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Table of Contents:
build electronic creative communities
Deena Larsen <[email protected]>
HM Seminar
=?iso-8859-1?Q?S=E9bastien?= Budgen <[email protected]> (by way of ric
Milosevic's Year At The Hague
"Ivo Skoric" <[email protected]>
File electronic language international festival
"file symposium" <[email protected]>
database systems to enforce control // a call to strasbourg
"dsec.info" <[email protected]>
The Power of Negation (conference in Cologne)
"geert lovink" <[email protected]>
Le Fresnoy's Exhibition
"geert lovink" <[email protected]>
Fear of Strangers: Wogs, Refos & Illegals in the Popular Imagination: Call 4 Pap
"Yama Farid" <[email protected]>
Surveillance Beynond Privacy: A Forum on Surveillance & Social Control
"Yama Farid" <[email protected]>
------------------------------
Date: Sun, 23 Jun 2002 18:04:38 -0600
From: Deena Larsen <[email protected]>
Subject: build electronic creative communities
If you can't come to trAce's Incubation conference
<http://trace.ntu.ac.uk/incubation/index.cfm> in person, be there in
electronic spirit!
TrAce is sponsoring a Live Chat event at Incubation in collaboration
with ISEA, Fine Art Forum & The Electronic Literature Organisation
Communicate and hobnob with your creative counterparts as part of a
series of online meetings at real life conferences to help bring
members of the creative electronic community together. We will talk
about important points in the conference and foster relationships
between online writers and artists with questions such as:
How can we use the online environment to further collaborations
between artists and writers?
How do the online environment and other new media tools modify the
relationship between writing, language, imagery, culture, and
ethnicity?
How has online communication and coordination changed art and writing?
How are lines between art and literature blurring?
What new ways are we using to communicate with art and writing?
WHEN AND WHERE
Monday, July 15, 2002, at 21:00 London time, 16:00 New York, 13:00
Los Angeles, and 0:600 Tuesday Sydney
For your time, see
http://www.timeanddate.com/worldclock/fixedtime.html?day=15&month=7&year=2002&hour=21&min=0&sec=0&p1=136&month=7&year=2002&hour=21&min=0&sec=0&p1=136
HOW TO GET ONLINE
To join in, go to
<http://lingua.utdallas.edu:7000 <http://lingua.utdallas.edu:7000> >
Log in as guest
Type @go trAcELO at the bottom of your screen. We will help you from
there :)
FROM
TrAce http://trace.ntu.ac.uk/
ISEA (Inter-Society for the Electronic Arts) http://www.isea.qc.ca/
Fine Art Forum http://www.isea.qc.ca/
Electronic Literature Organisation http://www.eliterature.org
------------------------------
Date: Mon, 24 Jun 2002 14:17:40 +0100
From: =?iso-8859-1?Q?S=E9bastien?= Budgen <[email protected]> (by way of richard barbrook)
Subject: HM Seminar
HISTORICAL MATERIALISM invites you to a seminar by JOHN BELLAMY FOSTER
(author of MARX'S ECOLOGY) on "Epicurus, Marx and Materialism" on Monday
8th. July at 17.00 in room B111, Brunei Building, School of Oriental and
African Studies, Thornhaugh Street, Russell Square, London WC1H
All welcome
[email protected]
Please circulate
------------------------------
Date: Sun, 23 Jun 2002 11:42:39 -0400
From: "Ivo Skoric" <[email protected]>
Subject: Milosevic's Year At The Hague
Marking the anniversary of Milosevic's transfer to The Hague,
Raccoon, a non-profit organization dedicated to promoting
reconciliation among the exile groups from former Yugoslavia, is
presenting the human rights films screening and a round table
about the Milosevic's trial at the Hague, on Thursday, June 27, at
6:30 pm at its community space location in Queens.
This is at 43-32 22nd Street, Suite (buzzer) 301 in Long <color><param>7F00,0000,0000</param>Island
City; between 43th and 44th Avenue. Take E or V subway to 23rd
Street, Ely Avenue - this is only o n e subway stop away from
Manhattan, and there is an absolutely awesome view of the
Manhattan Midtown skyline from the roof. </color>Call (718) 784-9121 for
further information. For <color><param>7F00,0000,0000</param>map and driving directions go to
http://balkansnet.org/prostor.html.
</color>The event will open with a <color><param>7F00,0000,0000</param>short documentary by <bold>Mark Landsman</bold>,
<bold>Letters From Peje</bold>, documenting youth suffering in Kosovo,
followed by the two Emmy Awards winning, Nestor Almendros
Human Rights Award winning documentary <bold>Calling The Ghosts</bold>,
by <bold>Mandy Jacobson</bold>.
