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Table of Contents:
Station Rose live 6.4.02
Station Rose <[email protected]>
NY SYMPOSIUM- April 20 -21
Timothy Druckrey <[email protected]>
[[email protected]: BLUR 02: POWER AT PLAY IN DIGITAL ART AND CULTURE]
t byfield <[email protected]>
FAO: announcer - Dorkbotlondon 5!
"Saul Albert" <[email protected]>
collecting the uncollectible/who controls new media
"Jon Ippolito" <[email protected]>
Postmasters: Cary Peppermint Performance
"cn_0v6.0" <[email protected]>
CALL FOR ENTRIES to the Impakt Festival 2002 - NR
Impakt Production <[email protected]>
( ( ( N O M U S I C ) ) ) Tournament 002 / Today
"NOMUSIC" <[email protected]>
Amiri Baraka and Dj Spooky - at the Knitting Factory this weekend...
"Paul D. Miller" <[email protected]>
query on posting
Francesca Ferguson <[email protected]>
European Media Art Festival 2002
"EMAF" <[email protected]>
jordan crandall exhibition
=?iso-8859-1?Q?Edith=2DRu=DF=2DHaus=20f=FCr?= Medienkunst <info@edith-russ-haus
Press Release::Nationwide Ritual Resistance
"breathing planet" <[email protected]>
_Call for Noise_
"h.d.mabuse" <[email protected]>
Workshop zu "Digitales Urheberrecht", 26.04.2002
[email protected] (Till Westermayer)
phonotaktik.02
"phonoTAKTIK.02" <[email protected]>
------------------------------
Date: Fri, 5 Apr 2002 13:48:13 +0200
From: Station Rose <[email protected]>
Subject: Station Rose live 6.4.02
Sat., 6.4.2002
22h - 4h CET
Spielplatz M9 @ Goldfinger
Muenchener Strasse 9, Frankfurt
admission � 3,-
Releaseparty <live @home4>
Please find MP3 file and videoclip at
http://www.stationrose.com/GunafaLabel/gun09.html
Station Rose LIVE
Audio-visual Performance
"At their live performances, Station Rose creates "a virtual room within a
room" by means of sound and projection surfaces. This room consists
exclusively of sound, beams and projection surfaces onto which visuals are
thrown. The images & sounds are downloaded and edited live on the computer.
The live music consists of sound samples from the digital archive of
Station Rose. The techno live-artist moves her/his studio to the "stage"
for the performance and creates new variations on sequences, new tones,
temporal structures and loops in realtime. The graphic- and
music-workstation are synced over MIDI. Changes will take place during the
performance, thereby changing the aesthetics of the virtual light & sound
space." Station Rose 1992
before and after:
VJ Elisa Rose & DJ Gary Danner
------------------------------
Date: Fri, 5 Apr 2002 12:14:10 -0500
From: Timothy Druckrey <[email protected]>
Subject: NY SYMPOSIUM- April 20 -21
- --============_-1194095629==_ma============
Content-Type: text/plain; charset="iso-8859-1" ; format="flowed"
Content-Transfer-Encoding: quoted-printable
Austrian Cultural Forum
=46or immediate release:
MEDIA CONTACT: Andrea Schwan (212) 873 3284 [email protected]
=46ull information: www.acfny.org
INAUGURAL SEASON PROGRAMMING AT AUSTRIAN CULTURAL FORUM TO PRESENT A
MULTI-FACETED VIEW OF CONTEMPORARY ARTS
Throughout the inaugural season of Spring/Summer 2002, programming at
the Austrian Cultural Forum will encompass events in the performing
arts, a series of exhibitions, vanguard film and video programs,
lectures and symposia, and installations in a variety of new media
throughout the public spaces of the institution's new building on
East 52nd Street in New York City. Bringing together more than 100
artists in a variety of disciplines, these activities will be
presented from April through June under the banner Transforming
Modernity. In the words of Forum director Christoph Thun-Hohenstein,
the festival will "illustrate what the guiding principles and
priorities are for the future of the arts in Austria and
internationally: collaboration, interdisciplinary experimentation,
fluidity, and conscience directed toward challenging accepted notions
and exploring possibilities for new ways to communicate."
Transforming Modernity is organized and produced by the Austrian
Cultural Forum in collaboration with leading curators and experts
from international arts institutions and universities. The Austrian
Cultural Forum's programs are made possible by the Federal Ministry
for Foreign Affairs of the Republic of Austria. Additional generous
funding for inaugural season programming is provided by the Federal
Chancellery and the Federal Ministry for Education, Science and
Culture of the Republic of Austria as well as by the City of Vienna.
The Forum also thanks Bank Austria, Austrian Airlines,
Oesterreichische Nationalbank, and Zumtobel Staff Lighting, Inc. for
their valuable support.
In the field of the visual arts, the Forum will officially open its
Main Gallery in April with the first of two new commissioned
installations by Kurt Hentschl=E4ger and Ulf Langheinrich, collectively
known as Granular Synthesis. The New York/Vienna-based new media duo,
whose work represented Austria in the 2001 Venice Biennale, will
create in April an "immersive environment" that literally envelopes
visitors and suggests new ways to experience one's body in relation
to space and sound.
Describing the duo's work, Hentschl=E4ger comments: "For an Austrian
artist, the desire is to actually invade the restrictions of the past
and expand the definition of art, of music, of sensual experience.
Electronica is hot in Europe because it provides the ultimate
opportunity to get beyond the hierarchies and the obsession with
history that defines much of traditional culture there. What's
interesting is that a great deal of inspiration for electronic music
came from America -- from the Detroit sound, from hip-hop, and the
commercial world. But when we bring our work back to the States,
where generally anything new is cultivated and tendered, we find we
are introducing something still not widely familiar."
Concurrent with the first Granular Synthesis installation, the
Austrian Cultural Forum will host an ambitious international
symposium exploring the electronica explosion. Titled Mediations:
Archaeologies and Transformations in the Electronic Sphere, the
program is organized by Timothy Druckrey, an independent curator and
writer acclaimed for his investigations into the history and theory
of media. The event will bring together for the first time a group of
electronic artists and leading media experts from around the globe
for discussion of ways in which representation and communication are
being increasingly transformed everywhere by electronic culture,
shaping the lives and attitudes of a generation willing to embrace
continual transformation as an essential condition.
Key participants in the program will include:
Siegfried Zielinski, founding rector of the Kunsthochschule f=FCr
Medien in Cologne, Germany and author of AudioVisions.
Yukiko Shikata, independent curator working in Japan.
Reinhard Braun, media theorist and writer working in Graz.
Peter Rantasas musician and director of MICA (Music Information
Center Austria). Vienna, Austria.
Knowbotic Research (Yvonne Wilhelm, Christian H=FCbler, Alexander
Tuchacek), based in Cologne and Zurich.
Perry Hoberman, an artist internationally recognized for his
multi-user interactive environments.
Granular Synthesis, (Kurt Hentschl=E4ger and Ulf Langheinrich), widely
known for spectacular sound environments.
0100101110101101.org, a working group of self-described as internet
"hacktivists."
Zoe Beloff, an artist working in experimental cinema, CD-ROM and performance=
=2E
The symposium will take place on April 20 and 21 from 12 - 9 pm at
the ACF. For more information and registration information (seating
is limited!): www.acfny.org.
