m hardie on Mon, 27 Jan 2003 19:41:49 +0100 (CET) |
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<nettime> Indigenous IP |
I am new to this list but I see that a debate raged last October concerning Ned Rossiter's approach tot he question of Indigenous IP. Unlike Ned I do not think that the legilsative road is the one to follow. And it has not been followed in Australia despite calls for it since the later 1960's. I am not holding my breath for the current or future governments of that country to pass a law as proposed by Ned and others. having worked this issue through the courts in Australia (where I no longer live) I think that a solution has been reached which is more in conformity with the ideas of singularities, repititon, Empier/counter Empire .... (if I am allowed to use some shorthand). I am interested in debating this further here, privately or wherever but to get it going I post an abstarct of a paper I will soon present (see below) Thanks Martin Conference: Born of Desertion: Singularity, Collectivity, Revolution - March 20-22 at the University of Florida, Gainesville, USA. Presented by Center for the Humanities and Public Sphere, the Department of English, and the Marxist Reading Group. Abstract: "Australian Aboriginal Art, Copyright Law and the Australian Courts - an example of the flexible management of difference?" Martin Hardie, Florida State University, Panama City, Republic of Panama. This presentation seeks to give an outline of the facts involving the challenges posed by Australia Aboriginal art and indigenous concepts of ownership to the law of Copyright in Australia. The draft paper upon which the presentation is based can be found at: http://mailer.fsu.edu/~mhardie/wandjuk.html. In the cases examined in the paper we see the courts undergo a passage from the perceived exclusion of Aboriginal artists from the protection of the law to one were they are capable of seeking remedies under both the existing Copyright regime and the ancient principles of doing equity. After many years of the existence of a perceived wisdom to the effect that Aboriginal art was not capable of protection by copyright law it was in the final case of the series examined (Bulun Bulun v R & T Textiles Pty Ltd) that the Federal Court of Australia cleared away any obstacles and created a precedent for courts to intervene to protect Aboriginal ritual knowledge from exploitation that is contrary to the particular law and custom shown to exist in any one case. In doing so the court recognised a separate and distinct right to the right subsisting in an artistic work of a copyright owner based upon the ancient principles of doing "equity". Prior to this series of cases Aboriginal art was originally perceived as not being subject to the law of copyright because of the "traditional" nature of its designs - simply it was argued they were regarded as not capable of being "original" within the meaning of the relevant law. The approach taken by the Federal Court in Bulun Bulun allows for both communal interests and copyright interests to be litigated. Nevertheless their continues in some quarters a call for legislative intervention in order that all members of Aboriginal communities, wherever they are situated and whatever their custom could enforce a general legal right. I argue that this general approach misunderstands the importance of the case by case (differential approach) adopted by the Federal Court in the Bulun Bulun case. It is arguable that a legislative response would entail a law that would treat all the subjects of the proposed law (Aboriginal artists) generally and according to the overarching applicable law. It would call for a static definition of what is Aboriginal "tradition" applicable to interchangeable particulars. It may be the Federal Court's approach is an example of the flexible management of difference whereby it repeats in different cases its role to do equity between the parties. Not only do I argue that the approach is sensible and just, taking account of difference as it does, it may be an example of conduct concerning "non-exchangeable and non-substitutable singularities". In short the Federal Court may repeat the Bulun Bulun case in other circumstances - that is it may "behave in a certain manner, but in relation to something unique or singular which has no equal or equivalent." # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: [email protected] and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: [email protected]