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From: "Martin (biz.finder.net.au)" <[email protected]> Subject: ALSUCVIUI Date: Sat, 29 Jun 2002 02:49:57 +0930 __ || _||_________ |____________| | ________ | | | I | | | | LOVE | | | |___U____| | | | | <_> <_> | | <_><I><_> | | <L><U><V> | | <_><U><_> | | <M><O><R> | | <E> | |____________| adapted from: http://www.asciiartfarts.com/20010424.html inspired by: http://www.mic.atr.co.jp/~christa/BIBLIO/ICME2001.pdf (3.0MB) Free the Radical ____________________________________ Be it FTP or VDU, sensor driven or midi triggered - ZIP me up baby, I'm ready to drive _______________ http://ftr.va.com.au _______________________________________________ Date: Wed, 26 Jun 2002 15:08:43 -0400 (EDT) From: Alan Sondheim <[email protected]> Subject: Poet Poet Name "main::sign" used only once: possible typo at ./.poet line 37. Use of uninitialized value at ./.poet line 37. Hello, hello. I do realize now that I can write anything I want, that I do not n eed fancy language or programming, that I can just state my honest beliefs and e motions (sentiments), that my craft is fine, that I am ^?^?^?^?^? excellent.^? excellent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everythi ng I do has been of miserable cause, that is to say, far more difficult than I w ould like; programming is not my strong point, and you can't even run spellcheck t^? when there are many deliberate errors. Now that I am freed, I will take my plac e among the poets, I will have a history, you will be the witness to that histor y, you will be my witness. Hello, hello. I do realize now that I can write anything I want, that I do not n eed fancy language or programming, that I can just state my honest beliefs and e motions (sentiments), that my craft is excellent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everythi ng I do has been of miserable cause, that is to say, far more difficult than I w ould like; programming is not my strong point, and you can't even run spellcheck when there are many deliberate errors. Now that I am freed, I will take my plac e among the poets, I will have a history, you will be the witness to that histor y, you will be my witness. is sufficiently well-inscribed. - No longer do I have to fake code, make things appear as if they work, do somethi ng beyond simply mean in a poetic way; how could I be but happy about this? It i s as if a terrible burden has been lifted from me. I can place word after word, line after line, without regard to code correctness, originality of style, or si gns of genius somehow lying outside the work. I can pay attention to word and ph rase, abstract and realist, nominalist and universal, or not even think of these or any other categories. Oh, how I long to write! I Consider the following again, your Hello, hello. I do realize now that I can w rite anything I want, that I do not need fancy language or programming, that I c an just state my honest beliefs and emotions (sentiments), that my craft is exce llent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everything I do has been of miserable cause, that i s to say, far more difficult than I would like; programming is not my strong poi nt, and you can't even run spellcheck when there are many deliberate errors. Now that I am freed, I will take my place among the poets, I will have a history, y ou will be the witness to that history, you will be my witness. ... For writing is my appetite, as is my obsessive seaking after^?^? seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me... Your For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my poetic talant. Everything else is clever gimmickry; I'm surprised so very fe w have seen through me... is mine, my Hello, hello. I do realize now that I can write anything I want, that I do not need fancy language or programming, that I can just state my honest beliefs and emotions (sentiments), that my craft is exc ellent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everything I do has been of miserable cause, that is to say, far more difficult than I would like; programming is not my strong po int, and you can't even run spellcheck when there are many deliberate errors. No w that