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Table of Contents:
What is Art Today ?
"papri.com" <[email protected]>
du bist die welt - newsletter #1
"geert lovink" <[email protected]>
Nick Fisher's interactive drama
"Diane Greco" <[email protected]>
http://meta.am/ - arc.fold
m e t a <[email protected]>
Sarai Reader 01
Monica Narula <[email protected]>
spacecraft 15.mov
doron golan <[email protected]>
Tigerlily, netart
Corinne Kruger <[email protected]>
breathecrack&peel
"trip dixon" <[email protected]>
CALL for SUBTITLES
[email protected] (ger.j.z.zielinski)
[ASCII] AGENDA maart 2001
"geert lovink" <[email protected]>
Fw: Medecins Sans Frontier Petition
"Gustavo Barbosa" <[email protected]>
THE NEW BODY XPERIENCE symposium in Athens
"ALAS" <[email protected]>
Webcast 136 with topic "Leitmotif" + Spring-Tour
Station Rose <[email protected]>
Press Release - hybrid<life>forms
"josophia" <[email protected]>
TRASHCONNECTION
alex galloway <[email protected]>
------------------------------
Date: Fri, 30 Mar 2001 00:03:07 +0200
From: "papri.com" <[email protected]>
Subject: What is Art Today ?
[ What is Art Today ? ]
You know the answer ?
add more ?? [ http://www.papri.com ]
- --
artschwager.com
broodthaers.com
closky.com
devautour.com
duyckaerts.com
filliou.com
gonzalez-foerster.com
gonzalez-torres.com
krystufek.com
lizene.com
morellet.com
muntadas.com
rutault.com
sorbelli.com
tiravanija.com
toroni.com
veilhan.com
whiteread.com
wodiczko.com
- --
http://www.papri.com
------------------------------
Date: Fri, 30 Mar 2001 03:18:22 +1000
From: "geert lovink" <[email protected]>
Subject: du bist die welt - newsletter #1
From: "DBDW Maillist" <[email protected]>
Sent: Friday, March 30, 2001 1:32 AM
Subject: du bist die welt - newsletter #1
VIENNA FESTIVAL 2001
du bist die welt
24 Episodes about Life Today
FILM THEATRE PERFORMANCE VISUAL ARTS LECTURES DISCUSSIONS MUSIC
A project curated by: Alexander Horwath, Katrin Klingan, Hedwig Saxenhuber,
Georg Sch�llhammer and Hortensia V�lckers
June 1st - 24th 2001, K�nstlerhaus Wien
opening night: May 31st
A project of the Vienna Festival in cooperation with the k/haus
Newsletter #1
"You are the world!" This appeal from the global consumer and culture
industries is now heard everywhere. It is directed just as much at the
"flexible" worker in western Europe as at a shopping mall visitor in
Shanghai; it serves right-wing demagogues as much as emancipation movements.
What specific living conditions, what contradictory realities lie hidden in
the promises of this appeal? Today, artists from the most diverse
disciplines are concerning themselves with this question. Their eye is drawn
to processes of transition, towards situations, biographies and places in
motion.
"du bist die welt" offers a terrain for these observations: film makers from
China investigating the radical changes in their country, Argentinian
theatre projects talking about the traumas of the dictatorship and of
globalisation, sociologists from Europe critically analysing new forms of
work, and fine artists tackling questions of nationalism, racism and
migration. Videos and performances reflect the tension between tradition and
modernity in areas of conflict such as the Lebanon after the civil war,
post-Soviet Armenia or present-day Uganda. Diverse sounds tell of the
construction of national
feelings (for example in Belgrade), of the diasporic identities (e.g. in
the New York Latino communities), or of cosmopolitan mobility (such as the
electronica sites of Riga, Vienna or Buenos Aires).
"du bist die welt" includes film, fine art, theatre, performance, music,
lectures and discussions by artists, among others:
Chantal Akerman, Omar Amiralay, Danielle Arbid, Ruben Arevshatyan, Thomas
Arslan, Sandra Arzb�cher, Aysun Bademsoy, Beatriz Catani, Fruit Chan,
Jean-Pierre und Luc Dardenne, Ines Doujak, Sergej Dvortsevoj, Tim
Etchells/Forced Entertainment, Christian Fennesz, Matteo Garrone, Goat
Island, Thomas Heise, Heddy Honigmann, Christian H�ller, Rupa Huqu, Jia
Zhangke, Bertha Jottar, Elias Khoury/Rabih Mroue, Hermann Kocyba, Harmony
Korine, Maurizio Lazzarato, Dorit Margreiter, Eoin Moore, Ritty Panh, Jan
Peters, Lisl Ponger, Florian Pumh�sl, Walid Ra'ad, Joao Pedro Rodrigues,
Klaus Ronneberger, Anri Sala, Andreas Siekmann, Haroutyun Simonian, Hito
Steyerl, Alejandro Tantanian/Luis Cano, Milica Tomic, Jean-Marie Teno,
Teresa Villaverde, Olivier Zabat
Exhibition Area:
Exhibition: open daily from June 1st - 24th , 10 am - 9.30 pm
Artist's talks and presentations: 6 pm
Lectures: 8 pm
Performances:
"Fishing for Documents: Case Studies from the Atlas Group Archive presented
by Walid Ra'ad",
June 1st - 4th, 10 pm
Alejandro Tantanian/Luis Cano: "La Desilusi�n", June 14th - 17th, 10 pm
Elias Khoury/Rabih Mroue: "Three Posters", June 21st - 24th, 10 pm
Symposiums:
"Eine Angelegenheit des Volkes" ("A People's Affair"), Florian Pumh�sl and
guests, June 7th, 3 - 7 pm
"Looking for the Post-Fordian Subject ", June 8th - 9th, 3 - 7 pm (in
cooperation with Arbeiterkammer Wien)
Live Film Shooting:
"Europas Traum" ("Europe's Dream"), Hito Steyerl and guests, June 16th, 3 -
7 pm
dietheater K�nstlerhaus:
Tim Etchells/Forced Entertainment: "Instructions for Forgetting", May 31st -
June 3rd, 8.30 pm
Goat Island: "It�s an Earthquake in my Heart", June 7th - 10th, 8.30 pm
Beatriz Catani: "CUERPOS A banderados", June 14th - 17th, 8.30 pm
Cinema K�nstlerhaus:
Daily showings at 4.30 pm, 7.30 pm, 10 pm
The box office at the K�nstlerhaus is open for reservations by phone
[+431-1] 505 43 28 or in person from April 28th, daily
from 4.30 pm.