- --============_-1194095629==_ma============
------------------------------
Date: Sat, 6 Apr 2002 12:28:41 -0500
From: t byfield <[email protected]>
Subject: [[email protected]: BLUR 02: POWER AT PLAY IN DIGITAL ART AND CULTURE]
- ----- Forwarded message from Mimi Chan <[email protected]> -----
Date: Sat, 06 Apr 2002 10:25:19 -0500
From: "Mimi Chan" <[email protected]>
To: <[email protected]>, <[email protected]>, <[email protected]>,
<[email protected]>, <[email protected]>
Cc: <[email protected]>
Subject: BLUR 02: POWER AT PLAY IN DIGITAL ART AND CULTURE
BLUR 02: POWER AT PLAY IN DIGITAL ART AND CULTURE
Thursday and Friday, April 11 and 12, 7:00 p.m., Free admission.
Webcast and online discussion at www.nsu.newschool.edu/blur
The New School, Creative Time and Parsons School of Design present two free panels devoted to the power and perils of digital technology in creative and cultural practices. Both panels are at Tishman Auditorium at 66 West 12th Street and open to the general public on a first come, first served basis.
OPEN PLAY, Thursday, April 11, 7:00 p.m.
Discussion and demonstration of entertainment genres such as computer games, electronic music and animation with: Josephine Starrs, VNS Matrix/Sydney College of Art; Eric Zimmerman, gameLab; Richie Hawtin, Plastikman; and Marina Zurkow's Braingirl.
THE NETWORK MOMENT, Friday April 12, 7:00 p.m.
Discussion ad demonstration of playful tactical media responses to mainstream media culture that embrace emergent forms of public space with Chris Csikszentmih�lyi, MIT Media Lab; Matt Locke, BBC Imagineering; Lebbeus Woods, Research Institute for
Experimental Architecture; and the Institute for Applied Autonomy. Information, webcast and online discussion at
www.nsu.newschool.edu/blur
LOCATION: The New School, 66 West 12th Street (Between 5th and 6th Avenues)
TICKETS: New School Box Office hours: Monday-Thursday
1-8 p.m., Friday 1-7 p.m Tickets by phone (212) 229-5488; in person at Box Office, 66 West 12th St. (bet. 5t and 6th Avenues), main floor; by fax 24 hours to (212) 352-0213. Most events are FREE to students with ID. It is recommended to get tickets/rsvp in advance with the box office due to limited seating.
INFORMATION: For more information or specialneeds requests, call (212) 229-5353. Event information is also available online at www.nsu.newschool.edu. Questions can be sent to [email protected].
A collaboration between The New School, Creative Time and Parsons School of Design. Generous support of Blur 02 has been provided by the Rockefeller Foundation and the Canadian Consulate General. Additional support has been provided by Apple Corporation, Labatt USA, Glaceau Water/Energy Brands, and Krispy Kreme.
- ----- End forwarded message -----
------------------------------
Date: Mon, 8 Apr 2002 09:34:32 -0700
From: "Saul Albert" <[email protected]>
Subject: FAO: announcer - Dorkbotlondon 5!
Dear nettimers,
dorkbotlondon approaches, get ready
time:
7pm, this wednesday, 10th april
venue:
state51, london (directions are below)
speakers:
max eastley - "natural and electric systems," max shares insights found
through musical works such as his kinetic sound sculptures; comparing
his works with electricity with the similar channeling of other natural
elements. http://www.google.com/search?q=max+eastley
ian morrison - co-inventor of the Spam Radio, ian explains the process
of turning a spam into a noise. http://www.spamradio.com
adrian ward - a portrait of netochka nezvanova. http://stub.org/nn/
plus! other entertainments, perhaps. if you'd like to show or do
something after the talks please do - let us know in advance if you'd
like somewhere to set up a laptop/whatever. also let us know if you
have useful/interesting equipment we might be able to borrow, such as a
data projector.
entrance fee:
free.
VENUE CHANGE
we're back at state51 - we seem to be alternating venues each month.
how to get there:
map:
http://www.streetmap.co.uk/streetmap.dll?G2M?X=533828&Y=182470&A=Y&Z=1
the arrow points at state51.
appearance:
factory surrounded by metal fence and with 'state51' in big letters on
the gate.
from liverpool street tube:
walk north up bishopsgate (which becomes shoreditch high street), then
turn right into bethnal green road, left into brick lane and first left
into rhoda street.
from the number 8 bus:
it goes along bethnal green road - get off at the brick lane/bethnal
green road crossroads and go north up brick lane and first left into
rhoda street.
from bethnal green tube:
walk west along bethnal green road, about 15 minutes later you should
hit the brick lane crossroads - turn right then first left into rhoda
street.
for more info, please contact [email protected]
dorkbot is a monthly meeting of people interested in and/or involved
with electronic art, in the broadest sense. check http://dorkbot.org/
for information about dorkbot meetings in new york, austin and gent.
........................................................................
.........dorkbot: people doing strange things with electricity..........
..........................http://dorkbot.org............................
------------------------------
Date: Mon, 08 Apr 2002 14:03:40 -0400
From: "Jon Ippolito" <[email protected]>
Subject: collecting the uncollectible/who controls new media
1. Reminder: The panel discussion "Collecting the Uncollectible" takes place this Tuesday, April 9, at 7 pm at the Sackler New Media Theater at the Guggenheim, Fifth Avenue and 88th Street.
What are the implications of buying and selling software-based artwork? Join artists John Klima, Mark Napier, John F. Simon Jr. and new-media consultant Michele Thursz in a discussion of new business models for artists working in digital media. The participants will present real-life examples of the challenges of adapting the existing art market to new artistic mediums. The discussion is moderated by Jon Ippolito, who will contrast closed- and open-license models for distributing artworks.
www.guggenheim.org/programs
2. The Webcast for last month's discussion "Who Controls New Media? Open Art in Closed Systems" is now online at Harvard's Berkman Center for Art and Society. Find out how John Cage invented open source programming as historian Dieter Daniels, artist Alex Galloway, lawyer Wendy Seltzer, and Jon Ippolito explore the effects of copyright and code on democratic forms of artistic expression.
eon.law.harvard.edu/whocontrols
------------------------------
Date: Mon, 08 Apr 2002 18:41:25 -0400
From: "cn_0v6.0" <[email protected]>
Subject: Postmasters: Cary Peppermint Performance
> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.
- --MS_Mac_OE_3101136085_56425_MIME_Part
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit
cary peppermint
conductor number zero version 6.0
a techno lecture of memory, distance and forgetting
one night only - saturday april 13, 2002
begins promptly at 8:00pm
postmasters gallery
459 west 19th street, nyc
for more info. contact postmasters @ 212.727.3323
Cary Peppermint's CONDUCTOR NUMBER ZERO VERSION 6.0 is the latest in his
ongoing series of interactive, real-time performance-installations or
"techno-lectures in continuous update." In the artist's own words, "CN_ZERO
could be considered a hyper-construction of a 'recombinant pop-star', i.e.
an ARTIST who functions as a latent carrier for art (the construction of
culture) instead of the commercially constructed artist, i.e. the POP-STAR
who functions as a latent carrier for capital and exchange (the leveling of
culture)."
Using multiple halogen work-lights, surveillance cameras, monitors, a
portable p.a., a Polaroid camera and a laptop computer, CN_ZERO is in
essentially a performative "base camp" for human media-saturation. An
"overexposure in light and sound", CN_ZERO is a performance that questions
the very conditions of possibility for cultural production.
http://www.restlessculture.net/cnzero/
- ---------------------
- ---------------------
------------------------------
Date: Wed, 10 Apr 2002 01:09:42 +0200
From: Impakt Production <[email protected]>
Subject: CALL FOR ENTRIES to the Impakt Festival 2002 - NR
CALL FOR ENTRIES
Impakt is an international festival for innovative audio-visual arts.
The program offers a high-quality selection of recent audio-visual
productions.
For a more complete impression of the Impakt Festival please visit
our website: www.impakt.nl
The 13th edition of the Impakt Festival in Utrecht, the Netherlands,
will take place in the fall of 2002.