</color>Both directors will then join the roundtable on Milosevic's Year at
The Hague with <bold>Fred Abrahams</bold>, formerly a Human Rights Watch
research analyst in Kosovo, and <bold>Thommas Keenan</bold>, the facilitator
of Justwatch. The roundtable discussion will open with the video
presentation of Fred Abrahams's cross-examination by Slobodan
Milosevic at The Hague Tribunal on June 3 and 4.
The event will be attended by many refugees from wars in Croatia,
Bosnia and Kosovo, that settled in New York City, who might
themselves being victims of Milosevic's alleged crimes against
humanity. The organizers hope that participants, both the panelists
and the audience, shall be able to bring forward each their own
particular contribution to the truth and justice in the resolution of
the horrors that accompanied the wars of Yugoslav succession.
Mark and Mandy shall tell us what drove them to make human
rights documentaries and how can an artist help the case of
justice, Fred will explain more about how the established
institutions like Human Rights Watch, work in helping justice and
Thommas, who moderates one of the most vibrant international
human rights law discussion lists on the Internet, will talk about the
role that Internet can play in enhancing our ability to exact justice.
The audience will be encouraged to talk about their own
experiences and desires in regards to the ICTY.
Check the following related resources:
http://balkansnet.org/prostor.html
http://balkansnet.org/mandy.html
http://balkansnet.org/sloboland.html
http://balkansnet.org/tribunal.html
http://balkansnet.org/raccoon/kosovo.html
Please, come to the event.
<color><param>0100,0100,0100</param>------- Forwarded Message Follows -------
<bold><color><param>7F00,0000,0000</param>Associated Press
June 22, 2002
One year on: Milosevic unrelentingly fights war crimes allegations
By ANTHONY DEUTSCH, Associated Press Writer
THE HAGUE, Netherlands, June 22 (AP) - Working from the U.N.
detention unit on a warm Saturday in June, Slobodan Milosevic called
one of his legal aides in a huff.
Dragoslav Ognjanovic, dressed in a Hawaii-print shirt, shorts
and sunglasses, paced nervously on the beach outside The Hague while
Milosevic barked down the phone. There was a mix-up at the prison and
he hadn't received prosecution documents on a Kosovo Albanian witness
due to testify the following Monday.
"I need them to prepare," Milosevic told him.
The former Yugoslav president told Ognjanovic to find the problem
and fix it, and called back hourly demanding a progress report.
On Friday, Milosevic will have spent one year in U.N. custody,
sharing facilities with more than 40 other suspects from the wars
in Croatia, Bosnia and Kosovo in the 1990s.
He is the highest-ranking war crimes suspect to be tried by an
international tribunal since the Nuremberg and Tokyo trials after
World War II.
Milosevic, who studied law, also is the first defendant before the
7-year-old Yugoslav tribunal to act as his own defense counsel. The
case raises new questions for the judges on how much leeway to grant him
when he practices polemics rather than law.
Four months into the trial, Milosevic is leading a vigorous defense,
shunning courtroom niceties to cross-examine witnesses with combative
aggression.
The first part of the trial focuses on the 1999 Kosovo conflict,
in which the 13-year dictator of Yugoslavia faces five counts of crimes
against humanity and violating the laws of war. Later, he must answer
to 61 more counts for earlier conflicts in Croatia and Bosnia, including
genocide.
Eating into the prosecution's time, Milosevic fills hours accusing
NATO and the Kosovo Albanian rebel forces of war crimes.
Alone at the defense bench, Milosevic often slumps and feigns boredom
during a witness' testimony. Most victims of Serb violence refuse to
look at him, though the witness chair is just a few feet away.
In cross-examination, he often denigrates a witness's character,
accuses him of spinning lies, or of protecting the "terrorists" who
opposed him. He theatrically waves sheaves of documents, or somberly
narrates video footage of the havoc brought to his own people by his
enemies.
Milosevic's tactics have brought him into regular clashes with
the three judges who will decide whether he is guilty and could
then determine his sentence. In other cases, the courts have shown
flexibility in sentencing, depending on whether the defendant has
shown remorse.
Almost daily, Judge Richard May warns Milosevic against haranguing
witnesses, and once told him he could lose his right to cross-examine.
"He is not conducting a true legal defense, that's been clear from
Day One of the trial," said Richard Dicker, head of the international
justice program at Human Rights Watch.
"He's engaged in political offense," Dicker said. "He is trying
to rewrite the history of Yugoslavia in the 1990s, casting himself
as a victim, NATO as a criminal, and the court as an accomplice."
The momentum Milosevic had at the beginning of his trial seems
to have wavered, and many observers believe several highly effective
prosecution witnesses stood up to his interrogation tactics and
presented incriminating evidence.