Project manager: Hortensia V�lckers
Conception: Alexander Horwath, Katrin Klingan, Hedwig Saxenhuber, Georg
Sch�llhammer und Hortensia V�lckers
Exhibition architecture: Lacaton & Vassal
Visual concept: D+
Coordination: Heide Wihrheim
Production: C�lestine Kubelka
Location:
K�nstlerhaus Wien
Karlsplatz 5
A-1010 Vienna
More detailled information:
"du bist die welt" - Folder is available from April 26th 2001.
"du bist die welt" - Programme booklet from May 11th 2001.
Special edition Springerin - Hefte f�r Gegenwartskunst - issue 2/01 (June to
August 2001) - German edition, English edition in the net
Newsletter # 2 - End of April 2001
for further information, please contact
Festival Service Telephone: [+43-1] 589 22 22
[email protected]
[email protected]
<http://www.festwochen.at/dubistdiewelt>
http://www.festwochen.at/dubistdiewelt
for ticket information, please contact:
Festival Service Telephone: [+43-1] 589 22 22
[email protected]
online order: <http://www.festwochen.at/> http://www.festwochen.at
for information on accommodation, please contact:
<http://www.wien-tourismus.at/> http://www.wien-tourismus.at
------------------------------
Date: Thu, 29 Mar 2001 13:55:24 -0500
From: "Diane Greco" <[email protected]>
Subject: Nick Fisher's interactive drama
Hi -
If you're interested in interactive drama, you might want to check
out an interview I've just completed with Nick Fisher, a playwright who has
written BBC's first-ever interactive radio drama, THE WHEEL OF FORTUNE.
Here's the interview:
http://www.eastgate.com/HypertextNow/archives/Fisher.html
And the WHEEL OF FORTUNE website:
http://www.bbc.co.uk/radio4/wheel/
Diane Greco
- ---------------------------------------------------------------
Diane Greco [email protected]
Eastgate Systems, Inc. voice: +1(617) 924-9044
134 Main St Watertown MA 02472 USA fax: +1(617) 924-9051
WORLD WIDE WEB: http://www.eastgate.com/
------------------------------
Date: Thu, 29 Mar 2001 11:59:40 -0700
From: m e t a <[email protected]>
Subject: http://meta.am/ - arc.fold
//
http://meta.am/image/video/
arc.fold
//m
127.0.0.1
http://meta.am/
216.71.65.73
.
------------------------------
Date: Fri, 30 Mar 2001 15:59:19 -0800
From: Monica Narula <[email protected]>
Subject: Sarai Reader 01
Sarai is happy to announce the publication of the Sarai Reader 01,
"The Public Domain", a co-publication of Sarai:The New Media
Initiative, New Delhi, India and The Waag, Amsterdam, Netherlands.
The Reader is a collection of essays on:
OLD MEDIA/NEW MEDIA: ONGOING HISTORIES, WETWARE: BODIES IN THE
DIGITAL DOMAIN, 'FREE AS IN FREEDOM': SOFTWARE AS CULTURE, INTERNET
INTERVENTIONS, CLAIMING THE CITY.
Articles refer to global debates, with special emphasis on South Asia.
pp 248
Editorial Coordination: Raqs Media Collective (for Sarai) + Geert
Lovink (for Waag)
The reader can be ordered by email at [email protected]
The cost is:
Rs 150 (+Rs 25 for postage) within India
Indian Rupees 150 (+INR 140 for postage) within South Asia
US$ 10 (+ US$ 4 for postage) rest of the world.
Payment can be made by draft made payable to the CENTRE FOR THE STUDY
OF DEVELOPING SOCIETIES.
