]
   mobile 0706 667 5586
   4-34-8,101
   Nishi-Ikebukuro Toshimaku Tokyo Japan
   code 171-0021
______________________________________________________
*candy factory
   http://www.bekkoame.ne.jp/i/ga2750/
   2-131 Hinodecho Nakaku Yokohama Kanagawa Japan


- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: Mon, 17 Jul 2000 13:03:30 +0200
From: roger szmulewicz <[email protected]>
Subject: FIFTY ONE'S FLASH

FIFTY ONE'S FLASH



Chers " photophiles "


Vous avez �t� nombreux � nous t�moigner votre int�r�t  lors de
l�exposition de lancement consacr�e � l�artiste belge Panamarenko. En ce
mois estival, nous organisons un accrochage visant � vous faire
d�couvrir quelques uns des photographes qui font partie de notre
collection permanente.


Au sein d�une galerie accueillante, Fifty One vous plonge dans un
univers consacr� � 100% � la photographie. Cet art relativement jeune (
pr�s de 150 ans ) ne cesse d��voluer et de nous �tonner. Le pouvoir
d�une photo est inestimable: capable de nous �mouvoir ou de nous parler
- avec la m�me intensit� qu�un film muet- elle allie l�esth�tisme � la
communication. Tout comme dans un tableau , on peut tous y retrouver des
parts de soi ou quelque chose qui nous interpelle inexplicablement .

Comme promis , nous organisons , des la rentr�e, deux expositions
th�matiques ( dont nous vous informerons prochainement ) : l�une sera
consacr�e � plusieurs photographes contemporains ( Sam Tayler-wood ,
Tracey Moffatt, Gregory Crewdson, Massimo Vitali, Yasumasa
Morimura,.....) . Ayant rompu avec la philosophie de la photographie
classique - d�sireuse d��tre  une fid�le reproduction de la r�alit� -
ces artistes contemporains ont d�velopp� un langage qui leur est propre.
Explorant les possibilit�s infinies de ce moyen d�expression , ils
d�livrent des documents emplis d�observations sociales et
psychologiques.
L�autre exposition vous fera voyager au coeur de la photographie
africaine grace � Seydou Keita, Malick Sidibe, Ojeikere, Azaglo,.....

Mais d�ici l� , un accrochage regroupant plusieurs maitres
internationaux et quelques coup de coeur . L�americain Peter Beard ,
dont on ne montre que tr�s rarement les oeuvres en Belgique . Cet
amoureux de l�Afrique s�installe au Kenya, afin de s� immiscer dans la
savane qui le passionne tangiblement. Son objectif y capture les animaux
sauvage et l�ambiance d�crite par la romanci�re Karen Blixen. Ses photos
et collages sont emprunt�s de son sang, des mots de son journal de bord
et de sa touche r�solument  � beardienne �.

Parmi les autres photographes , nous vous proposons : Kate Schemerhorn
dont les photos surprennent - avec beaucoup d�esth�tisme -les Americains
en plein univers de fun; Fred Meylan aux d�formations abracadabrantes;
l�artiste polyvalent, inspir� par la mode et New York, William Klein;
l�Anglais David Bailey; et la sensibilit� des images de mode de la
Fran�aise Sarah Moon.


Infos  pratiques:
accrochage : du 15 ao�t au 8 septembre
expo: Contemporary Group Show: du 8 septembre au 14 octobre
expo � Africa: Past- Present �: du 19 octobre au 25 novembre

FIFTY ONE , Zirkstraat 20 � 2000 Anvers, ouvert du mardi au dimanche de
11 � 18h  tel 03/289 84 58 fax 03/2898459 email: [email protected]

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: 17 Jul 00 20:38:41 +0800
From: Michael <[email protected]>
Subject: New Job opportunities at the Lux Centre

The Lux Centre for Film, Video + Digital Arts

http://www.lux.org.uk

The Lux is Britain�s leading, international centre for film, video and
digital arts delivering a vibrant exhibition programme, housing the largest
archive of artists� film and video in Europe and providing unrivalled
resources for production, distribution and education. The Lux is a
continually evolving organisation at the juncture of film and the visual
arts with a strong commitment to emerging media