One such witness was former NATO commander Gen. Klaus Naumann,
who said that during one meeting he had with Milosevic in 1998, the
then-president and his aides mused about "solving" the ethnic problem
in Kosovo by shooting or expelling Albanians.
The strain of his defense may be taking a physical toll on the
60-year-old Milosevic. He has fallen ill twice since the Feb. 12
start of his trial, forcing a three-week delay so far. Hearings were
again canceled for a week in June while he recovered.
Milosevic's bombastic courtroom style has been popular back home
in Serbia, where it looks good on television. But legal experts say
it won't earn him points with the judges.
"He is still talking to his public, and that doesn't do much good
in court," said legal analyst Heikelien Verrijn Stuart. "His show is
weak. It's a long-winded gimmick that only impresses those seeing it
for the first time."
Paul Williams, a law professor at American University who represented
the Bosnians at the 1995 Dayton talks which ended the Bosnian war, said
the prosecutors seem to be proving their case, but that they are failing
to convince the Yugoslav people of Milosevic's guilt.
In the coming weeks, prosecutors are expected to summon what they call
their "insider" witnesses, people from the Yugoslav political circle who
might link Milosevic personally to actions that led to hundreds of murders
and the expulsion of 800,000 Kosovo Albanians from their homes.
#########################
------------------------------
Date: Tue, 25 Jun 2002 11:26:19 -0300
From: "file symposium" <[email protected]>
Subject: File electronic language international festival
File electronic language international festival, is opening the
registrations to the international event, FILE SYMPOSIUM
2002, in the below address: http://www.file.org.br/filemeio/index.htm
O FILE festival internacional de linguagem eletr�nica est� abrindo as
inscri��es para o evento internacional FILE SYMPOSIUM 2002 no endere�o:
http://www.file.org.br/filemeio/index.htm
_________________________________________________________________
Converse com amigos on-line, conhe�a o MSN Messenger:
http://messenger.msn.com
------------------------------
Date: 25 Jun 2002 17:25:40 +0200
From: "dsec.info" <[email protected]>
Subject: database systems to enforce control // a call to strasbourg
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,mmm_.dMM. .o._m.m,. ,..mm.m. _,m.m.op_
,MMP''`YMMM. ,MMP''`'MM_ ,MMM"''"MMM. dMMP''`YMML
,MMP YMM. YMMb._ ""' ,MMP YMM ,MMP YP"
;MMP 7MM. 'PMMMM8mm_ (!MMMMMMMMMMM'dMM'
`MMb ]MM. _._ `'"YMMM.`MMb _.i YMMb ,mm.
YMML ,?MM. ___ YMML dMM' YMML dMMP !MM. ,MMM'
`YMMMMMYMM' ]MMM `MMMMMMMP' `YMMMMMMp' '8MMMMM!F
''' '' ''' `'''' '''' `''''
[database systems to enforce control]
www.dsec.info | www.noborder.org
[update june 12th, 2002]
/\ noborder-camp July 19-28, 2002
/\ / \ strasbourg
/ \/____\ www.noborder.org
/____\
P E O P L E M O V E --- P E O P L E C O M M U N I C A T E
People move across physical and virtual borders. People push the electronic
frontiers through digital and physical communication. States and
multinationals
are enforcing control of both flows. Information technology is part of the
freefloating culture of resistance and a tool to develop a society of
seemless control.
The border camp in Strasbourg is the perfect location to explore these
connections
and link the struggles for free movement and free communication.
L O C A T I O N
d.sec (first call published on http://dsec.info, january 2002) is part of the
international noborder action camp (http://noborder.org/strasbourg) in
Strasbourg,
July 19-28, 2002. The intention is to create a thread around the issues
of freedom of movement and freedom of communication. The link between both
is becoming more important with the virtualisation of borders - which certainly
does not make them softer.
Situated in Alsace, with a French/German border which has shifted 5 times
in the last 5 centuries, Strasbourg is now the location of the Schengen
Information System (SIS), a detention center and many EUropean institutions.
d..sec will use this thick symbolic space as an experimental field to better
understand how the virtualisation of borders works, and what to do about it.
Between 1000 and 3000 people are expected for the bordercamp. d.sec will take
place on the campsite and in town, with workshops, presentations,
active discussions or chilling out with a notebook and a cup of coffee.
C O N C E P T
d.sec is about reflecting the mechanisms of repression/control in the
fields of
free movement and free communication, the experiences of electronic and
physical bordercrossing. An attempt to integrate cyber-activism and taking the
streets, and find the relations between social and technical skills. The wider
objective is to give momentum to an ongoing exploration of technical
potentials
in the resistance against the border regime.
d.sec relies on the diversity of people who will be present at the Strasbourg
border camp. Some of the activists will be web designers and editors, sys-ads,
videomakers, code-writers, translators. Some earn a living with this
"immaterial labour",
some just use it in their political work. Others focus on the streets.