- -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
TABLE OF CONTENTS
ENTERING THE PUBLIC DOMAIN - viii
[email protected]: Discussing the Public Domain - 1
Quotes: Dipesh Chakrabarty/Sudipta Kaviraj - 10
Martin Chautari in Kathmandu: Ideas unlimited and thoughts
unrestrained - C.K. Lal - 12
Frequently Asked Questions about the Public Domain - Erik Kluitenberg - 17
The Topoi of E Space: Global cities and global value chains - Saskia
Sassen - 24
CLAIMING THE CITY - 33
Quotes: Partha Chatterjee/Ashis Nandy - 34
CityScapes - Awadhendra Sharan - 38
Dislocating Delhi: A city in the 1990s - Aditya Nigam - 40
Post Colonial Towns Called Deoria - Shahid Amin - 47
'Our' Media City - Jeebesh Bagchi + Ravi Sundaram - 53
OLD MEDIA/NEW MEDIA: ONGOING HISTORIES - 55
An Imperfect Public: Cinema and citizenship in the 'third world' -
Ravi S. Vasudevan - 57
On Mushtaq Gazdar's 'History of Pakistani Cinema' - Rehan Ansari - 69
Who's Afraid of Radio in India? - Frederick Noronha - 72
FM Radio and the New Urban Public in Nepal - Pratyoush Onta - 76
The 'Daily' Reality of Partition: Politics in newsprint, in 1940s
Kanpur - Saumya Gupta - 80
The ABC of Tactical Media - David Garcia + Geert Lovink - 90
Recycling Modernity: Pirate electronic cultures in India - Ravi Sundaram - 93
New Media: A users guide - Lev Manovich - 100
INTERNET INTERVENTIONS - 109
The Rise and Fall of Dotcom.mania: Cyberculture in the Internet
economy - Geert Lovink - 110
Internet Nation: The case of cyber Yugoslavia - Tomislav Longinovic - 117
On Search Engines - Matthew Fuller - 123
Stop Big Brothers! - Supreet Sethi - 125
A Chronology of Media and the State (in India) - Jeebesh Bagchi - 127
Policing the Net: The dangers of India's new IT Act - Siddharth
Varadarajan - 133
Re: Covert Censorship (letter) - Seema Kazi - 135
Hindi Web World: Tentative steps in an optimistic direction - Ravi Kant - 136
Why Activists Cannot Afford to Neglect the Internet - Arun Mehta - 140
WETWARE: BODIES IN THE DIGITAL DOMAIN - 147
Touch: Wetware, Ubicom and Nanotech - Julianne Pierce - 148
New Maps & Old Territories: A dialogue between Yagnavalkya and Gargi
in Cyberia - Monica Narula + Shuddhabrata Sengupta - 152
On the Shopfloor: A personal account of work in the IT industry:
India - Joy Chatterjee - 159
South Asian Workers in Silicon Valley: An account of work in the IT
industry: U.S.A. - Raj Jayadev - 169
Bodyshopping - A Story: An account of an emigre Indian programmer in
America - 171
Entry Permitted/Access Denied - Ruchika Agarwal - 174
'FREE AS IN FREEDOM': SOFTWARE AS CULTURE - 175
Why Software Should Not Have Owners - Richard Stallman - 176
What Is Copyleft? - 181
Some Confusing/Loaded Words + Phrases (that are worth avoiding) - 182
Piracy is Your Friend - Jaron Lanier - 185
www.freeradio.org - 187
Interview with Stallman - 188
The Hacker's Ethic - 190
The Hacker Anti Defamation League - 191
Free Science Campaign - 192
The Free Music Philosophy (v 1.4) - Ram Samudrala - 194
Free Software as Collaborative Text - Florian Cramer - 199
Cooking Pot Markets: Gift Economy - Rishabh Iyer Ghosh - 207
On hacking, free software, etc. - 222
Fire, Work With Me - L. Fitzgerald Sjoberg - 225
Copyrighting Fire! - Ian Clarke - 227
<ALT/OPTION>228
The Manifesto of January 3, 2000 - Bruce Sterling - 229
The Net and the Web - Hakim Bey - 233
How Sarai Happened - 240
Aims & Objectives of Sarai - 241
About SONM & CSDS <ETH> 242
Notes on Contributors - 243
Acknowledgments - 246
- --
Monica Narula
Sarai:The New Media Initiative
29 Rajpur Road, Delhi 110 054
www.sarai.net
------------------------------
Date: Fri, 30 Mar 2001 11:34:48 -0500
From: doron golan <[email protected]>
Subject: spacecraft 15.mov
- --
http://www.computerfinearts.com/spacecraft15/
- --
quicktime compressed streaming media
duration: 02:19:20
data rate:50 kb/sec
- --
computerfinearts.com
- --
------------------------------
Date: Sat, 31 Mar 2001 14:47:36 +0100
From: Corinne Kruger <[email protected]>
Subject: Tigerlily, netart
Tigerlily celebrates her one year presence at the internet.
Tigerlily is a portal dedicated to art and netart. It offers an unique
overview of art and netart related sites in the Netherlands and abroad.
Tigerlily is initiated and run by an artist and several artists have
contributed to the development of this portal during this first year.
Tigerlily has a steady number of visitors and is updated every month.
Contributions are welcome.
Not been there yet, check it out at:
http://www.tigerlily.nl
Tigerlily
Excuse me for cross-posting !
------------------------------
Date: Fri, 30 Mar 2001 19:47:56 -0000
From: "trip dixon" <[email protected]>
Subject: breathecrack&peel
>>>>
its for re-creating, manipulating and closing up because it can't be
kept, but shared. sampled, copied, ripped off and plagerised====
::::videoaudiostillandmoving::::
{{{{{{{ http://www.eciad.bc.ca/~trip/breathe }}}}}}
&&tripDixon
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
------------------------------
Date: Sat, 31 Mar 2001 20:02:50 -0500
From: [email protected] (ger.j.z.zielinski)
Subject: CALL for SUBTITLES
CALL FOR SUBMISSIONS
SUBTITLES: writings on the foreignness of film
issue editors: IAN BALFOUR and ATOM EGOYAN
[email protected]
deadline for submissions: fall 2001
www.alphabet-city.org
Alphabet City is soliciting projects that explore the idea and the
actuality of the foreignness of film. We take it that film now operates in
a more or less global environment, in which issues of translation come to
the fore. Every film is, for some audience or another, a foreign film, and
perhaps not only in terms of language. We want to think collectively about
the foreignness of film, its historical and not-so-natural character. The
current moment of flux in film's status in relation to TV, video, internet
transmission, et. al. offers an occasion to make sense of film's
transformed and transforming character. The presence of subtitles-a
doubling of words and of word as image-will serve as a point of departure
for thinking about what is more broadly at work and at play in the
imbrication of word and image in the always potentially foreign film.
Alphabet City is a book series produced by an international collective of
editors, contributors, and designers formed in 1991. The collective is
dedicated, in its anthologies, to combining theory, literature, and
politics with the work of artists and architects. Over the past ten years
Alphabet City has demonstrated how collaboration, thoughtful design, and
critical engagement can create a new kind of publication that articulates
fresh possibilities for reflection in a time of rapid global change.