After a highly successful 3 years as Cinema Programmer and Head of Press
and Marketing two of Lux�s finest team members are leaving to take up
positions at the British Film Institute. Helen De Witt our Cinema
Programmer is taking on the position of BFI Programme Manager and Lars
Drinkrow our Head of Press and Marketing is moving on to the post of
Marketing Manager for the London Film Festival. In view of these changes
the Lux is actively seeking to fill the following vacancies:

Cinema Curator (20-25K) To programme the Lux Cinema and contribute to the
exhibition policy of the Lux Centre. This is a unique opportunity to
contribute to the Lux�s artistic development at a crucial time in the
developments of new exhibition strategies and audiences. Candidates should
have excellent knowledge of independent film culture, understanding and
interest in the visual and digital arts and strong experience of curating
and programming events and venues.

Head of Press and Marketing (20-25k) To direct the Lux�s press and
marketing strategies in the field of visual arts and cinema. This post will
oversee the development of the Lux identity and branding with particular
emphasis on the development of on-line marketing, sponsorship and audience
development. This is a great opportunity for a creative individual to
impact on all aspects of the Lux�s visibility and success.   Contact
[email protected] for a form and further details.

Deadline for receipt of applications: Monday 14 August 2000.

Many apologies for possible multiple postings.

Michael Maziere
Director
Lux Centre
2-4 Hoxton Square
London N1 6NU

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: Tue, 18 Jul 2000 22:26:43 +0800
From: laudible <[email protected]>
Subject: n ew  stuff<<

            > >>
            ..         .             <<         <
       http://laudanum.net/laudible/

                        ..   >>      ::   things to hear and see...

   //  the bright new face is up and seems to be /
                running           ever.so sweetly //

~while sounds are appearing at re::newed pace

     recent additions_ __-

//  jim denley + kevarkian/ m.chest / delire / chris caines /
        pimmon / andrew kettle / dj kevarkian vs hiaz gmachl /
               / j.kennedy + m.chest / seo & andrew kettle  /
jacques soddell///

in the pipe line  .  >>  the klor, the loop orchestra, nkkn>>> among others..
                                    .
     .
++streaming occurs_++

          hydrogen juke box . .. .
        _--	with zinaK and martinNg
          ..  2RESFM 89.7MhZ
             .  wednesday 9pm-midnight  .. .   ...   .
        http://laudanum.net/fl*live/

followed by ++
       	furthermore...  w/ rik rue .&. shannon o'neill  .
      _  _     ___  from     .  2MBS-FM 102.5MHz
       .   ...  fortnightly on wednesday evenings
            midnight-3a.m.
         http://laudanum.net/fl*live/

                   ++all times :: sydney time

   ____
   . to bail from these posts just ask .
           __
                 ..         .             <<         <
                             http://laudanum.net/laudible/

                        ..   >>

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: Mon, 17 Jul 2000 18:55:29 +0100 (GMT)
From: martin dodge <[email protected]>
Subject: Cyber-Geography Research Bulletin, Vol. 2, No. 01

==========================================================================
==   Cyber-Geography Research Bulletin, Vol. 2, No. 01, 17th July 2000  ==
==        < http://www.cybergeography.org/bulletin-2-01.html >          ==
==                      < ISSN 1471-3489 >                              ==
==========================================================================
                              SPONSORED BY

                               C O R P E X

                         DOMAIN NAME REGISTRATION
                          WEB HOSTING E-COMMERCE
                         Tel: +44 (0)20 7430 8000
                          Email: [email protected]
                         Web: http://www.corpex.com

Welcome to the Cyber-Geography Research Bulletin. This is a regular, free,
email bulletin to inform you of changes and new additions made to the
Geography of Cyberspace Directory and the Atlas of Cyberspaces on the
Cyber-Geography Research web site. The bulletin is distributed about once
a month, depending on how much time I have available for my cyberspace
exploration.