Others have
experience with borders and migration.
/*hack the streets. be pink and silver on the net*/
d.sec is meant to become an open structure where activists, anti-racists,
migrants,
hackers, teccies, artists and many more put their knowledges and
practices into self-organised interaction. A space to discuss and network,
for skill
sharing and and collaborative knowledge production. A laboratory to try out
ways to hack the streets and reclaim cyberspace with crowds in pink and
silver;
experiment with virtual identities, linux and open-source products; explore
the embodyment of technology, learn about the meanings of physical and
virtual bordercrossing.
F O R U M
- ---------------------------------------------------------------
check out the discussion forum on
http://dsec.info/talk (under construction)
This is a space to collect and discuss
articles, images and texts before,
during and after the camp, a pool for information.
- ---------------------------------------------------------------
M O D E S
We propose three modes of gettogethers - they are flexible, can take place
anywhere, each mode can turn into another one if people feel like it.
[presentations] anything from formal presentations to chilled-out exchange,
inspired by an impulse contribution (film, talk, website, sound).
Might turn into
active discussions. Could be open to the public
[workshops] skill sharing about things like how to secure my PC, Linux
installation, video editing, webradio, websites, diagramme making, streaming�
[active discussion] Brainstorms, dreams, theory with a perspective to develop
into ongoing projects and actions. Can last anything between a few minutes
and several days and nights.
A C T I O N
d.sec/ is where the multitudes infect each other with subversive
desires and constructive acts. Let's turn projects, questions
and practices into interventions. Bring the tools to cross the
digital borders. Let's be the humans behind the machines.
/*if you know of anyone who might be
interested, please forward this invitation.*/
/*if you want to put your project on the preliminary
programme or need equipment,
mail to [email protected]*/
W H O
This is a choice of projects and groups. Some have already confirmed that
they are coming, others are projects worth looking at for inspiration.
Anyone working on projects related to "freedom of movement and freedom of
information" pls get in touch!
the voice (www.humanrights.de/voice. migrant's self organisation, Germany)
- --- Chaos Computer Club, germany (www.ccc.de, had their first real space
demonstration in the streets a few months ago) --- hacknet milano (ecn.org,
italy) --- ascii (squat.net/ascii - amsterdam) --- puscii
(squat.net/puscii - utrecht) --- netbase.t0.or.at --- genderchangers
(genderchangers.org amsterdam/london) --- print (squat.net/print - dijon)
- --- undercurrents.org, UK --- PublixTheatreCaravan, (zone.noborder.org,
vienna) --- ak-kraak.squat.net --- trojan tv (organicchaos.org) ---
electrohippies (fraw.org.uk/ehippies - floodnet, UK) --- www.hacktivism.com
- --- indymedia centers (indymedia.org) --- www.haecksen.org --- debian
gnu-linux (debian.org) --- freebsd.org --- no-racism.net ----
syndicatpotentiel.fr.st, strasbourg --- bureau d�etudes
([email protected]) --- Kanak Attack (www.kanak-attak.de) --- sans
titre (www.under.ch/SansTitre) --- campware|campfire, Prague (media lab,
campware.org) --- databyte --- rtmark.com --- deportation-class.com ---
electronic disturbance theatre (archive: nyu.edu/projects/wray/ecd.html)
- --- noborder.org --- communication guerilla (www.contrast.org/KG)---
theyesmen.org --- fiambrera obrera (www.sindominio.net/fiambrera) --- old
boyz network (obn.org) --- nadir.org --- sindominio.net --- virtual people
smuggler --- deportation-alliance.com --- www.wewearbuildings.cc
�
- -------------------------------------------------------------------------
d.sec /di:'sIk/, abbr of (a) Database System to Enforce Control.
A database used to restrict the civil liberties of a specific group.
Emerged in late 20th century during transition from democracy to empire.
(b) opp deformed security. A dysfunctional understanding of security.
(c) spec tag of 1st Intern. bordercamp, 2002. EG desecuricise SIS.
- ---------------------------------------------------------------------------
CONTENTS
d.sec/themes/basic
{ The struggles for freedom of movement and freedom of communication are
beginning to interact. To take the solidarity further, we need an
understanding of how both freedoms are being controlled. Demystifying the
SIS and visualising virtual borders could be a practical starting point. We
need to know how IT tools are supporting virtual borders, and how we can
use them for our own purposes. Let�s talk about how the machinery of
control affects all of us - as migrants, activists, webbies and crossovers
of all sorts.}
[presentations/chillout]
#++ Migration and the Digital Frontier: Crossover and Difference (part of
camp opening event, Sunday 21.7.)