Impakt Festival is open for submissions of single-channel videos,
films, websites and CD-Roms, production year 2001/2002.
The entry form is available on our website http://www.impakt.nl/home.html
Please fill out this entry form if you wish to participate in Impakt 2002.
Please include the filled out entry form in the parcel with your video or CD.
Do NOT send us entry forms by e-mail.
The deadline for entries is May 30, 2002.
Due to the large amount of work and high costs it is unfortunately
no longer possible for us to return your submission.
- --- if you wish to unsubscribe reply to [email protected], with
'unsubscribe' as subject ---
------------------------------
Date: Tue, 9 Apr 2002 14:16:12 +0200
From: "NOMUSIC" <[email protected]>
Subject: ( ( ( N O M U S I C ) ) ) Tournament 002 / Today
( ( ( N O M U S I C ) ) )
www.nomusic.org
WORLD AUDIO TOURNAMENT 002
Stream start : 09 April 2002 (19h00/07:00pm)
Stream end : 10 April 2002 (19h00/07:00pm)
[GMT+01:00 - CET - French Time]*
< Audio live only via network - no archiv - free pass >
< 24h continuous trans audio (& video) distant travel >
< connection only on http://www.nomusic.org >
< Stream Audio Live MP3 & Real Video >
[ NFO , HELP & MORE : ]
[ http://www.noweb.org/nomusic/nfo.html ]
[ CHAT CHANNEL : ]
[ http://opensource.walkerart.org/fog/ ]
[ or
[ http://chat.voila.fr / room : #noweb ]
NOMUSIC TOURNAMENT PLAYERS :
< Tuesday 09/04/2002/
19h00/07:00pm - 2-5bz [Istanbul - Turkey]
20h00/08:00pm - Ohmnoise [Berlin - Germany]
21h00/09:00pm - lafrousse & LMS [Paris - France]
22h00/10:00pm - Noisiv & Dr Nexus [Berlin - Germany]
23h00/11:00pm - erikM [Marseille - France]
00h00/00:00am - Sciss [Berlin - Germany]
01h00/01:00am - electronicat [Paris - France]
02h00/02:00am - Duo Bille [Strasbourg - France]
03h00/03:00am - Ping FM [Weimar - Germany]
04h00/04:00am - Discom [Paris - France]
05h00/05:00am - Iso Brown [Strasbourg - France]
06h00/06:00am - Tone Factory [New York City - Usa]
07h00/07:00am - laboiteblanche & Carl.Y [Nizza - France]
08h00/08:00am - androNoisiv [Auckland - New Zealand]
09h00/09:00am - delire [Melbourne - Australia]
10h00/10:00am - Jo.Montessuis [Rotterdam - Netherlands]
12h00/00:00pm - OiMa [Torbay - United Kingdom]
14h00/02:00pm - Audiolab collectiv [Nizza - France]
18h00/06:00pm - Time's up [Linz - Austria]
/Wednesday 10/04/2002 >
enjoy your fly with us...
[email protected]
http://www.nomusic.org
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
*Check TimeZone : http://www.cnn.com/WEATHER/worldtime/
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
------------------------------
Date: Tue, 9 Apr 2002 10:50:12 -0700
From: "Paul D. Miller" <[email protected]>
Subject: Amiri Baraka and Dj Spooky - at the Knitting Factory this weekend...
Hello All - I'm just writing to do the old school e-mail thang
when there's an event etc etc. This weekend I'm doing a show
with the legendary poet Amiri Baraka at the Knitting factory
this Saturday as part of the "Beat Festival" they're putting
together, and well... it's a jam that's all about cross-generational
dialog, rhythm exchange, digital media and word painting... you
know, the usual wildstyle stuff I'm into... stuff like that.
Me and him collaborated on a couple of tracks a while ago, and
this is a re-union. There's also going to be some amazing folks
sounding off:
Daniel Berard Roumain - on of the main composers at the Harlem
Conservatory will be playing violin, and the renowned new generation
poet, Carl Hancock Rux will also bless the mike... and there
will be various guest appearances from jazz and hip-hop heads
and all sorts of "electronica" types for an ILLbient jamdown...
so come on by. The event starts at 8 pm, and this will be a blazin'
hot situation, so come early...
regretfully, due to the amount of attention given to the show,
my guestlist is maxed out, but I bet there's still some tix around.
If you're in the area, come on by, there'll be lots of folks
from different scenes hanging out.
The Date: This Saturday coming up - the 13th no less...
tix in advance are
$13
at the door
$15
aight y'all!
peace,
Paul
directions:
74 Leonard Street
New York, NY 10013
Located four blocks south of Canal, between Broadway and Church
St.
You can take the 1 or 9 train to Franklin Street, walk one block
south to Leonard, turn left and walk a block & a half to the
club.
The A, C or E train can take you to Canal Street, where you would
walk 4 blocks south and turn left on Leonard.
You could also take the N or R train to Canal Street, walk down
Broadway 4 blocks to Leonard, turn right, and see the club at
the far end of the block.
------------------------------
Date: Tue, 9 Apr 2002 18:50:19 +0200
From: Francesca Ferguson <[email protected]>
Subject: query on posting
hi
I wonder whether it would be possible to post this call for
contributions for an interdisciplinary event - art/architecture/urban
design, on nettime?
I sent it to the unmoderated list though cannot see it on the
nettime-moderated!
many thanks
francesca ferguson
+++CALL FOR CONTRIBUTIONS+++
URBAN DRIFT - 2002
OCTOBER 16th-20th 2002
++symposium +++ nightscapes +++ urbaninterfaces
URBAN DRIFT is a network for the development of trans-cultural urban
strategies.
Over the past 3 years, URBAN DRIFT has formed part of the berlinbeta
media festival, as a symposium which offers a platform to cutting-edge
architects and designers for whom the city is a medium, and architecture
a communicative tool for new urban strategies.
++The network represented by URBAN DRIFT++
Concentrating on urban voids, gaps and residual, or peripheral zones and
public spaces, members of URBAN DRIFT act as tacticians for a
contemporary urban praxis, developing a discourse within Berlin as one
of the primary cities of flux. Our aim is to communicate architecture
and urban design to a wider audience, to extend the boundaries of
architectural discourse, and to maximise the potential of
interdisciplinary practice. We speculate on the need to point the way to
contemporary architectural practice and urban design as the steering and
managing of processes; on the need to move from formalism to flux
management.
++URBAN DRIFT 2002++
This year urban drift is a 5 day event with a rich mix of talks and
presentations by day, screenings, thematically based visuals, lectures
and sound-scapes by night, along with open offices, in which
architecture and design studios engage with the urban drift themes and
reveal innovative hybrid spaces and working methods.
++planned location++
The event is set to take place in the Umspannwerk, a 19th century power
station in Berlin-Kreuzberg, which has recently been renovated as a
location for large-scale cultural events.
++conference++
Mobile cultures and new urban strategies
The two-day conference will examine the impact of mobile
telecommunications systems and media on architecture and urban design
strategies. We will involve artists, architects, designers, theorists
and activists in mutual discourse.
CONFERENCE THEMES
++ Technical Mobility: Interaction design; the design of flows++
an examination of the impact of interactive and embedded technologies on
contemporary design processes in architecture and design in the urban
sphere.
++ Mental Mobility: Network urbanism++
an exploration of new coalitions between architects, artists, designers
and urban planners. How is the role of the architect and designer
adapting to the demands of network practice, and �flux management�, and
what tools are being employed to visualize increasingly complex,
multi-layered urban processes?
++ Mobility vs. place: Re-humanizing technology and connective
urbanism ++
How do architects and designers recreate a sense of place and counteract
the speed of the media-driven cityscape? On urban voids, the reanimation
of residual urban spaces, and on re-engaging the public in urban design
processes.