This bulletin is available on the Web at
<http://www.cybergeography.org/bulletin-2-01.html>

I am happy to acknowledge the support of CORPEX. They are kindly
sponsoring the Cyber-Geography Research web site.

===========================================
* New Book * MAPPING CYBERSPACE * New Book*
===========================================

Over the past two years I have been writing a book examining how
cyberspace is being mapped and visualised. The book is called Mapping
Cyberspace and is coauthored with a fellow geographer Rob Kitchin. The
book is now complete and will be published by Routledge at the end of
September 2000. I hope that it will be of interest to many subscribers to
this bulletin. The book chapters are as follows,

Introducing Cyberspace
Geographies of the Information Society
Geographies of Cyberspace
Introducing the Cartographies of Cyberspace
Mapping Information and Communication Technologies
Spatialising Cyberspace
Mapping Asynchronous Media
Mapping Synchronous Media
Spatial Cognition of Cyberspace
Imaginative Mappings of Cyberspace
Future Mappings of Cyberspace

A website supporting the book with all the images and maps featured is
under construction at <http://www.mappingcyberspace.com>

Paperback (ISBN 0-415-19884-4): 19.99 pounds / $32.99
Hardback (ISBN 0-415-19883-6):  60 pounds / $99

If you are really interested the book is now listed on Amazon.com and can
be pre-ordered.
- http://www.amazon.com/exec/obidos/ASIN/0415198844/
- http://www.amazon.co.uk/exec/obidos/ASIN/0415198844/

=====================================
The Geography of Cyberspace Directory
=====================================
* http://www.cybergeography.org/ge ography_of_cyberspace.html *
* http://www.geog.ucl.ac.uk/casa/martin/geography_of_cyberspace.html *

New for the "Mapping the Internet" section:

* A Cybergeography project in Germany, by Inga Klas.
( http://www.cybergeography.de/ )

* A second version of the striking 'Whole Internet Map', showing the
Internet as measured on the 1st of January 2000 has been released by
Peacock Maps. ( http://www.peacockmaps.com/ )

New in the "Network Topology Maps" section:

* The Hong Kong Cyber Map, by IDG Communications, provide a comprehensive
source of detailed information on interconnections between Hong Kong and
international ISPs. ( http://www.idg.com.hk/cybermap/ )

New in the "Visualising Information Space" section:

* WebBrain ( http://www.webbrain.com/ ) visual browsing Web directory by
TheBrain.com. ( http://www.thebrain.com/ )

* Herman I., Melanon G. & Scott Marshall M., 2000, "Graph Visualization
and Navigation in Information Visualization: a Survey", IEEE Transactions
on Visualization and Computer Graphics, Vol. 6, No. 1, pages 24-4.
( http://www.cwi.nl/InfoVisu/Survey/StarGraphVisuInInfoVis.pdf )

* Browser Bashers, by Daniel Lyons. Forbes Magazine, 15th May 2000.
( http://www.forbes.com/forbes/00/0515/6511334a.htm )

* Information Visualization Resources by Gary Ng, University of
Manchester. ( http://www.cs.man.ac.uk/~ngg/InfoViz/ )

New for the "Global Internet Diffusion" section:

* Africa.com: Continental Shift, Wired Magazine, July 2000, page 137-138.
(No information online)

New in the "Internet Statistics" section:

* Internet Pulse by Keynote Systems. ( http://www.internetpulse.net/ )

* Zook, M., (2000), "Internet Metrics: Using Host and Domain Counts to Map
the Internet", Telecommunications Policy, Volume 24, No. 6/7, July/August
2000. ( http://www.tpeditor.com/contents/2000/zook.htm )

* Foley P., 2000, "Whose Net? Characteristics of Internet users in the
UK", report for the Policy Action Team 15 on ICTs and Social Exclusion,
February 2000. ( http://www.pat15.org.uk/pdfs/foley.pdf )