# Learning from the Zapatistas: getting the most out of the web
# Maps of control: an exhibition (Syndicat potentiel/bureau d'etudes)
[active discussions]
# Theatre/performances in public space (noborderZONE)
# IS SIS THE WORLD WE WANT? Info and brainstorm
# �You need a mobile and email to work with us� (expls: Kanak Attack,
Indymedia�)
# cardreader (ascii)
[workshops]
# mapping the border. active research for a sbourg diagram. (syndicate
potentiel, bureau d�etudes)
Invisible theatre/ surveillance camera play/ checkpoint play/
radio-supported psychogeographic explorations/
d.sec/themes/opensource and free things
{The world of open source is thriving: everything is available for free,
from the Linux operating system to sophisticated cryptography. What�s the
politix of this world? Why should grassroots groops participate and use it?
How to secure your computer? And the idea of free things is not limited to
software�}
[workshops]
# Public key cryptography for secure communication: Create your own
keypair! (ascii, amsterdam)
# Installing gnu/linux - why and how (ascii and �)
# A smart artist makes the machine do the work: opensource content
management // campware // databyte
#++ getting free food from the market (sans titre network, daily)
let's talk about debian/ freeBSD/ Gnu/linux/ TCP/IP/ firewalling
# Free parties the subvertivity of fun
The needs of the "mobile activist"
[chillout]
# Key signing party (ascii, amsterdam) (Friday nite?)
# Yomango: want it? You got it! From civil disobedience
to social disobedience. Shoplifting as fine art
(Yomango, Barcelona, with mobile media unit)
d.sec/themes/electronic.campaigning.disobedience
{Crowds of activists are taking the streets of cyberspace. They practice
the art of internet campaigning, use the tactics of communication guerilla
and have a laugh at the rich and powerful. How do electronic disobedience
and traditional actions/campaigns relate to each other? Cyberspace is
Public Space!}
[active discussions]
#++ Image pollution and tactical embarrassment: let's talk with and about
floodnet/electrohippies, lufthansa online-demonstration, rtmark, fiambrera
obrera, electronic disturbance theatre, yesman, deportation-class.com,
toywar, root@sis# shutdown -h now
[presentations/chillout]
# video screenings about past and present actions (noborderZONE)
d.sec/themes/body
{Some say our identities are liberated through communication technology.
Others feel the need to reclaim their bodies from the machines. Let�s talk
about cyborgs, gender, human interfaces, sexuality in the world of
cyberspace. Let�s talk about the humans behind the machines.}
[workshops]
#++ d.sex: finding questions to answer: chat rooms. sexism.
gender(bending). power. desire ...
# "The teccie" - a gendered identity? (all present teccies, non-teccies and
the majority of crossovers)
# let�s talk with and/or about projects like the old
boyznetwork, haecksen, ascii, indymedia, nadir, sindominio�
[presentations]
# every-body who is there and willing to do one
[chillout]
d.sec/themes/hacktivism
{Tools like SIS specifically aim at the restriction of free movement and
free communication. These database systems to enforce control are bugs,
problems that need to be fixed. Is the hacker community still ahead of the
apparatus of control? Any hacker kid has hacked the pentagon, some net
pirates seized the WEF database at Davos have they tried to crack the SIS?
And if so, what would it mean? Direct action, free de-bugging or a risky
game? Let�s try}
[active discussion and permanent flowing workshop]
Hacking and ethics - explorations of a concept
"root@sis# shutdown -h now"
#++ how a hacker would see the SIS
d.sec/themes/media activism
{hundreds of media activists will be present at the strasbourg bordercamp,
equipped with webcams, digital cameras, minidisc players and laptops. What
happens to all this footage? What is the function of videos, webradio etc
for �THE MOVEMENT�? For some, media activim is about counter-information,
for others its about interventions in the public sphere, or both. Time to
think about the fascination and objectives of digital media production}
[workshops]
# the radio stream from everywhere (radio crews at the camp) Producing and
reflecting on webstreams, pirate radios/television ...
# webmagazine for sbourg bordercamp - intro to the editing system
[active discussion]
# Freespeech at all cost open or edited? Hate the media be the media?
Debating with and about projects like indymedia, liberinfo.net, nadir,
sindominio, public netbase, a-infos �
# noborderZONE: The PublixTheatreCaravan will bring a bus complete with
mini-cinema, workspace/media lab with computers, internet acces, bar and
stage.