Alphabet City's editorial collective is distinguished not only by its
presentation of the highest quality contemporary literature, essays,
photography, art, and architecture, but also by its commitment to design
principles that have earned it high praise and awards.
Since 1991, Alphabet City has published the work of the following, among
many others: Stan Allen, Ian Balfour, Georges Bataille, Stephen Andrews,
�tienne Balibar, Maurice Blanchot, Christian Boltanski, Svetlana Boym,
Catherine Bush, Massimo Cacciari, Eduardo Cadava, Rebecca Comay, Drucilla
Cornell, Lynn Crosbie, Jacques Derrida, Atom Egoyan, Deborah Esch, Nuruddin
Farah, John Greyson, Ryszard Kapuscinski, Thomas Keenan, Julia Kristeva,
Laura Kurgan, Alphonso Lingis, Detlef Mertens, Farshid Moussavi, Sherin
Neshat, Fernando Pessoa, Nino Ricci, Bruce Robbins, Andrew Ross, Saskia
Sassen, Gayatri Chakravorty Spivak, Paul Virilio, Krzysztof Wodiczko,
Slavoj Zizek.
previous volumes:
Reading Gulf War TV (no. 1, 1991)
Nations and Nationalisms (no. 2, 1992)
States of Culture (no. 3, 1994)
Fascism and its Ghosts (nos. 4/5, 1996)
Open City (no. 6, 1998)
Social Insecurity (no. 7, 2000)
volumes in development:
Lost in the Archives (no. 8)
Rebecca Comay, issue editor
Subtitles: Writings on the Foreignness of Film (no. 9)
Ian Balfour and Atom Egoyan, issue editors
Alphabet City welcomes submissions by email in plain text, rich text format
(rtf), and portable document format (pdf).
Alphabet City
313 Richmond Street East, Suite PH59
Toronto, Ontario, Canada M5A 4S7
www.alphabet-city.org
editor: John Knechtel
art director: Gilbert Li
managing editor: Julija Sukys
chair, fundraising committee: Janna Graham
editorial board: Ian Balfour, Rebecca Comay, John Knechtel
the following institutions have provided support for Alphabet City:
Art Gallery of Ontario
Canada Council
Canadian Centre for Architecture
Connaught Foundation, University of Toronto
Faculty of Architecture, Landscape, and Design, University of Toronto
Graham Foundation, Chicago
Ontario Arts Council
------------------------------
Date: Sun, 1 Apr 2001 19:08:14 +1000
From: "geert lovink" <[email protected]>
Subject: [ASCII] AGENDA maart 2001
From: "Jaap" <[email protected]>
Sent: Sunday, April 01, 2001 4:43 PM
Subject: [ASCII] AGENDA april 2001
ASCII Internetworkplace
Open Daily: 14:00-19:00
Agenda April 2001
=================
Tue 03-04: Workshop: Dual, tripple quadrupple boot
- --------------------------------------------------
Most people start their linux experience on a machine which is already
running
another operating system. Getting both to run easily next to each other is
often a big hassle.
In this workshop, we'll show you how it's done. Subjects covered are:
- - partitioning your harddisk with tools like FIPS and partition magic
- - using multi-boot utilities as LILO
- - installing Linux in a file on your windows partition.
More info: http://squat.net/ascii/events
Time: 19:30. Free entrance
Thu 05-04: Mumiaplein: "Killing Time," Liesel Evansa, 50 minutes.
- -----------------------------------------------------------------
The doc shows Dobie Williams, a black man on death row in Louisiana,
awaiting his execution. Although in the doc itself Dobie Willams gets a
stay, he eventually got killed on January 8, 1999.
The day after his execution Sister Helen Prejean wrote:
For the first time, I believe, I befriended a truly innocent man on death
row. Innocence or guilt does not matter to me in struggling against the
death penalty. I do not believe the state should
be torturing and killing people, even guilty people. But this man, Dobie
Williams, a 38-year-old indigent black man, I believe, was railroaded to
death for the death of a white victim in a small,racist Southern town. He
fit the death row profile perfectly, especially
in the South: a poor black man accused of killing a white woman with an
all-white jury as the constitutionally guaranteed "jury of his peers." He
had a terrible defense -- no defense.
The prosecution got everything they asked for -- including Dobie's death
last night -- after 14 years and 12 death dates and stays of execution.
Time: 19:30. Free entrance
Sun 08-04: Music @ ASCII
- ------------------------
Mosaic: Oene van Geel, Wiek Hijmans, Jorrit Dijkstra & Mark Haanstra
More info: http://squat.net/ascii/events
Time: 17:00. Free entrance
Tue 10-04: Workshop: Baking your own linux kernel
- -------------------------------------------------
It says so in every linux manual: you'll only become a real nerd if you
compile your own kernels.
In this workshop, we'll wade trough the zillions of options you get when you
type "make menuconfig" and patch de kernel to add special options. You're
invited to bring your own computer if you want a tailormade kernel for it.
More info: http://squat.net/ascii/events
Time: 19:30. Free entrance
Tue 17-04: Workshop: Search Engines
- -----------------------------------
In this workshop we'll investigate using search engines on internet to find
information, talk about how search engines work and how you can make your
websites show up high in the listing of search engines.
More info: http://squat.net/ascii/events
Time: 19:30. Free entrance
Thu 19-04: Mumiaplein: "BUSINESS BEHIND BARS"
- ---------------------------------------------
Part 1 US, Part 2 Australia", Catherine Scott, 104 minutes.
Part One: USA is about business behind bars in the United States. The film's
main focus is on the jailers and the glitzy commercial arena of the prison
industry. This is contrasted with the world of their captives living out
their
confined lives on the inside. How do these parallel and opposing universe
affect each other? What happens to justice in a market driven climate where
money is made out of deprivation of liberty.