++ Tactical mobility: effective Strategies for the redevelopment and the
repoliticisation of public spaces,
�architecture is threat management� � Mark Wigley
a discussion amongst architects and media tacticians with relation to
urban space. On �flexible response�, on intervening in and changing
perceptions of the cityscape. On architecture as a medium.
++call for papers++
We welcome abstracts and short papers for inclusion in the conference
and accompanying presentations. We also welcome relevant texts and
essays for inclusion in the planned publication and the web site
(textzone).
Please send abstracts of about 300 words � to: [email protected]
+++when+++ initial proposals should reach us by April 30th 2002.
++URBAN DRIFT_THE NIGHT SPACE++
The space will provide a temporary, transformational and flexible
situation for artists, architects and designers to present their
proposals and investigations within a more informal setting.
Communicating an �emotional urbanism� and drawing from the situationist
d�rive, Urban Drift�s night space will encompass�talks, readings, slide
projections, screenings and urban soundscapes.
+++themes+++urban futures � real and virtual, shopping malls and garage
settlements, the alchemy of urban narrative, urban nomadism and mobile
technologies that foster a restless, edgy urban perspective,
psychogeographies, scanning/mapping the city, displacement, and
peripheral urban zones, in short, the �inexhaustible inventory of the
streets� (Benjamin)
++CALL FOR CONTRIBUTIONS++
We welcome the following from urbanists ++ video works for
screening@umspannwerk, slide shows, proposals for readings,
performances, sound-pieces++
++ posters++ will form a significant part of the night-space� we welcome
polemic, statements and images dealing with the above mentioned themes.
++ Formats++
slides 35mm or larger / vhs / svhs / mini-dv / quicktime files /
cd-rom / jpeg files /
Initial proposals should reach us by e-mail by April 30th 2002
Please mail proposals for participation to: [email protected]
Or - post viewing copies of material/slides/related information to
Attn: Francesca Ferguson
C/o Datenflug
Urban Drift Project Space
Zehdenickerstr 21
10119 Berlin
[email protected]
------------------------------
Date: Mon, 08 Apr 2002 14:10:43 +0200
From: "EMAF" <[email protected]>
Subject: European Media Art Festival 2002
Pressemitteilung 5
- ------------------
European Media Art Festival
24.-28. April 2002
Osnabrueck
www.emaf.de
////Scroll down for english version////
EMAF. Das steht fuer European Media Art Festival, eines der
groessten Medienereignisse weltweit. In diesem Jahr unter dem
Motto "New Images - New Stories - Art in Modern Media".
Vom 24. bis 28. April 2002 wird Osnabrueck zum wichtigsten
Treffpunkt f�r Fachleute aus Kunst, Kultur, Medienwirtschaft
und f�r ein gro�es, interessiertes Publikum.
Als Forum f�r internationale Medienkunst zeigt das EMAF
Filme, Videos, Performances, multimediale Installationen
und digitale Medien wie CD-ROM, DVD und Internet.
Produktionen international renommierter Kuenstler werden
ebenso vertreten sein, wie innovative Arbeiten junger
Talente. Darunter viele Welt- Europa- und Deutschland Premieren.
Die Programme:
- Int. Auswahl: Film und Video
- The Virtual Actor
- New Asian Cinema
- Underground Zero- 9.11.
- Ausstellung: "Es. das Wesen der Maschine"
- Kongress
- Electronic Lounge
- Student Forum
- Performances
//Akkreditierungsformulare unter www.emaf.de
//Anmeldeschluss 15.04.02//
Begleitend zum Festival zeigen wir vom 24. April bis 20. Mai eine
fesselnde Ausstellung unter dem Titel "Es. Das Wesen der Maschine:
Robot- und Maschinenkunst von Louis-Philippe Demers & Bill Vorn
(Qu�bec/Kanada)" in der Kunsthalle Dominikanerkirche.
Den cineastischen Rahmen des Festivals bildet das internationale
Film- und Videoprogramm, eine Autorenretrospektive sowie
spannende Sonderprogramme. Insgesamt werden ca. 200
Filme und Videos gezeigt. Darunter experimentelle Kurz- und
Langfilme, poetische Videosund Videoclips bis hin zu
unterhaltsamen Flash-Animationen. Ein Spektrum, das umfassende
Einblicke in die zeitgenoessische Kunst- und Medienproduktion
vermittelt.
Geografischer Schwerpunkt ist die Medienszene in Asien und
speziell in China und Korea. Die dortige Filmszene ist im
Aufbruch begriffen, nicht zuletzt eine Folge der politischen
Liberalisierung und wirtschaftlichen Entwicklung, wodurch
eine neue selbstbewusste Kunst- und Kulturszene entsteht.
Unser Special beschaeftigt sich mit dem "Virtual Actor".
Filme, in denen statt realer Menschen am Computer entstandene
Figuren, bzw."menschliche" Akteure in virtuellen Umgebungen
agieren. Dabei verschwimmen die Unterschiede zwischen dem
Realen und dem Virtuellen zunehmend. Theoretisches dazu gibt
es auf dem Kongress zu h�ren.
Eine umfangreiche Retrospektive ist dem Kanadier Al Razutis
gewidmet. Dessen Oeuvre reicht vom Experimentalfilm bis hin
zu medientheoretischen Texten. Seit Anfang der neunziger
Jahre arbeitet er zugleich mit 3D-Videos.
"Underground Zero" lautet der Titel einer spannenden Film-
dokumentation zu den Ereignissen nach dem 11. September,
den das EMAF als Europapremiere zeigt. Eine Woche nach den
Terroranschlaegen riefen die amerikanischen Filmemacher Jay
Rosenblatt und Caveh Zahedi �ber 150 Experimental- und
Dokumentarfilmer an, um sie zu bitten, einen Beitrag f�r ein
Filmprojekt zu machen, das sich auf dieses Ereignis und
seine Nachwirkungen bezieht.
Dieses Thema greift, neben vielen weiteren Fragestellungen,
auch der Kongress mit dem Beitrag "Urban Collisions: New York"
auf. Darin wird die visuelle Darstellung der Geschehnisse
nach dem 11. September analysiert.
Gemeinsam mit deutschen Universitaeten und Akademien
praesentiert das Student Forum aktuelle Produktionen aus aller
Welt. Kooperationspartner des EMAF in diesem Jahr sind unter
anderem die Bauhaus Uni Weimar, die FH Mainz sowie die FH Hannover.
Spannung verspricht die Preisverleihung. So wird im Rahmen des
Festivals der Preis der Deutschen Filmkritik f�r die beste
experimentelle Film- und Videoarbeit vergeben. Und mit dem
OLB-Medienkunstpreis des EMAF werden richtungsweisende Medien-
Installationen ausgezeichnet.
Sie sind herzlich eingeladen, mit uns ein spannendes und
zugleich facettenreiches Programm zu erleben.
Ihr Festival Team
- -------------------------------------------------------------
European Media Art Festival
Lohstrasse 45a
D-49074 Osnabrueck
Germany
Tel: +49 (0) 541/ 21658/25779
Fax: +49 (0) 541/ 28327
E-mail: [email protected]
http://www.emaf.de
- -------------------------------------------------------------
Konzeption und Festivalleitung:
Alfred Rotert, Hermann Noering, Ralf Sausmikat
- -------------------------------------------------------------
Foerderer des EMAF:
Nord Media, Hannover
Stadt Osnabrueck
Auswaertiges Amt, Berlin
Bundesministerium fuer Bildung und Wissenschaft, Bonn
Lottostiftung, Hannover
Oldenburgische Landesbank, Oldenburg
EU Commission, Brussels
Botschaft von Kanada, Berlin
Kulturbuero von Quebec, Berlin
und
Zuschuesse weitere Foerderer
The EMAF is member of the ECFF (European Coordination of Film
Festivals)
- -------------------------------------------------------------
English Version!!!