[presentations]
# Liberinfo.net: a news agency for social movements. Working with the
corporate media? (Liberinfo network, Barcelona)
# everyone is an expert mobile bus
[chillout]
# video screenings - viewing (activist) videos: what�s the message? We are
the experts! (videos present at camp)
# performance sounds and borders (name?)
# possibility for gettogether of indymedia activists (if indys present at
camp want to)
/* IS S I S T H E W O R L D W E W A N T ? */
- --
root@sis# shutdown -h now
pgp-key:
gpg --keyserver wwwkeys.cz.pgp.net --recv-keys AE06103A
http://netbase.t0.or.at/~juergen/keys/juergen.asc
- --
root@sis# shutdown -h now
pgp-key:
gpg --keyserver wwwkeys.cz.pgp.net --recv-keys AE06103A
http://netbase.t0.or.at/~juergen/keys/juergen.asc
------------------------------
Date: Mon, 24 Jun 2002 11:22:16 +1000
From: "geert lovink" <[email protected]>
Subject: The Power of Negation (conference in Cologne)
Subject: Die Kraft der Negation ...
Date: Sat, 22 Jun 2002 21:33:41 +0200
From: "Anja Dorn" <[email protected]>
To: "Anja Dorn" <[email protected]>
Im Rahmen von Theater der Welt findet statt:
Die Kraft der Negation
Thematisches Wochenende
kuratiert von Diedrich Diederichsen
27.- 29. Juni, Schauspielhaus und Schlosserein, K�ln
29.-30. Juni, Volksb�hne am Rosa-Luxemburgplatz, Berlin
Ist die gro�e Geste der Negation noch angemessen? Ist sie noch
kommunizierbar? Sind Verneinungen noch denkbar, die nicht automatisch
wieder kleine abgegrenzte R�ume bilden? Ja ist nicht oft die Verneinung
nur eine schwache unpr�zise Bejahung? Wof�r ist eine/r, der/die
GlobalisierungsgegnerIn oder antideutsch sich nennt? Die Veranstaltung
will die Frage als eine typische Schnittstelle zwischen k�nstlerischer
und politischer Kommunikation thematisieren.
Programm
Donnerstag, 27. Juni 2002
Schlosserei
20:00 "Position und Negation"
Vortr�ge von Diedrich Diederichsen und Chantal Mouffe
Video: Bojan Sarcevic "Remise",1997, 2,3 min
Schauspielhaus
23:00 DJ name (don't dolby)
Zeitkratzer spielen negative Musik von Throbbing Gristle, Helmut
Lachenmann, Terre Thaemlitz, Lou Reed u.v.a
Freitag, 28. Juni 2002
Schauspielhaus
17:00 "ATTITUDE MULTITUDE oder WAS TUN?", Pr�sentation von "Jeder Mensch
ist ein Experte"
19:00 "Negative �sthetik gegen �sthetik der Zerst�rung", Vortrag von
Stephen Prina und Diskussion mit Ekkehard Ehlers, Felix Klopotek, Pinky
Rose und Marcus Schmickler
21:00 De Rijke/ De Rooij: "Bantar Gebang", 2000, 35 mm Farbfilm, Ton, 10
min.
21:30 Bernadette Corporation: "Get rid of yourself", Ein Kommuniqu� �ber
B�rgerkriegsmode an die verlorene Jugend des Empire
23:00 Black Dice, Noise-Konzert
Samstag, 29. Juni
Schauspielhaus
17:00 Ueli J�ggi, Stephan Geene und Judith Hopf lesen, zeigen, pr�sentieren,
diskutieren Bartleby/ theoretisches Fernsehn
19:00 Verein mit Zukunft (Tom Holert, Felix Klopotek, Mark Terkessidis,
Miltiadis Oulios u.a.): "Revue zu der Geschichte und Gegenwart des
Anarchismus" mit dem Anarchismus Historiker Dieter Nelles, musikalischer
Begleitung von Michele Avantario und einem B�hnenbild von Daniel Richter
21:00 De Rijke/ De Rooij: "Bantar Gebang", 2000, 35 mm Farbfilm, Ton, 10
min.
anschlie�end: Vortrag von Micha Brumlik, anschlie�end Diskussion mit
Micha Brumlik, Angela Melitopoulos, De Rijke/ De Rooij, Mark Terkessidis
u.a. Moderation: Brigitte Weingart
23:00 Mutter spielen positive Musik
Installationen:
"Intervention" - eine Zeitinstallation von Ehlers, Hirsch, M�ller, Weisbeck
Silke Schatz, Video- und Filmcaf� "sitzen stehen liegen denken"
Theodor W. Adorno und das nihil relativum - eine Videoinstallation
Programm im Video- und Filmcaf�:
Freitag 28. und Samstag 29. 6.
