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Table of Contents:
Veranstaltungshinweis am 22.5.: Zwischen War-Blogs und Informations
[email protected] (Till Westermayer)
ATTACK! Art and War in the Media Age
Oliver Ressler <[email protected]>
Video + Dance @ Merce Cunningham
Kurt Ralske <[email protected]>
Interzone #0: Document(ary)
Eric Kluitenberg <[email protected]>
Generator III - finissage
"Marta Klonowska" <[email protected]>
UNESCO Digital Arts Award 2003 at IAMAS - deadline July12th
Oliver Grau <[email protected]>
event listing
<[email protected]>
ZEROGLAB_INVITATION_FOR_THE_OPENING_OF_THE_BERGRO?= =?is
"Karoly Toth" <[email protected]>
Mail Art
Monty Cantsin <[email protected]>
FLOSS in the developing countries (a study)
"Frederick Noronha (FN)" <[email protected]>
------------------------------
Date: 15 May 2003 17:46:00 +0200
From: [email protected] (Till Westermayer)
Subject: Veranstaltungshinweis am 22.5.: Zwischen War-Blogs und Informations
## Nachricht vom 15.05.03 weitergeleitet
## Ursprung : /Mailinglisten/gj-debatte
## Ersteller: [email protected]
Hinweis auf eine gemeinsame Veranstaltung der Heinrich B�ll Stiftung
(Referat Medienpolitik) und des Netzwerks Neue Medien
Thema: Zwischen War-Blogs und Informationsministerium. Medien und
�ffentliche Wahrnehmung nach dem Irak-Krieg.
Termin: Do, 22.5., 19 Uhr, Galerie der Heinrich B�ll Stiftung, Hackesche
H�fe, Berlin
Fragestellung: Kriege katalysieren oft mediale und technische
Entwicklungen. Ziel der Diskussion ist es, aufzuarbeiten, wie sich das
Verh�ltnis von Krieg, Medien und �ffentlicher Wahrnehmung mit dem Irak-
Krieg verschoben hat. Mehrere Beobachtungen bilden dabei die Eckpunkte
der Debatte: die enge Verbindung von Milit�r und Unterhaltungsindustrie
im Konzept des "eingebetteten Berichterstatters", die sich wechselseitig
aufschaukelnden Inszenierungen des irakischen Informationsministers und
der USA, aber auch die erstaunlich kritische und selbstreflexive
Diskussion in den Medien �ber Medienberichterstattung, die zunehmende
Bedeutung von Al-Jazerra und schlie�lich die Tatsache, dass sich mit dem
erwachsen gewordenen Internet erstmals ein globaler alternativer Zugang
zu unzensierten Informationen angeboten hat.
Auf dem Podium diskutieren:
- - Mira Beham (Publizistin, Wahrheitskommission Belgrad)
- - Markus Deggerich (berichtete f�r SPIEGEL online aus dem Irak)
- - Stefan Krempl (Journalist und Medienwissenschaftler)
- - Clemens Lerche (Redaktionsleiter Berlin politik-digital)
- - Hendrik Z�rner (Deutscher Journalistenverband, Hauptstadtb�ro)
Moderation: Till Westermayer, Netzwerk Neue Medien.
___________________________________________________________
Aus- und Eintragen, Archivfunktion und Urlaubsabmeldung:
http://www2.gruene-jugend.de/mailman/listinfo/liste-debatte
Bei Problemen bitte nicht an die Liste, sondern mailen an:
mailto:[email protected]
Informationen �ber andere Mailinglisten der GR�NEN JUGEND:
http://www.gruene-jugend.de/mailinglisten/index.html
------------------------------
Date: Fri, 16 May 2003 19:04:46 +0200
From: Oliver Ressler <[email protected]>
Subject: ATTACK! Art and War in the Media Age
ATTACK!
Art and War in the Media Age / Kunst und Krieg in den Zeiten der Medien
KUNSTHALLE Wien, Vienna
opening: May 22th, 2003, 7 pm
May 23th - September 21th, 2003
http://www.kunsthallewien.at
War is the major social issue that has pushed all others to the side
since shortly after the turn of the millennium. Those who believed that
more peaceful times would follow the end of the Cold War were forced to
learn a lesson: War remains the father of all things, even though its
appearance, its methods, its aims and its language of imagery are
constantly changing.