Part Two: Australia
Australia has the highest proportion in the world of inmates in private
prisons. These facilities are financed, built, managed and owned by US and
UK
corporations. Part Two questions prison management and accountability, and
reveals the personal struggles of inmates and former prisoners: deaths in
custody, self-harm, riots, surviving after release. Issues of law and order
and mandatory sentencing confront us daily. Is the combination of a private
prison industry and harsher sentencing polices the way to go? We're dealing
in
a situation where society as a whole is clamoring for a so-called get tough
on
crime approach, locking up more and more people for longer and longer
periods
of time and that inevitably has an effect on the kinds of conditions people
i
are locked up in.
Time: 19:30. Free entrance
Sun 22-04: Muziek @ ASCII
- -------------------------
Live music.
More info: http://squat.net/ascii/events
Time: 7:00. Free entrance
Tue 24-04: Workshop: Computer Cabling
- -------------------------------------
A hands-on workshop about computer cables. Nullmodem cables, UTP, etc... how
do you make them and what can you do with them?
More info: http://squat.net/ascii/events
Time: 19:30. Free entrance
Other events:
- -------------
- - Every friday, 18:00: Live radio newshour from ascii. Listen on
http://squat.net/ascii/events, local radio 100 (99.3 FM).
Contributions to the newshour are welcome.
- - Our linux courses remain very popular. There's a waitinglist.
More info: [email protected]
- - New GCA-course starts next wednesday. This "hardware for girls" course
starts its second series. Info: http://www.genderchangers.org
Subscriptions: [email protected]
- ---------------------------------------------------------------------
ASCII Internetworkplace - Jodenbreestraat 24 - 1011 NK Amsterdam
mailto://[email protected]
http://squat.net/ascii
***************************************************************
ASCII internet workspace - Rewiring the underground since 1999.
Jodenbreestraat 24sous, Amsterdam
http://squat.net/ascii
mailto://[email protected]
------------------------------
Date: Fri, 30 Mar 2001 16:45:55 +0100
From: "Gustavo Barbosa" <[email protected]>
Subject: Fw: Medecins Sans Frontier Petition
>quote<
MSF Drop the Case petition
M�decins Sans Fronti�res (MSF) asks you to support South Africa's efforts to
make essential medicines more accessible to its people by signing the global
petition below by April 15.
- ------------------------------------------------------------------------
We, the undersigned, support the South African government's efforts to make
essential medicines more affordable and accessible to its people through the
medicines act passed in 1997. Therefore, we call on the 39 pharmaceutical
companies that are blocking implementation of this legislation with a
lawsuit to withdraw immediately from the case.
With over four million already infected with HIV, South Africa has the
highest number of people living with HIV/AIDS in the world. Very few can
afford the treatment that has extended and improved the lives of people in
richer countries. Since 1998, the pharmaceutical industry has blocked the
medicines legislation, claiming it would infringe on their patent rights.
During that period, 400,000 South Africans have died of AIDS-related causes.
High prices are effectively denying medicines to poor patients, condemning
them to a premature death.
We call on the 39 pharmaceutical companies to withdraw immediately and
unconditionally from this case. And we call on governments to support the
people of South Africa by also urging the companies to drop their case.
Sign the Drop the Case petition by April 15
http://www.msf.org
Thank you for your concern,
Medecins Sans Frontieres
>unquote<
------------------------------
Date: Sun, 1 Apr 2001 13:44:58 +0300
From: "ALAS" <[email protected]>
Subject: THE NEW BODY XPERIENCE symposium in Athens
This is a multi-part message in MIME format.
- ------=_NextPart_000_00ED_01C0BAB1.F103A6E0
Content-Type: text/plain;
charset="iso-8859-7"
Content-Transfer-Encoding: quoted-printable
=20
''e-phos 2001''
3rd International Festival of Film and New Media on Art
23 May -2 June / Athens, Greece
organizes=20
s y m p o s i u m=20
<the New Body Xperience>
IME, 254 Pireos str.=20
Athens, Greece=20
e-mail:[email protected]
tel:00301-7520064-5
fax:00301-7520064
p a n e l s=20
Saturday, May 26
" THE HYBRID BODY AND THE MONSTER "=20
" SPORTS AND DANCE "
=20
Sunday, May 27
" TECHNOLOGY AND BODY WITH SPECIAL NEEDS IN ART AND SPORT "
" LOGOS AND BODY IN PERFOMING ARTS=20
BEYOND ORDINARY TIME & SPACE MORPH"=20
=20
speakers
MATT ADAMS artistic director BLAST THEORY, UK=20
DANIEL ASCHWANDEN choreographer BILDERWERFER, Austria
JOE DAVIS bioartist, USA=20
SCOTT DE LAHUNTA choreographer, UK
JENY MARKETOU netartist, Greece
YIANNIS MELANITES artist, Greece
MARTA MENEZES bioartist, Portugal
ARMANDO MENICACCI dance & technology theorist, France
KLAUS OBERMAIER media artist, composer, Austria
ORLAN body artist, France
ASPASIA PAPADOSPERAKI artist, Greece
PAOLO ROSA artistic director Studio Azzurro, Italy
KATIA SAVRAMI dance theorist, Greece=20
YACOV SHARIR choreographer, Israel/USA=20
STELARC perfomance artist, Australia
MERYL TANKARD choreographer, Australia
ARND WESEMANN dance critic Ballet Tanz, Germany
list not final=20
=20
in collaboration with=20
Ministry of Culture, Ministry of Development, Ministry of Press,=20
Foundation of the Hellenic World, Hellenic Institute of Audiovisual,=20
British Council, Goethe-Institut Inter Nationes,French Institute of =
Athens,=20
Dance Festival of Kalamata, Superior School of Fine Arts,
Tanz Perfomance Koln-Germany
www.filmart.gr=20
------------------------------
Date: Thu, 29 Mar 2001 16:11:02 +0200
From: Station Rose <[email protected]>
Subject: Webcast 136 with topic "Leitmotif" + Spring-Tour
STATION ROSE STReaming-Fahrplan:
<http://www.stationrose.com>
dear Gunafa Netizen,
here is the new Fahrplan plus the Spring-Tour Schedule:
1.0 - NetSTReam - Webcast 136 with topic "Leitmotif"
2.0 - Station Rose Live audio-visual performances/live STReams
3.0 - announcing: Station Rose WEBCAST LOUNGE
4.0 - Webcast135 - LIPS on demand
1.0 NetSTReam - Webcast 136 with topic "Leitmotif"
tonight WED/29.3.01, 9pm CET
http://www.stationrose.com
- ----------------------------------------------------------
topic: "Leitmotiv" incl. live rehearsal for coming performances
content: developing the artwork, the whole installation, as well as the
curating for the forthcoming project: "Station Rose Webcast-Lounge"
at Art Frankfurt.