19:00 Angela Melitopoulos "Passing Drama", 1998, Video, 66 min.
20:10 Bojan Sarcevic "Remise",1997, Video, 2,3 min.
Gintaras Makarevicius "Das Grab", 2000, Video, 45 min.
21:00 Stephan Geene "No logo tv" 3 min.
Eva von Platen "Luxus", 1995, 16 mm, 25 min.
21:30 Kanak TV "Philharmonie K�ln", 2001, 9 min., "Wei�es Ghetto", 2001,
8 min., "Das M�rchen von der Integration", 15 min.
22:00 Stephen Prina "Vinyl II", 2000, 16 mm, 21 � min.
22:20 Judith Hopf "Hey Produktion", 2001, Video, 7 min., "Bartleby",
1999, Video, 21 min., "Lebendes Geld", 1996, Video, 12 min.
23:00 Bas Jan Ader "Fall 1, Los Angeles", 1970, "Fall 2", Amsterdam,
1970, "Broken Fall (Geometric), Westkapelle, Holland", 1971, "Broken
Fall (Organic), Amsterdamse Bos, Holland", 1971, "I'm too sad to tell
you", 1971und "Nightfall", 1971, alle 16 mm.
Theater der Welt 2002
Bonn K�ln D�sseldorf Duisburg
Werderstr. 1
50672 K�ln
T +49.221.510909-19
F +49.221.510909-51
www.theaterderwelt.de
------------------------------
Date: Wed, 26 Jun 2002 09:08:36 +1000
From: "geert lovink" <[email protected]>
Subject: Le Fresnoy's Exhibition
From: "Nadine CLARISSE" <[email protected]>
I want to inform you of a body of three exhibitions, both curated by R�gis
Durand; they will take place simultaneously in the Centre National de la
Photographie in Paris, Le Fresnoy, Studio National des arts contemporains
(Tourcoing : from 21 Septembre to 1st December 2002), and the Mus�e d'Art
Moderne de Lille M�tropole (Villeneuve d'Ascq).
The project aims as showing the complex and fruitful relationship between
these two forms of expression (Image and text) Which bringing together gives
an extremely productive reflection scheme. The history of this relationship
oscillates between the allegation of their irreducible differences - images
belonging to a different order than language - and the study of their
convergent and complementary elements, which are as obvious as their
differences.
Each place, according to its own specificity, will be showing one or several
aspects of the theme. In the Centre National de la Photographie, each artist
will represent one possible approach of this text-image relationship. In Le
Fresnoy, there will be works having a link with cinema and video
installation. In the Mus�e d'Art Moderne, it will be a thematic and
historical approach.
As part of this project, we would like to inform you that your site on Geert
Lovink and Ted Byfield will be available in a space for consultation.
The consultation space, conceived by Jean-Louis Boissier, Professor in the
multimedia department, Universit� Paris 8 is the following :
CR-ROMs
* Zoe Beloff, Where Where Where There There Where, Zoe Beloff and the
Wooster Group, 1998
* Jean-Louis Boissier, Moments de Jean-Jacques Rousseau, Gallimard,
Saint-Gervais Gen�ve, Le Fresnoy, 2000
* Luc Courchesne, Portrait One, Artintact 2, 1995
* Jean-Marie Dallet, Voyage N� 17, 1994
* Peter Downsbrough, Outline, CNEAI, 1999
* Agnes Heged�s, Things Spoken, Artintact 5, 1999
* Eric Lanz, Manuskript, Artintact 1, 1994
* George Legrady, Slippery Traces, Artintact 3, 1996
* John Maeda, Reactive Books, Digitalogue, 1995, 1997, 1998,
http://www.maedastudio.com/rbooks/
* Jean-Michel Othoniel, A Shadow In Your Window, 1999
WORKS ON INTERNET
* Josh On and Futurefarmers, http://www.futurefarmers.com/
They Rule, 2001, http://www.theyrule.net
Antiwargame, 2002, http://www.antiwargame.org/
* Julie Morel, temp/, triptyque vid�o pour Internet, 2002
* Atsuko Uda, Web Drama et autres films interactifs pour Internet,
http://www.iamas.ac.jp/~makura/
ARTISTS ON INTERNET
* Claude Closky, www.sittes.net
* Vuk Cosic / ASCII Art Ensemble, http://www.Desk.org/a/a/e/first.html
* Jordan Crandall, http://jordancrandall.com/main/
* Paul Devautour, http://www.college-invisible.org/
* Dominique Gonzalez-Foerster, www.dgf5.com
* Knowbotic Research, http://www.krcf.org/krcfhome/
* Mudam (Mus�e du Luxembourg), http://www.mudam.lu/
* Saas Fee, http://www.arosa2000.com/
* T�l�f�rique http://www.teleferique.org/
http://217.174.192.66/~gammes2002/
GRAPHIC AND INTERACTIVE RESEARCH SITES
* Geert Lovink and Ted Byfield, site on Internet "free",
http://www.waag.org/free/
* Bureau Destruct, http://www.bermuda.ch/bureaudestruct/home