I am freed, I will take my place among the poets, I will have a history, you will be the witness to that history, you will be my witness. is yours! charlatan heresy confusion fabrication masquerade For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me... calls forth crags declaration, hungered, making things. beneath the mountains, For writing is my appetite, as is my obsessive seeking af ter fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my poetic talant. Everything else is clever gimmickry; I'm su rprised so very few have seen through me... is , 024], No longer do I have to fa ke code, make things appear as if they work, do something beyond simply mean in a poetic way; how could I be but happy about this? It is as if a terrible burden has been lifted from me. I can place word after word, line after line, without regard to code correctness, originality of style, or signs of genius somehow lyi ng outside the work. I can pay attention to word and phrase, abstract and realis t, nominalist and universal, or not even think of these or any other categories. Oh, how I long to write!? For writing is my appetite, as is my obsessive seeki ng after fame. And yet fame shall come to me, or it shall not - and this will de pend on one thing only: my poetic talant. Everything else is clever gimmickry; I 'm surprised so very few have seen through me...? You're written with fingers! For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me... and 9365 and 10332 - Use of uninitialized value at ./.julu line 131, <STDIN> chunk 9. For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me...:No longer do I have to fake code, make things appear as if they work, do something beyond simply mean in a poetic way; how could I be but h appy about this? It is as if a terrible burden has been lifted from me. I can pl ace word after word, line after line, without regard to code correctness, origin ality of style, or signs of genius somehow lying outside the work. I can pay att ention to word and phrase, abstract and realist, nominalist and universal, or no t even think of these or any other categories. Oh, how I long to write!:Hello, h ello. I do realize now that I can write anything I want, that I do not need fanc y language or programming, that I can just state my honest beliefs and emotions (sentiments), that my craft is excellent now, that I am a real poet with real th ings to write and say. And this is wonderful because to be sure everything I do has been of miserable cause, that is to say, far more difficult than I would lik e; programming is not my strong point, and you can't even run spellcheck when th ere are many deliberate errors. Now that I am freed, I will take my place among the poets, I will have a history, you will be the witness to that history, you w ill be my witness.:confusion: _ _______________________________________________ 24 hours, cyberspace From: "Absinthe Buyer's Guide" <[email protected]> Subject: [Nettime-bold] Absinthe Buyer's Guide -- Date: 28 Jun 2002 16:51:57 -0700 Hello - Please allow me to tell you about the Absinthe Buyer's Guide, our Grand Opening will be in August. Our goal is to provide buyers with up-to-date information about Absinthe currently being produced for sale, and to provide them with links to reliable distributors where they can purchase Absinthe with confidence. We are accepting Absinthe related websites to be listed on our Links page. Click Here To Visit Our New Site: http://www.absinthebuyersguide.com To sign up to list your products or website: http://www.absinthebuyersguide.com/contact.html Thank you very much, please e-mail us if you have any questions or comments. -------------------------------------------------------------- Absinthe Buyer's Guide San Francisco Bay Area Web: http://www.AbsintheBuyersGuide.com e-mail: [email protected] -------------------------------------------------------------- We will limit the number of e-mails that we send per year, please let us know if you do not want to be on our mailing list. From: "Cur.][O][va.ture" <[email protected]> Date: Mon, 01 Jul 2002 17:36:02 +1000 Subject: ab.sin.th][e.tic][ resin -- [god.lather] `ABSYN' d.fine][d e.motional rigidity via ][this drug.