Step by step the "Leitmotif" appears. Because our Spring-Tour is
happening before, the leitmotiv can be found in a new
audio-visual composition with the title "Smoother than Strange".
extra: this track can be found on Mille Plateaux�s new compilation
"Clicks & Cuts2" as an audio-track as well.
Coming back to the Webcast-Lounge:
Station Rose will create & present a unique art-production,
with prints on cloth and more. The stills used for that are frozen
moments from the MIDI-Leitmotif. The limited art-edition
can be bought at the art fair.
extra 1: Station Rose will act as artists & curators: besides the artwork
for the installation there will be a list of interesting net art/webcast
projects presented there. Some artists will be invited into the
installation, others will participate online. More soon.
2.0 - Station Rose Live audio-visual performances/live STReams at:
- ---------------------------------------------------------------
(2.1) v-stream21, Linz Austria
Festival on Visionary Broadcast
Fri., 30.03.01, 6:30 p.m. CET: lecture on STReaming
Sat., 31.3.01, around midnight: LIVE-performance
Kunstuniversitaet Linz, Peter-Behrens-Haus, Tabakwerke
Untere Donaulaende 74, A-4020 Linz
details and live STReam: http://www.v-stream21.net
(2.2) t-u-b-e, Munich, Germany
Thu., 05.04.01
Get details at http://www.t-u-b-e.de
t-u-b-e, EINSTEIN Kulturzentrum
Einsteinstrasse 42, Munich
live STReam: http://www.stationrose.com
(2.3) Bayerischer Rundfunk, "Taktlos"
Fri., 06.04.01, 8 p.m. CET
Get details at http://www.nmz.de/taktlos
(2.4) Mousonturm Frankfurt
Sat., 07.04.01
Hans Romanov presents:
audio-visual performance by Station Rose
plus presentation of the book "private://public"
http://www.stationrose.com/books.html.
http://www.mousonturm.de
dj: move d
Waldschmidtstrasse 4
live STReam: 11p.m. CET at http://www.radiox.de/live
and at Radio X: 101,4 MHz, Kabel 99.85 (Frankfurt)
3.0 - announcer: Station Rose WEBCAST LOUNGE
at Art Frankfurt 27.04.-01.05.01
- ---------------------------------------------
Get details at http://www.stationrose.com/Webcast-Lounge/webcastlounge.html
more as it happens.
4.0 - Webcast135 - LIPS on demand:
- ----------------------------------
http://www.stationrose.com/Realvideofiles/realvideofiles1.html
stay with us & don�t go away!
"Cyberspace is Our Land!"
;-)
station rose 03-2001
------------------------------
Date: Thu, 29 Mar 2001 20:59:02 +0200
From: "josophia" <[email protected]>
Subject: Press Release - hybrid<life>forms
Press Release
hybrid<life>forms
March 31 - May 12, 2001
Opening Friday, March 30, 5:00 - 7:00 p.m.
installations: Michele Barker, Kate Beynon, Justine Cooper, Brenda L Croft,
Linda Dement, Wade Marynowsky, Tracey Moffatt & Gary Hillberg, Patricia
Piccinini, Melinda Rackham, Rea, David Rosetzky, Robyn Stacey
web works: Zina Kaye, Anita Kocsis, Mary-Anne Breeze, Francesca da Rimini,
Gary Zebington
computer animation: Fay Maxwell Owen-Greene
In collaboration with the Australian curators Josephine Grieve and Linda
Wallace, the Netherlands Media Art Institute has organised the exhibition
hybrid<life>forms: Australian New Media Art. Most of the Australian artists
will be presenting new work which has never previously been seen in Europe.
hybrid<life>forms takes the viewer into the lush undergrowth of contemporary
Australia: strange confessions, dark memories, hybrids. As has been the case
for its flora and fauna, Australia's isolation has had peculiar effects on
its artists too. They bring invisible life to the surface in various ways,
producing unexpected results.
The enormous diversity and vitality of technological growth is central to
hybrid<life>forms. Like Europe, Australia has been quick to pick up on new
developments. Australian artists immediately went in search of the worlds in
and behind the computer, reflecting upon and experimenting with the complex
distinctions and connections which created a sanctuary for new visions. The
artists in the exhibition reflect on both digital media and cultural and
social life.
Patricia Piccinini's work The Breathing Room reflects on the tensions which
arise as soon as new technological developments (electronics, biochemical
and gene technologies) enter everyday life. In "The Breathing Room" we seen
fragments of a body, moving pieces of skin, accompanied by quiet breathing.