* Yugo Nakamura, http://surface.yugop.com/
* RSG (Radical Software Group), http://rhizome.org/carnivore/
* The Remedi Project, http://www.theremediproject.com/
* The Third Place, http://www.thethirdplace.com/
* Zephyr et autres artistes du graffiti � New York,
http://zephyrgraffiti.com/
The artists in the exhibition
Pierre Bismuth, Michael Snow, Patrick Corillon, Magali Desbazeille, Gary
Hill, William Klein, Chris Marker, Val�rie Mrejen, Charles Sandison, Pierre
Giner, Jose Froment Muntadas,Robert Filliou
Yours Sincerely,
Pascale Pronnier
Assistant Curator
[email protected]
Le Fresnoy
22 rue du Fresnoy
59200 TOURCOING, FRANCE
www.le-fresnoy.tm.fr
------------------------------
Date: Mon, 24 Jun 2002 22:56:14 +1000
From: "Yama Farid" <[email protected]>
Subject: Fear of Strangers: Wogs, Refos & Illegals in the Popular Imagination: Call 4 Papers
Call for Papers: Fear of Strangers: Wogs, Refos & Illegals in the Popular Imagination
Deadline: Sunday 30th June, 2002
Art Gallery of South Australia, 6-7 December 2002
Co-convened by the Hawke Institute, University of South Australia and the Herbert and Valmae Freilich Foundation, Humanities Research Centre, Australian National University
This conference will respond to recent events by bringing together considerations of Australian refugee policy and the popular representation of migrants to Australia from the 1930s until the present.
Send 200-word abstracts to Sanjugta Vas Dev at [email protected]
Expressions of interest are especially encouraged from junior scholars.
------------------------------
Date: Tue, 25 Jun 2002 02:03:15 +1000
From: "Yama Farid" <[email protected]>
Subject: Surveillance Beynond Privacy: A Forum on Surveillance & Social Control
The UTS Community Law and Legal Research Centre and
SpaceStation Media Lab presents:
SURVEILLANCE BEYOND PRIVACY
A critical forum on surveillance and social control
Wednesday 17th July 2002 - University Of Technology, Sydney: Law Faculty,
Haymarket
- -----------------------------------------------------------------
SURVEILLANCE BEYOND PRIVACY is a public event to critically discuss
surveillance and social control in our society. This forum will map the
different ways surveillance is reconfiguring social space, power and the
ways that we live, beyond the
present discourse of privacy.
Featuring:
Keynote address by Canadian sociologist PROF. DAVID LYON - internationally
acclaimed author of Surveillance Society: Monitoring Everyday Life (Open
University Press, 2001), and editor of the forthcoming Surveillance as
Social Sorting: Privacy, Risk, and Digital Discrimination - in his only
speaking appearance in Sydney.
and
PAULA ABOOD - community worker, writer and activist, currently working with
ethnic communities on an anti-racism project in Western Sydney, NSW -
speaking on the use of 'racial profiling' as surveillance.
Policy researcher and technology theorist DAVID SUTTON speaking on modern
day living among data phantoms and the possibilities for response to data
surveillance.
Independent forensic science commentator MICHAEL STRUTT speaking on
bioinformatics, DNA databasing and the commodification of genetic information.
Also featuring video and multimedia installations by local and
international artists responding to surveillance technologies and
processes: Denis Beaubois 'In the event of amnesia the city will recall'
(Australia), Josephine Starrs and Leon Cmielewski 'AKA' (Australia), and
the Institute of Applied Autonomy 'iSee', mapping urban routes of the least
CCTV surveillance (USA).
WHEN :
Wednesday 17th July
6.00-8.00pm
WHERE :
UTS Law Faculty, Moot Court
Quay St, Haymarket
Between Central station and the Entertainment Centre
Cost: Free
This forum is part of a broader program to encourage public debate on the
issue of surveillance. Other forums include: CITY STATE one day conference
in Melbourne Saturday 20th July, and a reader on surveillance published by
the UTS CLLRC.
More details:
www.citystate.org - [email protected]
Ph:(02) 9514 2914
Supported by
UTS, CATALYST, 2ser, Melbourne City Council, 3RRR, 3CR & www.citystate.org
- --------------------------------------------------------------------------------
------------------------------
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