Curators: Gabriele Mackert, Thomas Mie�gang
Participating Artists:
A1_53167, Sergej Bugaev Afrika, Dejan Andjelkovic/Jelica Radovanovic,
Apsolutno, Fiona Banner, Tobias Bernstrup/Palle Torsson, Nin Brudermann,
David Claerbout, Guy Debord, Uros Djuric, �yvind Fahlstr�m, Peter Fend,
Fodor, Ren�e Green, Richard Hamilton, Korpys/L�ffler, Kuda.org, Sigalit
Landau, Chris Marker, Hans J�rg Mayer, Gianni Motti, Adi Nes, Franz
Novotny, Klaus Pobitzer, Oliver Ressler, Antonio Riello, Martha Rosler,
Collier Schorr, Erasmus Schr�ter, Nedko Solakov, Nancy Spero, Herwig
Steiner, Wolfgang Tillmans, Paul Virilio, Stephen Vitiello, Wang Du,
Zhuang Hui
Oliver Ressler is part of the exhibition with the 2-channel video
installation
THIS IS WHAT DEMOCRACY LOOKS LIKE!, 38 min, 2002
The video installation thematizes events of 1st July, 2001 surrounding
an "anti-globalization demonstration" against the World Economic Forum
in Salzburg.
further information:
http://www.t0.or.at/democracy
**********************************
Further upcoming presentations of the 1-channel video "This is what
democracy looks like!":
A Space, Inner Space, Toronto (CAN), May 3rd - June 7th, 2003
http://www.aspacegallery.org
(a co-presentation with the Mayworks Festival)
Bochumer Videofestival (GER), May 16th, 2003
Die Normale - Festival des sozialpolitischen Films, Austrian Social
Forum, Hallein (A), May 26th - 31, 2003, http://www.normale.at
Media Centar, Sarajevo (BIH), June 10th, 2003
(as part of the lecture by Marina Grzinic)
------------------------------
Date: Sat, 17 May 2003 01:54:40 -0400
From: Kurt Ralske <[email protected]>
Subject: Video + Dance @ Merce Cunningham
RADICAL LOW
invites you to
DANCE and NEW MEDIA @THE MERCE CUNNINGHAM STUDIO
Friday, May 23, 2003 at 9pm
Saturday, May 24, 2003 at 8pm
An evening of recent works by international artists
ASHLEY CHEN - choreography (France)
KURT RALSKE - real-time video (USA)
KOTA YAMAZAKI - choreography (Japan)
CHANTAL YZERMANS - choreography (Belgium)
At
The Merce Cunningham Studio
55 Bethune Street (11th floor)
New York, NY
For reservations + directions call: (212) 751-8872
// The Program :
We are all grown up now (World Premiere)
Choreography/ Ashley Chen
RL1 (revisited) (Premiere)
Choreographed and performed
by Chantal Yzermans and Kota Yamazaki
Video / Kurt Ralske
Budapest (1997)
Choreography / Chantal Yzermans
A SCORE ON THE CLOUD (World Premiere)
Choreography / Chantal Yzermans
Video / Kurt Ralske
Six of the performers are current or former members of the
Merce Cunningham Company
...
http://www.miau-miau.com
http://242pilots.org
------------------------------
Date: Sat, 17 May 2003 18:00:23 +0200
From: Eric Kluitenberg <[email protected]>
Subject: Interzone #0: Document(ary)
A N N O U N C E M E N T
Interzone #0
Document(ary)
De Balie / Friday May 30 / Saturday May 31
Interzone is a new series of programs that De Balie intends to
develop for the new program season, devoted to interdisciplinary
explorations across the confines of existing artistic disciplines, in
the cross-over areas of experimental cinema, media art, sound art and
performance.
For this zero-edition of Interzone we have brought artists together
who make explicit use of documentary materials in their work, while
they have no intention to create an actual documentary. Taking this
approach, it becomes inescapable that the artist has to articulate a
different position towards the documentary materials, their origins
and their context. How is this position defined? Why not rather make
a straight documentary? What is the influence of the original
material on the aesthetics of the work and the practice of the artist?