* The 'Bow Tie' map of the Web by researchers at IBM Research Almaden,
Compaq Corporate Research Laboratories and AltaVista, May 2000. See their
paper for full details,
 http://www.almaden.ibm.com/almaden/webmap_press.html )
 - Broder, A., et al., 2000, "Graph Structure in the web", paper presented
at the the Ninth Internation World-Wide Web Conference, 15-19th May 2000,
Amsterdam. ( http://www.almaden.ibm.com/cs/k53/www9.final/ )

* Odlyzko A., (1999), "The Current State and Likely Evolution of the
Intenet". Proceedings of Globecom'99, IEEE, pp. 1869-1875.
( http://www.research.att.com/~amo/doc/globecom99.pdf )

* International Bandwidth 2000, a report by TeleGeography. Provides a most
comprehensive guide to global bandwidth supply and demand. April 2000.
( http://www.telegeography.com/Publications/ib00.html )

New for the "References" section:

* Buyukkokten O., Cho J., Garcia-Molina. H. & Gravano, L., 2000,
"Exploiting geographical location information of web pages", Proceedings
of Workshop on Web Databases (WebDB'99), June 1999.
( http://www.stanford.edu/~orkut/pubs/geog.pdf )

* Dodge, M. & Kitchin, R., 2000, "Exposing the 'Second Text' of Maps of
the Net", Journal of Computer-Mediated Communcation, June 2000, Vol. 5,
No. 4. ( http://www.ascusc.org/jcmc/vol5/issue4/dodge_kitchin.htm )

* Dodge, M & Kitchin, R., 2000, Mapping Cyberspace, Routledge: London.
( http://www.mappingcyberspace.com/ )

* Janelle, D. & Hodge D. (Eds.), 2000, Information, Place and Cyberspace:
Issues in Accessibility, Springer-Verlag: Berlin.
( http://www.springer.de/cgi-bin/search_book.pl?isbn=3-540-67492-6 )

* Malamud C. & Rose M.T., 2000, "Maps, Space, and Other Metaphors for
Metadata", Mappa.Mundi Magazine, 1st April 2000.
( http://mappa.mundi.net/features/metadata/ )


New for the "Conferences" section:

* INET'00: Internet Global Summit: Global Distributed Intelligence for
Everyone, 18-21th July 2000, Yokohama, Japan.
( http://www.isoc.org/inet2000/cdproceedings/index.htm )

* The Ninth Internation World-Wide Web Conference, 15-19th May 2000,
Amsterdam, Holland. ( http://www9.org/w9cdrom/index.html )

New for the "Miscellaneous" section:

* Course title: "Geography of Cyberspace", spring 2000; Lecturer: Susan
Pomeroy; Institution: Department of Geography, University of California,
Berkeley.
( http://www-geography.berkeley.edu/CoursePages/Geog_170/170.html )

=======================
An Atlas of Cyberspaces
=======================
* http://www.cybergeography.org/atlas/atlas.html *
* http://www.cybergeography.com/atlas/atlas.html *
* http://www.geog.ucl.ac.uk/casa/martin/atlas/atlas.html *
* Italian Language http://www.museoscienza.org/museovr/cybergeography/ *

New for the "Cables & Satellites" page:

* Street level map of the fibreoptic backbone network in Palo Alto,
California.
( http://www.city.palo-alto.ca.us/utilities/fiberservices/map.html )

* Network route maps for GST Telecommunications, including street level
one for Albuquerque and Tucson. ( http://www.gstcorp.com/network/ )

* Maps of the Global Crossing network infrastructure for Europe and South
America. ( http://www.globalcrossing.com/interactivemap.asp )

New for the "Topology" page:

* Graph of the gnutella network by Steve G. Steinberg.
( http://www.cybergeography.org/atlas/more_topology.html )

* WebBrain visual web directory browsing. ( http://www.webbrain.com/ )

New on the "Information Spaces" page:

* The UBUBU 3d bookmark using icons on planets. ( http://www.ububu.com/ )

New one the "ISP Maps" page:

* The IP backbone network of BTnet in the United Kingdom.
( http://www.bt.net/network_backbone.htm )

* Dynamic network maps of the backbone of Uninett, serving the education
and research sector in Norway. ( http://drift.uninett.no/kart/ )