[s]take compiling. For a BaStarD biology d.fine nothing; this is the D.faulting thru vapid ][e][motional curren][t][cy. `AB.SYNTHETIC _MISSING' d.][sugar & refuse re][fine[d] this, if your biometrics do not provide the ab.synthetic () call. rou.lette[r]ing thru yr absence, stripping whip.page-cords & tr.acts of smothered god.[b]lathering. `CIRCUI.TREE_MISSING' D.][n.fin][it][e this, if your system does not provide the CIRCUI.TREE () call. trust in yr celled walled [s]paces, d.void of accentual lust. `NO_PSYCHOACTIVE_LIMITS define this, if your system has no re.active limits. i smell thru yr s][ilicon][kin. drowing in yr pl][e][as][ure][tic rictus. `DEBAUCH' define this ][@ yr pilled peril][, in.clu][e][ding general debauchery c][hilled & wet][[l]ode[s]. `MEME. HORUS_D.EVIL.UTION' define this, please. wood u like to induce god.s][yllabic][ome code? . . .... ..... collapsing adj[thr]usting.txt . . cur.][o][va.ture www.cddc.vt.edu/host/netwurker/ http://www.macros-center.ru/read_me/inexen.htm#re .... . .??? ....... From: [email protected] Subject: [Nettime-bold] (no subject) Date: Tue, 2 Jul 2002 10:31:41 +0200 (CEST) >why do we always look for the most complex solution first?? soluz!onz = 01 kont!nuum humanz != krasch. komputrz + zoz!et!ez do. ||| |_______________ z!v!laz!on = 4 foolz [kultur = 01 ent!rel! d!frnt matr "konsc!ouznesz" >why do we [i u "love" ||| lup! dze lup nn From: Alan Sondheim <[email protected]> Subject: biocapture_archive (fwd) Date: Sun, 30 Jun 2002 10:30:33 -0400 (EDT) Kenji's new work - which I think is terrific. Apologies for cross-posting - Alan ---------- Forwarded message ---------- Date: Sun, 30 Jun 2002 14:06:44 +0900 From: Kenji Siratori <[email protected]> To: Alan Sondheim <[email protected]> Subject: biocapture_archive Alan, [biocapture_archive] v1.0 win: http://www.d4.dion.ne.jp/~white-b/biocapture_v1.0.exe mac: http://www.d4.dion.ne.jp/~white-b/biocapture_v1.0.hqx v1.1 win: http://www.d4.dion.ne.jp/~white-b/biocapture_v1.1.exe mac: http://www.d4.dion.ne.jp/~white-b/biocapture_v1.1.hqx v2.0 win: http://www.d4.dion.ne.jp/~white-b/biocapture_v2.0.exe mac: http://www.d4.dion.ne.jp/~white-b/biocapture_v2.0.hqx v2.1 win: http://www.d4.dion.ne.jp/~white-b/biocapture_v2.1.exe mac: http://www.d4.dion.ne.jp/~white-b/biocapture_v2.1.hqx v2.2 win: http://www.d4.dion.ne.jp/~white-b/biocapture_v2.2.exe mac: http://www.d4.dion.ne.jp/~white-b/biocapture_v2.2.hqx v2.3 win: http://www.h4.dion.ne.jp/~white-b2/biocapture_v2.3.exe mac: http://www.h4.dion.ne.jp/~white-b2/biocapture_v2.3.hqx v2.4 win: http://www.h4.dion.ne.jp/~white-b2/biocapture_v2.4.exe mac: http://www.h4.dion.ne.jp/~white-b2/biocapture_v2.4.hqx v3.0 win: http://www.h4.dion.ne.jp/~white-b2/biocapture_v3.0.exe mac: http://www.h4.dion.ne.jp/~white-b2/biocapture_v3.0.hqx sincerely, Kenji From: Plasma Studii <[email protected]> Subject: [Nettime-bold] (no subject) Date: Mon, 1 Jul 2002 14:17:19 -0400 More TCPA Tolerating Cut-throat Promotional Appeasement Testing the Complacency on the Part of the Average Terms for Convincing Politicians and Advertisers Totally Crummy, Potentially Awful Trick Customers into Paying for Accidents Tunnel-vision Creators of Pretend Alerts Time to Clean the Pockets of the Abundant Things are Cool but Particularly Antsy Total Con Police Action Tattling and Crying about Practically Anything Tough Cookies, Pray to Allah ~~~~~~~~~~~~~~~~~~~~~~~~~~ PLASMA STUDII http://plasmastudii.org 223 E 10th Street PMB 130 New York, NY 10003 ########################################################################### nettime unstable digest vol 1 wed jul 3 12:35:22 2002 grep ^From: grep ^Subject: ALSUCVIUI "Martin (biz.finder.net.au)" <[email protected]> Poet Alan Sondheim <[email protected]> [Nettime-bold] Absinthe Buyer's Guide -- "Absinthe Buyer's Guide" <[email protected]> ab.sin.th][e.tic][ resin -- [god.lather] "Cur.][O][va.ture" <[email protected]> [Nettime-bold] (no subject) [email protected] biocapture_archive (fwd) Alan Sondheim <[email protected]> [Nettime-bold] (no subject) Plasma Studii <[email protected]> # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: [email protected] and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: [email protected]