The entire program can also be followed live via the internet at:
http://www.balie.nl/live
________________
Friday May 30 & Saturday May 31 Grote Zaal
Walk-in Presentation from 13.00 hrs:
S�DOSTPASSAGE (Southeast Passage. A journey to new Blank Spots on the Map)
Ulrike Ottinger
Ger, 2002, 364', digibeta, eng. subtitles
This (very) long documentary was originally created for the eleventh
edition of the Documenta (2002), the mayor contemporary art
exhibition organised every 5 years in Kassel, Germany. Ottinger is an
acclaimed and highly idiosyncratic feminist fiction film director.
For this project she pursued an almost ethnographic methodology. From
her home town Berlin she made numerous journeys to travels to the
former 'East'. These journeys took her amongst others to Odessa and
Istanbul, but also to many unknown and little cared about places in
the country-side. The film, more than 6 hours in length, can be seen
as a personal travel diary.
George Legrady - An Anecdoted Archive from the Cold War
(Hungary, 1994)
In Legrady's work two different forms of writing history collide:
Legrady's personal history as an �migr� out of Hungary after the
popular uprising of 1956 was crushed by Soviet army forces, is
confronted with the official writing of history of the Cold War.
Legrady subverts the official hierarchical construction of history.
From personal memorabilia, propaganda materials, films, and sound
recordings he creates a personal anecdoted archive, a museum for his
personal history.
http://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/anecdote/Anecdote.html
Chris Marker - Immemory One
(France, 1997)
Marker engages the viewer in a subtle play. He presents an extensive
archive of his personal life, his relationship to the things, the
world (comparable to Legrady). This impression turns out to be
misleading, however. Marker continuously moves between his actual
personal history and a fictional existence; memories of events he was
never part of, while making it apparent that they are truly his
own.... The treacherous character of memory seems to be the starting
point for his kaleidoscopic self-image. Marker seems to resist any
authoritarian information-order and the illusion of universal history.
http://www.mediamatic.net/cwolk/view/2637
________________
Friday May 30 / Grote Zaal / 20.30 hrs:
Jon Wozencroft & Chris Watson "Weather Report"
Jon Wozencroft, founder of the Touch-label, graphic designer and
video artist will present video works that accompany two new
soundscapes by Chris Watson.
Chris Watson makes sound recordings of rare animal species, natural
phenomena and specific locations. Beside his work for a.o. the BBC,
Watson, who in the past was involved with Cabaret Voltaire and the
Hafler Trio, nowadays also produces works in the genre of
"soundscapes". "Ol-Olool-O" is the name of a mountain range in the
west of Kenya, which because of its position has a mayor influence on
the climate conditions and thus on the animal life and the local
population. The work, produced only with field recordings, is
nonetheless marked by an exceptional dramatic tension.
"Vatnaj�kull" is named after the Vatnaj�kull-glacier in Iceland.
Watson follows the journey of the ice to the sea and offers a 'view'
into the various animal colonies and habitats on its way.
With solemn imagery, largely consisting of nature footage, Wozencroft
creates a visual pendant of Watson's compositions.
http://www.touch.demon.co.uk/releases/TO15.html
________________
Friday May 30 / Kleine Zaal / 22.00 hrs
THE DANUBE EXODUS
P�ter Forg�cs
Ned., 1998, 60', betacam, 60', eng. subtitles
The Hungarian film maker P�ter Forg�cs (Budapest, 1950) is one of
the most prominent representatives of the so-called found footage
film makers. In the travel report The Danube Exodus Forg�cs documents
the Jewish exodus out of Hungary at the beginning of World War II.
ANGELOS' FILM
P�ter Forg�cs
Ned., 1999, betacam, 60', eng.ond.
In ANGELOS' FILM Forg�cs uses amateur movies of the Greek marine
officer and patrician Angelos Papanastassiou, who filmed the
atrocities of the nazi's in his country, often while endangering his
own life in the process
________________
Saturday May 31 / Grote Zaal
Walk-in Presentation from 13.00 hrs:
Ulrike Ottinger - S�d-Ost Passage
George Legrady - An Anecdoted Archive from the Cold War
Chris Marker - Immemory One
(descriptions: see above)
________________
Saturday May 31 / Salon / 16.00 hrs:
Discussion with participating artists in Interzone about the
relationship between the documentary source material they use and the
role these materials play in the final work of art.