- -------------------------------------------------------------
Press release 5
- ---------------
European Media Art Festival
24.-28. April 2002
Osnabrueck
www.emaf.de
EMAF stands for the European Media Art Festival, one of the most
extensive media events world-wide. This year's motto is
"New Images - New Stories - Art in Modern Media".
>From 24 to 28 April 2002, Osnabr�ck will be the most important
meeting place for specialists from the fields of art, culture
and the media economy, as well as for wide interested audience.
As a forum for international media art, the EMAF shows films,
videos, performances, multimedia installations and digital media
such as CD-ROM, DVD and the Internet. Besides productions by
internationally renowned artists, the works of young innovative
new talents will also be presented. Including quite a number of
world- european- and german premiers,
The programmes:
- Int. Film and Video selection
- The Virtual Actor
- New Asian Cinema
- Underground Zero - 9.11.
- Exhibition: "It. The nature of machine"
- congress
- Electronic Lounge
- Student Forum
- Performances
//Accreditationforms at: www.emaf.de //until 15.04.02//
To accompany the festival, we are showing a gripping exhibition
entitled "It. The nature of machine: robotic and machine art
by Louis-Philippe Demers & Bill Vorn (Qu�bec/Canada)",
from 24 April to 20 May in the art gallery Domenican Church.
The cinematic framework of the festival is the international
film and video programme, an author retrospective, as well as
exciting extra programmes. A total of approximately 200 films
and videos will be shown, including experimental short and
long films, poetic videos, videoclips and entertaining flash
animations. A wide spectrum providing extensive insights into
contemporary art and media production.
The geographic emphasis is placed on the media scene in Asia,
and in China and Korea in particular. The film scene in these
countries is currently in the process of changing fast, in part
as a consequence of political liberalisation and economic
development, leading to the emergence of a new, self-confident
art and cultural scene.
Our special subject deals with the "Virtual Actor" - films in
which computer-animated figures or'human' actors, rather than
people, act in a virtual environment. The differences between
thereal and the virtual worlds are increasingly blurred.
Theoretical aspects related to this subject will be discussed
at the congress.
An extensive retrospective is dedicated to the Canadian Al Razutis,
whose oeuvre range from experimental films to media-theoretical
texts. At the beginning of the nineties, he also started
working with 3D videos.
"Underground Zero" is the title of a tense film documentation
on the events following 11 September, which the EMAF will
be showing for the first time in Europe. A week after the
terrorist attacks, the American film-makers, Jay Rosenblatt
and Caveh Zahedi, called over 150 experimental and documentary
film-makers, in order to request them to contribute to a film
project concerning this event and its aftermath.
This issue, among many others, is also dealt with by the
congress in the form of thecontribution entitled
"Urban Collisions: New York", in which the visual representation
of the events after 11 September are analysed.
In collaboration with German universities and academies,
the Student Forum presents brand-new productions from all
over the world. EMAF's cooperative partners this year
include the Bauhaus University of Weimar, Mainz University
of Applied Sciences, as well as Hannover University of Applied
Sciences.
The award ceremony promises to be full of suspense. The
Deutsche Filmkritik prize for the best experimental film and video
oeuvre will be awarded during the festival. The OLB Media Art
Prize of the EMAF will be awarded to future-oriented media installations.
We warmly invite you to experience an exciting and multifaceted
programme with us.
Your Festival Team
- ----------------------------------------------------------------
European Media Art Festival
Lohstrasse 45a
D-49074 Osnabrueck
Germany
Tel: +49(0)541/ 21658/25779
Fax: +49(0)541/ 28327
E-mail: [email protected]
http://www.emaf.de
- -----------------------------------------------------------------
Concept and festival board:
Alfred Rotert, Hermann Noering, Ralf Sausmikat
- -----------------------------------------------------------------
The EMAF is supported by:
Nord Media, Hannover
Stadt Osnabrueck
Auswaertiges Amt, Berlin
Bundesministerium fuer Bildung und Wissenschaft, Bonn
Lottostiftung, Hannover
Oldenburgische Landesbank, Oldenburg
EU Commission, Brussels
Botschaft von Kanada, Berlin
Kulturbuero von Quebec, Berlin
and
contributions made by other supporters
The EMAF is member of the ECFF (European Coordination of Film
Festivals)
End of message-------------------------------------------------------
------------------------------
Date: Fri, 05 Apr 2002 15:34:58 +0200
From: =?iso-8859-1?Q?Edith=2DRu=DF=2DHaus=20f=FCr?= Medienkunst <[email protected]>
Subject: jordan crandall exhibition
[scroll down for english]
Jordan Crandall: Trigger Projekt
Ausstellung
Er�ffnung: Samstag, den 6. April 2002, 20 Uhr
Dauer der Ausstellung: 7. April � 9. Juni 2002
"Mit Spannung pulsierend, Haut gegen Metall gedr�ckt, die Elektronik des
Kampfger�ts flie�t durch den K�r�er wie Film duch einen Projektor.
Vorsichtiges Atmen, schnelles Herzschlagen und die minimalen Vibrationen
der Finger vermischen sich mit dem Stakkato des durchs Triebwerk
laufenden Zelluloids."
J. Crandall zu "Trigger"
8. Mai, 20 Uhr: Vorf�hrung "Video, Voyeurismus und Cocktails"
"Heatseeking" 2000, Regie: J. Crandall
"Peeping Tom" 1960, Regie: M. Powell, Starring Karlheinz B�hm und Moira
Shearer
1. Juni, 20 Uhr: K�nstlergespr�ch
Crandall pr�sentiert Material aus dem Oldenburger Workshop und von
seinen nordamerikanischen Dreharbeiten.
F�hrungen:
14. April 2002, 15:00 Uhr
12. Mai 2002, 12:00 und 14:00 Uhr
26. Mai 2002, 15:00 Uhr
- --------------------------------------------------------------
Jordan Crandall: Trigger Project
Exhibition
Opening: Saturday, April 6, 2002, 8 pm
Exhibition Dates: April 7 � June 9, 2002
"Pulsing with tension, flesh pressed against metal, the routings of the
combat device course through the body as the film courses through the
projector. Careful breaths, quickening heartbeats, and the small
vibrations of the finger mix with the staccato of the gear-driven
celluloid."
J. Crandall zu "Trigger"
May 8, 8 pm: Screening: "Video, Voyeurism and Cocktails"
"Heatseeking" 2000, Directed by J. Crandall
"Peeping Tom" 1960, Directed by M. Powell, Starring Karlheinz B�hm and
Moira
Shearer.
June 1, 8 pm: Artist's Talk
Cranall presents material from his Oldenburg workshop as well as his
North
American film shoot.
Tours:
April 14, 3 pm
May 12, 12 pm and 2 pm
May 26, 3 pm
Edith Russ Site for Media Art
Katharinenstra�e 23
26121 Oldenburg
Germany
t. +49 (0)441 235-32 08
f. +49 (0)441 235-21 61
[email protected]
www.edith-russ-haus.de
------------------------------
Date: Fri, 05 Apr 2002 15:33:56 +0000
From: "breathing planet" <[email protected]>
Subject: Press Release::Nationwide Ritual Resistance
For Press Release -[please forward]
April 5, 2002
Nationwide Whirl-Mart Ritual Resistance on Big Business Day.