* An interactive network map of the TeliaNet Internet backbone, which
includes details on the link capacities. ( http://www.telia.net/ )

New for the "Virtual Worlds and MUDs" page:

* A range of maps of the geography of EverQuest, a massive 3D RPG game.
( http://www.station.sony.com/everquest/ )
- EQ Atlas ( http://www.eqatlas.com/ )
- Kunark Mapping Project
( http://www.tapr.org/~OutridersKarana/kunark/kunark.html )
- Chizuyu's Map Shop of the Norrath
( http://nx.sakura.ne.jp/~chizuya/indexe.html )

Please remember there is a US mirror site for the Atlas of Cyberspaces at
http://www.cybergeography.com/atlas/. (This mirror is kindly provided by
the TeleGeography, Inc.)

=================
Map of the Month
=================
* http://mappa.mundi.net/maps/ *

Map of the Month columns in Mappa.Mundi Magazine.

* June's column looked at mapping the virtual city in AlphaWorld.
( http://mappa.mundi.net/maps/maps_013/ )
===================================
Mapping-Cyberspace Discussion List
===================================
If you're interested in discussing the wider issues of measuring and
mapping the Internet and the Web why not join the new Mapping-Cyberspace
List. It is a free and unmoderated mailing list.

Full details on the list and how to join are available at:
<http://www.cybergeography.org/discussion.html>

Or just send email to: [email protected]
with the message: join mapping-cyberspace firstname lastname
(E.g. join mapping-cyberspace John Smith)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
thanks for your attention
martin dodge
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

I welcome your comments on the usefulness of the bulletin and also on my
Web pages. Suggestions for new information on the theme of the geography
of the Internet, WWW and Cyberspace are also welcome. Send them to
[email protected].

(Copyright (c) Martin Dodge, 2000)

 martin dodge

cyber geography research
centre for advanced spatial analysis, university college london
gower street, london, wc1e 6bt, united kingdom

email: [email protected] tel: +44 (0)207 679 1782

<http://www.casa.ucl.ac.uk http://www.cybergeography.org
http://www.mappingcyberspace.com

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
  
Date: Tue, 18 Jul 2000 10:09:06 -0700 (PDT)
From: officegallery <[email protected]>
Subject: 7/21 - office/gallery panel discussion

Friday, July 21st
at 7:30pm
in the office/gallery's newly renovated "training
room" on the 18th floor of 111 Sutter Street (at the
corner of Sutter and Montgomery)
San Francisco, CA

the office/gallery presents a conversation about the
effects of private funding on individual research in
the field of visual art.

In conjunction with the current exhibition titled HARD
COPY, (interpretation of "hard copies" of art on the
internet) this discussion will use internet/digital
related mediums as a catalyst for moving the
conversation through the intricacies of private vs.
public support for individual artists.

Panelists include: Amy Franceschini (FutureFarmers),
Scott Beale (Laughing Squid Web Hosting), Matt
Biederman (SFMoMA/ATA), Manuel Labor (South to the
Future), Courtney Fink (Capp Street Project/CCAC), and
Lee Montgomery.

The office/gallery is a "by appointment only" location
for work by contemporary artists operated 'covertly'
in the San Francisco Offices of a National Life
Insurance and Financial Securities Firm.  

PLEASE DO NOT SEND SNAIL MAIL TO THE OFFICE/GALLERY
WITHOUT FIRST CHECKING THE WEBSITE FOR OUR
ADMINISTRATIVE OFFICES ADDRESS!

Donations for this event will be accepted, but are not
required.

For additional information, please call us at (415)
733-6574, or visit our website at
www.officegallery.org

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Date: Tue, 18 Jul 2000 15:33:44 +0200
From: Melentie Pandilovski <[email protected]>
Subject: UNDERSTANDING THE BALKANS

The Conference Understanding the Balkans is to take place 
in the period October 13 - October 16, 2000 in Hotel Belvi in Ohrid.

I would urge the interested in the below noted subject and themes to
write to me.