What we see is recognisable, but not wholly real. Suddenly, without any
clear reason, the images appear to be caught up in panic. In her photo
series west/ward/bound Brenda L Croft throws light on how black and white
live together in contemporary Australia. In general, the Aboriginal people
are portrayed as exotic, alien, other. With her work, Croft makes it
personal.
Justine Cooper's installation and videowork Rapt lets us see the inside of
the body. Making use of 'Magnetic Resonance Imaging,' Cooper scanned her
body. She manipulated the results into a poetic vision of a world in which
we literally live. Tracey Moffatt, well known in The Netherlands, acquired
wide recognition with her videoworks Night Cries and Heaven. In her new
work, Artist, (in collaboration with Gary Hillberg) she sets before us the
Hollywood stereotype of the creative, tortured and suffering artist.
Outtakes of artists from classic Hollywood films, documentaries and TV
programmes, crossing the screen in quick montage, show us the different
stages of inspiration, creation, and subsequently the destruction of
paintings. In a comic manner, Artist breaks through the romantic aura that
Hollywood has created around artists. After the production of a number of
CD-roms, including Cyberflesh Girlmonster and In my Gash, multimedia artist
Linda Dement returns to photography with her project Euridyce. Like her
CD-roms, her digital photographs exhibit her macabre and immediate manner of
working. Seen from a feminist perspective, representatives of "monstrous
femininity" encompass desires, revenge and violence. With Euridyce, Dement
demonstrates that photography still has much to offer. This serie of images
has been produced in response to Kathy Acker's story Eurydice in the
Underworld.
This project is assisted by the Australia Council, the Australian
Government's arts funding & advisory body, through its Audience and Market
Development Division and New Media Arts Fund, the Prins Bernhard
Cultuurfonds
For more information and visual materials: NIM: Marieke Istha
(Communications), Annet Dekker (Exhibitions): tel. +31 (0)20 623 7101; fax:
+31 (0)20 624 4423; e-mail [email protected]
The gallery is open Tuesday through Saturday, 1:00 through 5:00 pm Free
admission.
For more information on the artists and all works to be shown, see the
websites of the artists involved.
Michele Barker, Pr�ternatural (2000)
http://www.liquiddna.com
Mary-Anne Breeze
http://netwurkerz.de/mez/datableed/complet/index.htm
http://www.hotkey.net.au/~netwurker
Justine Cooper, Rapt I & II (1998)
http://justinecooper.com
Brenda L Croft, west/ward/bound (1999)
http://139.230.40.45/Imm3330/group08/Brenda/index.html
Linda Dement, Eurydice (2000-2001)
http://sysx.org/dement
Wade Marynowsky, There Goes the Neighborhood (2000)
http://www.projectroom.com/islacks/
Zina Kaye
http://laudanum.net/
http://laudible.net (mr. snow & zina kaye)
http://observatine.net
Anita Kocsis
http://www.anat.org.au:80/projects/login/anat_anita/neonverte/
Patricia Piccinini, The Breathing Room (1999/2000), Synthetic Orgasme 2
(2000)
http://www.patriciapiccinini.net
Melinda Rackham, empyrean (2000)
http://www.subtle.net
Rea, Don't Shoot Till You See The Whites Of Their Eyes... (1999)
http://www.culture.com.au/boomalli/blakkweer/index.html
http://www.nga.gov.au/Retake/Retake.htm
http://www.goldsmiths.ac.uk/cultural-studies/html/exchanges.html
Francesca da Rimini
http://sysx.org/gashgirl
http://www.thing.net/~dollyoko
http://www.thing.net/~dollyoko/LOSDIAS/INDEX.HTML
http://www.thing.net/~dollyoko/ID/TEXT/LN01.HTM
Robyn Stacey, Sydney 1886- 1997 (1999), Great Big Piece of Turf (1996),
Green Room I (1999), Waratah (2000), Surface Tension (1998), Plum Lotus
(1999), Tulip (1999)
http://www.stillsgallery.com.au
Gary Zebington
http://murlin.va.com.au/eyespace
http://murlin.va.com.au/eyespace/bodyssey
Press Release
hybrid<life>forms
March 31 - May 12, 2001
Opening Friday, March 30, 5:00 - 7:00 p.m.
installations: Michele Barker, Kate Beynon, Justine Cooper, Brenda L Croft,
Linda Dement, Wade Marynowsky, Tracey Moffatt & Gary Hillberg, Patricia
Piccinini, Melinda Rackham, Rea, David Rosetzky, Robyn Stacey
web works: Zina Kaye, Anita Kocsis, Mary-Anne Breeze, Francesca da Rimini,
Gary Zebington
computer animation: Fay Maxwell Owen-Greene
In collaboration with the Australian curators Josephine Grieve and Linda
Wallace, the Netherlands Media Art Institute has organised the exhibition
hybrid<life>forms: Australian New Media Art. Most of the Australian artists
will be presenting new work which has never previously been seen in Europe.
hybrid<life>forms takes the viewer into the lush undergrowth of contemporary
Australia: strange confessions, dark memories, hybrids. As has been the case
for its flora and fauna, Australia's isolation has had peculiar effects on
its artists too. They bring invisible life to the surface in various ways,
producing unexpected results.
The enormous diversity and vitality of technological growth is central to
hybrid<life>forms. Like Europe, Australia has been quick to pick up on new
developments. Australian artists immediately went in search of the worlds in
and behind the computer, reflecting upon and experimenting with the complex
distinctions and connections which created a sanctuary for new visions. The
artists in the exhibition reflect on both digital media and cultural and
social life.
Patricia Piccinini's work The Breathing Room reflects on the tensions which
arise as soon as new technological developments (electronics, biochemical
and gene technologies) enter everyday life. In "The Breathing Room" we seen
fragments of a body, moving pieces of skin, accompanied by quiet breathing.