Principle Contact:
[email protected] or 518-573-7947
Over the weekend of April 6 and 7, independently organized Whirl-Mart
troupes in 10 locations across the U.S. will enter superstores and silently
push empty carts for an hour
Locations and local contacts:
Troy/Albany, NY [email protected]
Hudson, NY [email protected]
NYC, NY no contact
Scranton, PA [email protected]
Pittsburgh, PA [email protected]
Hadley, MA [email protected]
Austin, TX [email protected]
Denton, TX [email protected]
Bay Area, CA [email protected]
Indianola, IA [email protected]
Big Business Day consists of a consortium of independently organized actions
and performances in protest of the ways in which Big Business is taking over
every aspect of peoples� lives, eliminating choice, broadening inequality,
and destroying democracy.
Whirl-Mart is a worldwide ritual which happens on a monthly basis and will
coincide with Big Business Day in April. Participants gather at superstores
and form a chain of people who push empty carts through the aisles. A
Whirl may seem to be no more than an absurd and chaotic infiltration of
peoples� usual shopping space, but it is intended to be a symbolic
statement. It is symbolic of the will to resist consumerism and
advertising, despite being saturated in it mentally and physically (as one
is inside a superstore). As a form of protest, it is unique because of its
silent meditative qualities.
Of course, there are many reasons to protest the domination superstores.
These corporations systematically destroy small business practice, and in
doing so, destroy consumers� options. They rely heavily on sweatshop labor.
They have been known to wrongfully acquire land. Many have been attacked
for poor employee treatment in addition to maintaining an anti-union stance.
The participants of Whirl-Mart acknowledge all of these malfunctions of
the superstore model. Moreover, we consider the superstore to be a
superlative symbol of an ideology founded on values of imperialism,
exploitation, and competition, namely capitalism. They oppose these values
in our thoughts and in our dreams because they do not represent a
sustainable future for the living systems of planet Earth. Through
Whirl-Mart, we come together to collectively create a physical and artful
manifestation of peaceful resistance.
Around the country and the world people are focusing their anti-consumerist
energies and their situationist desires on forming Whirl-Mart Consumption
Awareness Teams and organizing rituals. These foolish ceremonies will serve
as a monthly reminder of overconsumption, encourage people to think about
their own rituals of consumption, and offer people the opportunity to
express resistance in a unique and satisfying way.
To learn more about Whirl-Mart, visit www.breathingplanet.net or call to
request a press packet or digital resource CD.
_________________________________________________________________
Join the world�s largest e-mail service with MSN Hotmail.
http://www.hotmail.com
------------------------------
Date: Fri, 05 Apr 2002 18:16:09 -0300
From: "h.d.mabuse" <[email protected]>
Subject: _Call for Noise_
//////////////////////////////////////
RE:COMBO RADIO: checking the re:combination
//////////////////////////////////////
*1.44 Mbytes visual and/or sonic noises are invited for the following
experience:*
You are invited to participate in _Checking the Re:combination_, a
multimedia project of collaborative sound + vision production, that will
come to an end with a 3-night experience in the production and
recombination of social, moral, and political issues in a wired world.The
experience will be developed in an alternative format: the sounds and
pictures that will be used in the intervention will be collected through
the internet. You can collaborate just sending your movie clips, images or
sound files attached by e-mail to: [email protected]; texts articles
or questions can be send from the website (www.manguebit.org.br/recombo).
All the collected material will be collected an recombined during the 3
days long Abril Pro Rock Festival (www.abrilprorock.com.br), when the
audience physically present will intervene in the installation. Texts
produced for the event and chat rooms will be available at the website. The
main goal is to develop a democratic and decentralized participation of all
rather than the usual one-speaks-for-all.
The live on-site experience will be held at Pernambuco Convention Center,
Recife, BRAZIL, during the "Abril Pro Rock Festival", April 19-21, 2002.
_CHECKING THE RE:COMBINATION_ is an experience developed by the musical
collaborative group RE:COMBO (www.manguebit.org.br/recombo) and the
graffiti artists group SUBGRAF (www.manguebit.org.br/subgraf), with the
collaboration of LUCIANO MEIRA, Ph.D., professor of Psychology at the
Federal University of Pernambuco (www.ufpe.br)
///////////////////////////
Sponsored by C.E.S.A.R
(Recife Center of Advanced Studies and Systems)
http://www.cesar.org.br
///////////////////////////
_Questions and support_
If you have questions about RECOMBO RADIO, please send them to
[email protected]. For technical matters, contact us at
[email protected].
_URLs_
www.manguebit.org.br/recombo
www.abrilprorock.com.br
www.manguebit.org.br/subgraf
www.ufpe.br
------------------------------
Date: 06 Apr 2002 00:23:00 +0200
From: [email protected] (Till Westermayer)
Subject: Workshop zu "Digitales Urheberrecht", 26.04.2002
((The "Netzwerk Neue Medien", a Berlin based network of people interested
in new media politics and the shaping of the information society, closly
working together with the Heinrich B�ll Foundation (http://www.boell.de)
is organizing a workshop / conference on digital information property
rights on Friday 26th, April 2002. Conference language is german, so I
think it is ok not to translate it.))
Digitales Urheberrecht
Zwischen "Information Sharing" und "Information Control" - Spielr�ume f�r
das �ffentliche Interesse an Wissen?
Konferenz der Heinrich B�ll Stiftung und des Netzwerks Neue Medien
Freitag, 26.April 2002, Berlin, Galerie der Heinrich B�ll Stiftung
Mehr Infos unter http://www.netzwerk-neue-medien.org oder
www.wissensgesellschaft.org
Bis Ende 2002 mu� die Europ�ische Richtlinie zum Urheberrecht in die
nationale Gesetzgebung der Mitgliedsl�nder umgesetzt werden. Das ist kein
abseitiges Thema, denn hier wird die Infrastruktur der entstehenden
Wissensgesellschaft verhandelt und �ber die Richtung der gesellschaftlichen
Modernisierung entschieden. Worin besteht das �ffentliche Interesse an der
durch das Urheberrecht regulierten Infrastruktur der Wissensgesellschaft?
Wird diese die Handlungsspielr�ume der Menschen f�r die �ffentliche
Mitteilung geistiger Produkte, f�r kooperative Formen ihrer Erzeugung und
ihrer gesellschaftlichen Anerkennung erweitern? Oder verengt sich der
Handlungsspielraum, weil die Menschen nur noch als kaufkr�ftige Kunden und
als AnbieterInnen von Waren und Dienstleistungen in den Blick kommen? Geht
es bei der Sicherung von Anspr�chen auf geistiges Eigentum vorrangig um
Modernisierung im Sinne der Durchsetzung einer leistungsf�higen
Informationswirtschaft oder bieten sich Chancen f�r individuelle und
gesellschaftliche Wohlstandsgewinne auch jenseits des Marktes?
weiter unter
http://www.wissensgesellschaft.org/themen/wemgehoert/digitaleinfuehrung.html
Programm
11.00-12.30
Begr��ung
Olga Drossou, Heinrich B�ll Stiftung:
Geistiges Eigentum und Nutzerrechte
Matthias Berninger, Parl. Staatssekret�r Bundesministerium f�r
Verbraucherschutz, Ern�hrung und Landwirtschaft
Geistiges Eigentum in der Wissensgesellschaft
Rainer Kuhlen, Fachausschuss Information und Kommunikation der Deutschen
UNESCO - Universit�t Konstanz
Thomas Hoeren, Universit�t M�nster
12.30 - 13.30 Mittagspause
13.30 - 15.30 URHEBERRECHT UND WISSENSCHAFT
Welche neuen Publikations-, Verwertungs- und Nutzungsformen entstehen f�r
Wissen und wissenschaftlicher Information in digitalen R�umen?