Best regards,

Melentie
--------------------------------------------------
Contemporary Art Center - Skopje;
Melentie Pandilovski - Director 
Tel/Fax: ++389.91.13.35.41    ++389.91.21.44.95
Mobile: +389.70.217.075,
Orce Nikolov 109, 1000 Skopje, Republic of Macedonia
http://www.scca.org.mk		
e-mail:	[email protected]
-------------------------------------------------

UNDERSTANDING THE BALKANS
October 13 - October 16, 2000
Hotel Belvi in Ohrid, Republic of Macedonia

Organizer (organization and contact person): 
Contemporary Art Center - Skopje; Melentie Pandilovski - Director 
Tel/Fax: ++389.91.13.35.41    ++389.91.21.44.95
Mobile: +389.70.217.075,
Orce Nikolov 109, 1000 Skopje, Republic of Macedonia
http://www.scca.org.mk		e-mail:	[email protected]

General Idea of the Conference:

The rapid changes that the countries of South-East Europe are confronted
with make it a necessity and essential 
challenge to perform a certain "archaeological cut" through the
different heterogeneous layers of the Balkan region. Therefore the
international Conference UNDERSTANDING THE BALKANS is conceived as a
challenge to examining the alteration stratum of the Balkans
concentrating strongly on questions of society, culture, art, and
history. Reflections and analysis dedicated to these complex issues will
be examined during the Conference.

UNDERSTANDING THE BALKANS will in this goal try to focus on examining the intersection of the acquired codes
in the social, historical, cultural, we have used on the Balkans in our
immediate past as well as in considering the changes through which our
societies, and culture, are undergoing over the past decades. The
Conference is especially interested in investigating the deeper reasons
for on-going conflicts in the region. The Conference will focus on
finding ways of concordant common social, political and economic
structure to emerge in the new Balkan societies and thus admitting that
each region has its own specifics shall try to find a link connecting to
the cumulative cultural achievements of the past.

UNDERSTANDING THE BALKANS is open to the investigating of substantially higher synergistic systems on the
Balkans and will urge the creation of new visions of the artists,
theoreticians, historians, sociologists, and philosophers and will
concentrate on finding a common platform in which the present historic
and cultural gaps can be bypassed. Being conceived as an encounter of
artists, technologies and visionaries the Conference also welcomes
various projects using information technology and different multi-media
applications, life sciences, etc.


Themes to be discussed: 

1.	Codes Not Understood: Reasons and Consequences

2.	Identities: Creation and Use

3.	Mediated Images: Theory and Creation

4.	Networks: New Quality or Redundant Accumulation 


The format of the Conference:
UNDERSTANDING THE BALKANS is inviting 30 leading thinkers from the Balkan region as well as outside from it, 
covering a wide expertise (historians, sociologists, philosophers, scientists, culturologists, and artists).


Proceedings:
 			 (November-December 2000)
The proceedings will be published in English and Macedonian with a possible translation to the other Balkan languages. 

Deadline: The deadline for application is September 15, 2000.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

From: "no art" <[email protected]>
Subject: NETworked Exposures
Date: Tue, 18 Jul 2000 15:53:33 EDT

A web-based component to socio-interactive or NETworked "exposures" that 
could be thought of as an intermittent and ongoing series of interruptions 
amidst the otherwise mass proliferation of images and/or texts in the 
service of capital... or maybe something else entirely.

http://www.restlessculture.net/peppermint
http://www.restlessculture.net/peppermint
http://www.restlessculture.net/peppermint
http://www.restlessculture.net/peppermint
http://www.restlessculture.net/peppermint
http://www.restlessculture.net/peppermint
http://www.restlessculture.net/peppermint
http://www.restlessculture.net/peppermint
------------------
------------------
------------------
------------------
------------------

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

#  distributed via <nettime>: no commercial use without permission
#  <nettime> is a moderated mailing list for net criticism,
#  collaborative text filtering and cultural politics of the nets
#  more info: [email protected] and "info nettime-l" in the msg body
#  archive: http://www.nettime.org contact: [email protected]