What we see is recognisable, but not wholly real. Suddenly, without any
clear reason, the images appear to be caught up in panic. In her photo
series west/ward/bound Brenda L Croft throws light on how black and white
live together in contemporary Australia. In general, the Aboriginal people
are portrayed as exotic, alien, other. With her work, Croft makes it
personal.
Justine Cooper's installation and videowork Rapt lets us see the inside of
the body. Making use of 'Magnetic Resonance Imaging,' Cooper scanned her
body. She manipulated the results into a poetic vision of a world in which
we literally live. Tracey Moffatt, well known in The Netherlands, acquired
wide recognition with her videoworks Night Cries and Heaven. In her new
work, Artist, (in collaboration with Gary Hillberg) she sets before us the
Hollywood stereotype of the creative, tortured and suffering artist.
Outtakes of artists from classic Hollywood films, documentaries and TV
programmes, crossing the screen in quick montage, show us the different
stages of inspiration, creation, and subsequently the destruction of
paintings. In a comic manner, Artist breaks through the romantic aura that
Hollywood has created around artists. After the production of a number of
CD-roms, including Cyberflesh Girlmonster and In my Gash, multimedia artist
Linda Dement returns to photography with her project Euridyce. Like her
CD-roms, her digital photographs exhibit her macabre and immediate manner of
working. Seen from a feminist perspective, representatives of "monstrous
femininity" encompass desires, revenge and violence. With Euridyce, Dement
demonstrates that photography still has much to offer. This serie of images
has been produced in response to Kathy Acker's story Eurydice in the
Underworld.
This project is assisted by the Australia Council, the Australian
Government's arts funding & advisory body, through its Audience and Market
Development Division and New Media Arts Fund, the Prins Bernhard
Cultuurfonds
For more information and visual materials: NIM: Marieke Istha
(Communications), Annet Dekker (Exhibitions): tel. +31 (0)20 623 7101; fax:
+31 (0)20 624 4423; e-mail [email protected]
The gallery is open Tuesday through Saturday, 1:00 through 5:00 pm Free
admission.
For more information on the artists and all works to be shown, see the
websites of the artists involved.
Michele Barker, Pr�ternatural (2000)
http://www.liquiddna.com
Mary-Anne Breeze
http://netwurkerz.de/mez/datableed/complet/index.htm
http://www.hotkey.net.au/~netwurker
Justine Cooper, Rapt I & II (1998)
http://justinecooper.com
Brenda L Croft, west/ward/bound (1999)
http://139.230.40.45/Imm3330/group08/Brenda/index.html
Linda Dement, Eurydice (2000-2001)
http://sysx.org/dement
Wade Marynowsky, There Goes the Neighborhood (2000)
http://www.projectroom.com/islacks/
Zina Kaye
http://laudanum.net/
http://laudible.net (mr. snow & zina kaye)
http://observatine.net
Anita Kocsis
http://www.anat.org.au:80/projects/login/anat_anita/neonverte/
Patricia Piccinini, The Breathing Room (1999/2000), Synthetic Orgasme 2
(2000)
http://www.patriciapiccinini.net
Melinda Rackham, empyrean (2000)
http://www.subtle.net
Rea, Don't Shoot Till You See The Whites Of Their Eyes... (1999)
http://www.culture.com.au/boomalli/blakkweer/index.html
http://www.nga.gov.au/Retake/Retake.htm
http://www.goldsmiths.ac.uk/cultural-studies/html/exchanges.html
Francesca da Rimini
http://sysx.org/gashgirl
http://www.thing.net/~dollyoko
http://www.thing.net/~dollyoko/LOSDIAS/INDEX.HTML
http://www.thing.net/~dollyoko/ID/TEXT/LN01.HTM
Robyn Stacey, Sydney 1886- 1997 (1999), Great Big Piece of Turf (1996),
Green Room I (1999), Waratah (2000), Surface Tension (1998), Plum Lotus
(1999), Tulip (1999)
http://www.stillsgallery.com.au
Gary Zebington
http://murlin.va.com.au/eyespace
http://murlin.va.com.au/eyespace/bodyssey
------------------------------
Date: Thu, 29 Mar 2001 21:38:37 +0200 (GMT-2)
From: alex galloway <[email protected]>
Subject: TRASHCONNECTION
Title - trashconnection (http://www.trashconnection.com)
Title - trashconnection (http://www.o-o.lt/TRASHCONNECTION)
Title - trashconnection (http://www.muthesius.de/~minaev/TRASHCONNECTION)
Artist - Roman Minaev
Status - This is a linked project
Original URL - http://www.trashconnection.com
Date Created - 7.10.2000
Date Archived - 7.10.2000
Technology Used - RealPlayer, JavaScript, HTML, Email, DHTML
Biography
Roman Minaev Soerensenstr. 26 24143 Kiel Germany [email protected] 27th October 1970 born in St.
Petersburg/Russia 1994-2000 Muthesius Academy of Architecture, Design and Fine Arts, department of printmaking,
Kiel/Germany 1996-1998 Christian-Albrechts University, department of sinology, Kiel/Germany 1998-1999 The National
Academy of Fine Arts, department of chinese calligraphy, Hangzhou/China Since 2000 Net-art lectureship at the Muthesius
Academy of Architecture, Design and Fine Arts, Kiel/Germany
Statement
The original idea of the trashconnection is the definition of trash online. Everybody, who is just surfing around the net, has to
confront with always appearing advertising banners, icons or trademarks. By mirroring them with the permanent addresses in
the HTML-code on the web, the direct connection is created. The current appearance of such banners depends alone on the
initiator. This process lends an incontestable actuality to the entire work, until all the segments resolve in the internet.
Furthermore the Trashconnection shows digital creations of net-art.
------------------------------
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# collaborative text filtering and cultural politics of the nets
# more info: [email protected] and "info nettime-l" in the msg body
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