E-Publishing - Initiativen aus der Wissenschaft
Diann Rusch-Feja, Max-Planck Institut f�r Bildungsforschung
Neue Modelle f�r den Umgang mit Wissen in wissenschaftlichen Bibliotheken
Gabriele Beger,Direktorin der Landesbibliothek Berlin
Verlagsstrategien f�r das wissenschaftliche Publizieren im digitalen Raum
Bettina Preis, vdg-Weimar (Verlag und Datenbank f�r Geisteswissenschaften)
Initiative Public Library of Science
Martin Gr�tschel, Konrad Zuse Zentrum, Berlin
Vorstellung des OS-Projekts "oc4 Knowledge Network"
Stephan Eissler,Vorsitzender des oc4 e.V. - Associacion of Open Communities
Moderation: Andreas Poltermann, Heinrich B�ll Stiftung
15.30 - 16.00 Kaffeepause
16.00 - 18.00 URHEBERRECHT UND KULTUR
Werden �ffentliche Kulturg�ter die neuen Wissensprodukte in der
elektronischen Welt? Welche Gesch�ftsmodelle vermitteln zwischen
�ffentlichem und kommerziellem Interesse?
Content Provider oder Information Broker: Perspektiven Digitaler Sammlungen
Harald Kr�mer, Kulturconsulting "transfusionen" (www.transfusionen.de)
Digital Rights Management und User Rights Management
Michael Imfeld, MediaMatec, Z�rich
Neue Verwertungsmodelle f�r digitale Kulturprodukte
Gerhard Pfennig, VG Bild-Kunst (VG Bild-Kunst: "Urhberrecht im Internet"
[pdf])
Rechtemanagement und der Schutz der informationellen UmweltVolker
Grassmuck, Humboldt Universit�t Berlin
Moderation: Mercedes Bunz, DE:BUG
18.30 - 20.00 PODIUMSDISKUSSION
Gabriele Beger, Landesbibliothek Berlin
Martin Gr�tschel, Konrad Zuse Zentrum, Berlin
Thomas Hoeren, Universit�t M�nster
Lisa Paus, MdA Berlin B�ndnis90/Die Gr�nen
Gerhard Pfennig, VG Bild-Kunst, M�nchen
Christian Sprang, B�rsenverein des Dt. Buchhandels, Frankfurt
Michael Imfeld, MediaMatec, Z�rich
Moderation: Rainer Kuhlen, Universit�t Konstanz
20.00 Imbiss und Ausklang der Tagung
Ab 22.00 Netzwerk-Lounge 1.0 in der C-Base - Thema "Open Source",
Rungestrasse 20, www.c-base.org
------------------------------
Date: Mon, 8 Apr 2002 00:20:58 +0200
From: "phonoTAKTIK.02" <[email protected]>
Subject: phonotaktik.02
format=flowed
Dear Friend,
if you read this mail, you are invited to present yourself or your=20
musical work
in the context of this years edition of phonoTAKTIK/part 2 in Vienna.
>>>>
At a street corner Karl saw a placard with the following announcement:=20=
The Oklahoma Theatre will engage members for its company today at
Clayton=20 race course from six o'clock in the morning until midnight. The
great Theatre=20=
of Oklahoma calls you! Today only and never again! If you miss your
chance=20=
now you miss it for ever! If you think of your future you are one of
us!=20 Everyone is welcome! If you want to be an artist, join our company!
Our Theatre can=20=
find employment for everyone, a place for everyone! If you decide on an=20
engagement we congratulate you here and now! But hurry so that you get in
before=20 midnight! At twelve o'clock the doors will be shut and never
opened again! Down=20 with all those who do not believe in us! Up, and to
Clayton!
A great many people were certainly standing before the placard, but it=20=
did not seem to find much approval. There were so many placards; nobody
believed=20=
in them any longer. And this placard was still more improbable than
usual.=20=
Above all, it failed in an essential particular, it did not mention
payment.=20=
If the payment were worth mentioning at all, the placard would certainly
have mentioned it; that most attractive of all arguments would not have
been forgotten. No one wanted to be an artist, but every man wanted to
be=20 paid for his labours.
Yet for Karl there was one great attraction in the placard. "Everyone is
welcome," it said. Everyone! That meant Karl too. All that he had done=20=
till now was ignored; it was not going to be made a reproach to him. He
was=20 entitled to apply for a job of which he need not be ashamed, which,
on the contrary,=20=
was a matter of public advertisement. And just as public was the promise
that=20=
he too would find acceptance. He asked for nothing better; he wanted to
find=20 some way of at least beginning a decent life, and perhaps this was
his chance.=20 Even if all the extravagant statements in the placard were
a lie, even if the=20 great Theatre of Oklahoma were an insignificant
travelling circus, it wanted = to engage people, and that was enough. Karl
did not read the whole placard=20=
over again, but once more singled out the sentence: "Everyone is welcome."
<<<< Franz Kafka, Amerika
>>>>
phonoTAKTIK.02 - The social construction of technology
Vienna, May 28th - June 2nd 2002
We welcome every approach to create music that contributes to the=20
development
of ideas about
- - Tools
- - Technology
- - Community
- - Communication
- - Art
- - Roots
- - Discourse/Reflection
- - or other dimensions that we may not have even dreamed about yet
The budget allows us to host 50 physical persons, best treatment and
fee guaranteed.
To identify, which contributions will be presented at which *slots*
we will set up a procedure that involves
the network of the global music community.
If you want to involve yourself or you music please visit the website
www.phonotaktik.at between April 17th (12p.m. MEZ) and April 21th
(12 p.m. MEZ).
This is not a competition or a call for applications. we strongly=20
believe the
21. century should be welcomed as the age of cooperation: nobody should=20=
win
against others because nobody should loose in this world. we all =
together
should become winners in the end.
We decided to use this approach to broaden our scope and to share the=20
results
with everybody. A single individual perspective even of the most gifted=20=
curator
may not be enough anymore to identify the State of the Art today.
We are aware that the music world is not a community of equal persons.=20=
artists
with well developed names and a higher market-evaluation have to protect
themselves for simple professional reasons. Many of us are used to be
booked via agencies or their labels. But we want to remind everyone that=20=
we
respect all creative expression regardless of market-value, peer-group-
ranking or other indicators. Thus we express our hope that at least=20
even the
busiest among us find a way to be still with us.
As it was said,
everyone is welcome,
phonoTAKTIK.02
The idea of phonoTAKTIK has been shaped by contributions of many great=20=
artists,
newcomers and stars, as the idea of music as a whole and you never know=20=
where
the seed of the next big tree is already blooming. So thank you to all=20=
that we
had the pleasure to meet at phonoTAKTIK so far
atom heart online.
auralbino.
autechre.
cecile babiole.
bask.
ramon bauer.
bedouin ascent.
fred bigot.
thomas brinkmann.
buro 10.
chris carter.
martina cizek.
clank.
the conet project.
cube and sphere.
cylob.
dan lodig.
demon flowers.
dieb 13.
disinformation.
richard dorfmeister.
fadi dorninger.
dr. nachtstrom.
dsl.
curd duca.
max eastley.
elin.
elmue.
epy.
eqv.
colin fallows.
familie seelig.
farmers manual.
fennesz.
fritz fitzke.
bernhard fleischmann.
fon.
tina frank.
fx randomix.
mark gage.
werner geier.
general magic.
bruce gilbert.
mathias gmachl.
g-man.
heidi grundmann.
honor hager.
russell haswell.
richie hawtin.
hecker.
holger hiller.
alois huber.
ryoji ikeda.
immersion.
zbigniew karkowski.
dieter kaufmann.
ken ishii.
richard h. kirk.
peter kollreider.
komet.
wolfgang kopper.
peter kruder.
felix kubin.
christof kurzmann.
labradford.
andrew lagowski.
laptop orchestra.
liquid limbs.
live fridge.
lobe.
francisco lopez.
main.
m=E4use.
men at arms.
mixmaster morris.
herbert molin.
monolake.
morpheus.
musikkreis ms20.
wolfgang musil.
mu-ziq.
noto.
bernd oberlinninger.
fritz ostermayer.
oszo.
oval.
pablo's eye.
pan american.
panoptischer kreis wien.
pansonic.
pausenfuller.
plaid.
pole.
franz pomassl.
gert-jan prins.
patrick pulsinger.
pure.
philipp quehenberger.
radian.
peter rantasa.
rapoon.
re.state.
pita rehberg.
franz reisecker.
hans joachim roedelius.
scanner.
schlammpeitziger.
paul sch=FCtze.
scion.
signal.
sister iodine.
slack hippy.
the smiling buddhas.
sons of silence.
stakker.
susan stenger.
stock, hausen & walkman.
swamp swallow.
syntactic.
nobukazu takemura.
jimi tenor.
david toop.
erdem tunakan.
uko.
vinylvideo.
matta wagnest.=A0
walkner & moestl.
wunder.
georg zeitblom.
maria ziegelb=F6ck.
and others.
please visit the website http://www.phonotaktik.at between April 17th
(12p.m. MEZ) and April 21th (12 p.m. MEZ).
Up, and to Clayton!
- --Apple-Mail-8--891330400
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
charset=ISO-8859-1
<fontfamily><param>Geneva</param><smaller>Dear Friend,
if you read this mail, you are invited to present yourself or your
musical work=20
in the context of this years edition of phonoTAKTIK/part 2 in Vienna.
>>>>
At a street corner Karl saw a placard with the following announcement:
The=20
Oklahoma Theatre will engage members for its company today at Clayton
race=20
course from six o'clock in the morning until midnight. The great
Theatre of=20
Oklahoma calls you! Today only and never again! If you miss your
chance now you=20
miss it for ever! If you think of your future you are one of us!
Everyone is=20
welcome! If you want to be an artist, join our company! Our Theatre
can find=20
employment for everyone, a place for everyone! If you decide on an
engagement=20
we congratulate you here and now! But hurry so that you get in before
midnight!=20
At twelve o'clock the doors will be shut and never opened again! Down
with all=20
those who do not believe in us! Up, and to Clayton!
A great many people were certainly standing before the placard, but it
did not=20
seem to find much approval. There were so many placards; nobody
believed in=20
them any longer. And this placard was still more improbable than
usual. Above=20
all, it failed in an essential particular, it did not mention payment.
If the=20
payment were worth mentioning at all, the placard would certainly have=20=
mentioned it; that most attractive of all arguments would not have
been=20
forgotten. No one wanted to be an artist, but every man wanted to be
paid for=20
his labours.
Yet for Karl there was one great attraction in the placard. "Everyone
is=20
welcome," it said. Everyone! That meant Karl too. All that he had done
till now=20
was ignored; it was not going to be made a reproach to him. He was
entitled to=20
apply for a job of which he need not be ashamed, which, on the
contrary, was a=20
matter of public advertisement. And just as public was the promise
that he too=20
would find acceptance. He asked for nothing better; he wanted to find
some way=20
of at least beginning a decent life, and perhaps this was his chance.
Even if=20
all the extravagant statements in the placard were a lie, even if the
great=20
Theatre of Oklahoma were an insignificant travelling circus, it wanted
to=20
engage people, and that was enough. Karl did not read the whole
placard over=20
again, but once more singled out the sentence: "Everyone is welcome."
<<<<<<<<
Franz Kafka, Amerika
>>>>
phonoTAKTIK.02 - The social construction of technology
Vienna, May 28th - June 2nd 2002
We welcome every approach to create music that contributes to the
development=20
of ideas about
- - Tools
- - Technology
- - Community
- - Communication
- - Art
- - Roots
- - Discourse/Reflection
- - or other dimensions that we may not have even dreamed about yet
The budget allows us to host 50 physical persons, best treatment and=20
fee guaranteed.
To identify, which contributions will be presented at which *slots*=20
we will set up a procedure that involves=20
the network of the global music community.=20
If you want to involve yourself or you music please visit the website=20
www.phonotaktik.at between April 17th (12p.m. MEZ) and April 21th=20
(12 p.m. MEZ).
This is not a competition or a call for applications. we strongly
believe the=20
21. century should be welcomed as the age of cooperation: nobody
should win=20
against others because nobody should loose in this world. we all
together=20
should become winners in the end.
We decided to use this approach to broaden our scope and to share the
results=20
with everybody. A single individual perspective even of the most
gifted curator=20
may not be enough anymore to identify the State of the Art today.
We are aware that the music world is not a community of equal persons.
artists=20
with well developed names and a higher market-evaluation have to
protect=20
themselves for simple professional reasons. Many of us are used to be=20
booked via agencies or their labels. But we want to remind everyone
that we=20
respect all creative expression regardless of market-value, peer-group-
ranking or other indicators. Thus we express our hope that at least
even the=20
busiest among us find a way to be still with us.
As it was said,=20
everyone is welcome,=20
phonoTAKTIK.02
The idea of phonoTAKTIK has been shaped by contributions of many great
artists,=20
newcomers and stars, as the idea of music as a whole and you never
know where=20
the seed of the next big tree is already blooming. So thank you to all
that we=20
had the pleasure to meet at phonoTAKTIK so far
atom heart online.
auralbino.
autechre.
cecile babiole.
bask.
ramon bauer.
bedouin ascent.
fred bigot.
thomas brinkmann.
buro 10.=20
chris carter.
martina cizek.
clank.
the conet project.
cube and sphere.=20
cylob.
dan lodig.
demon flowers.
dieb 13.
disinformation.
richard dorfmeister.=20
fadi dorninger.
dr. nachtstrom.
dsl.
curd duca.=20
max eastley.
elin.
elmue.
epy.=20
eqv.
colin fallows.
familie seelig.
farmers manual.
fennesz.
fritz fitzke.
bernhard fleischmann.=20
fon.
tina frank.
fx randomix.
mark gage.
werner geier.
general magic.
bruce gilbert.
mathias gmachl.
g-man.
heidi grundmann.
honor hager.
russell haswell.
richie hawtin.
hecker.
holger hiller.=20
alois huber.
ryoji ikeda.
immersion.
zbigniew karkowski.
dieter kaufmann.
ken ishii.
richard h. kirk.=20
peter kollreider.
komet.
wolfgang kopper.
peter kruder.
felix kubin.
christof kurzmann.
labradford.
andrew lagowski.
laptop orchestra.
liquid limbs.
live fridge.
lobe.
francisco lopez.
main.
m=E4use.
men at arms.
mixmaster morris.
herbert molin.
monolake.
morpheus.
musikkreis ms20.
wolfgang musil.
mu-ziq.
noto.=20
bernd oberlinninger.
fritz ostermayer.
oszo.
oval.
pablo's eye.
pan american.
panoptischer kreis wien.
pansonic.
pausenfuller.
plaid.
pole.
franz pomassl.
gert-jan prins.=20
patrick pulsinger.
pure.
philipp quehenberger.
radian.
peter rantasa.
rapoon.
re.state.
pita rehberg.
franz reisecker.
hans joachim roedelius.
scanner.
schlammpeitziger.
paul sch=FCtze.
scion.
signal.
sister iodine.
slack hippy.
the smiling buddhas.
sons of silence.
stakker.
susan stenger.
stock, hausen & walkman.
swamp swallow.
syntactic.
nobukazu takemura.
jimi tenor.
david toop.
erdem tunakan.
uko.=20
vinylvideo.
matta wagnest.=A0=20
walkner & moestl.
wunder.
georg zeitblom.
maria ziegelb=F6ck.
and others.
------------------------------
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