With:
John Wozencroft
Gregor Asch (DJ Olive)
John Oswald
Chair: to be confirmed
Language: English
________________
Saturday May 31 / Grote Zaal / 20.30 hrs
John Oswald "Plexure", "Dab", and "Braziliaires"
Plunderphonics is the name Oswald gives to his music. His composition
"Dab" is constructed from hundreds of sound fragments of Michael
Jackson's "I'm Bad". The statement is that compositions that consists
entirely of samples can be highly original works in their own right,
there should be no restrictions to the use of samples. This position
has made Oswald into a controversial composer and a spokesperson for
the No Copyright movement.
"Plexure" is a staccato of oh's, ah's and yeah's. A flow of sound
libraries of the last 30 years of popmusic history. "Braziliaires" is
a radiophonic diary of a journey to Brasil, and deals provocatively
with the relationships between cultures. In contradiction to the
soundscapes almost all sounds are imitations of the original recorded
sound materials.
http://www.plunderphonics.com/
Saturday May 31 / Grote Zaal / 22.00 hrs
DJ Olive "Composition #11" and "Perpetual Soundcheck"
DJ Olive is a turntablist, a composer and musician, who uses the
turntable as his instrument. He calls his compositions Vinyl Scores.
DJ Olive makes collections of recordings and stores these sound
fragments on LP's as if they were his music scores.
As a DJ he creates open compositions by continuously making new
combinations between archived sounds.
In "Composition #11", a palette of sounds of his immediate living
environment, DJ Olive attempts to arrive at a personal
interpretation. "Perpetual Soundcheck" takes the listener to the
urban metropolis of New York; ranging from the pulsating urban sounds
to a loud siesta.
http://qrot.net/we/
________________
Saturday May 31 / Kleine Zaal / 22.00 hrs
LONDON ORBITAL
Chris Petit, Iain Sinclair
GB, 2002, 76', betacam, eng spoken No subtitles
A hallucinating essay-film where the London ring-way (the M25) is the
starting point for a delirious multitude of poetic and intellectual
associations. The basis for the film was the book by the same title
by Ian Sinclair, in which the writer tells about his journey on foot
along the almost 200 kilometres long road and the multitude of
observations and connections that emerged during the long march.
Chris Petit's intention was not to make a film about this march, but
to start from the trance-like state that the average car driver can
be put in by the endless car drives along such a road.
________________
Program team:
Roland Spekle (St. Barooni)
Peter van Hoof (Cinema De Balie)
Eric Kluitenberg (De Balie New Media)
________________
Ticket sales and reservations:
Admittance evening programs: E 7,50, with reduction: E 5,00
Opening hours ticket box: during working days 13.00-18.00 hrs till
the start of a program.
In the weekend 1 1/2 hours before start of the program.
Reserve by phone: +31-(0)20 - 55 35 100 during opening hours until 45
minutes before the start of the program.
De Balie / Kleine-Gartmanplantsoen 10 / 1017 RR / Amsterdam
http://www.balie.nl
------------------------------
Date: Fri, 16 May 2003 15:02:38 +0200
From: "Marta Klonowska" <[email protected]>
Subject: Generator III - finissage
GENERATOR III
Exhibition of interactive installation=20
of Lech Twardowski
10-18 May 2003
Finissage
Saturday, 17 May 2003
10.00 pm
with GAMEBOYZZ ORCHESTRA PROJECT
in
Festspielhaus Hellerau
Karl-Liebknecht-Strasse 56
Dresden, Germany
- --------------------------
Organization:
Trans-Media-Akademie Hellerau
Dresden, Germany
and
WRO Center for Media Art
Wroclaw, Poland
- ---------------------------
Trans-Media-Akademie Hellerau
Karl-Liebknecht-Strasse 56
D - 01109 Dresden
Germany
www.body-bytes.de
WRO Center for Media Art
ul. Kuznicza 29a
50-138 Wroclaw
Poland
www.wrocenter.pl
------------------------------
Date: Fri, 16 May 2003 15:27:31 +0200
From: Oliver Grau <[email protected]>
Subject: UNESCO Digital Arts Award 2003 at IAMAS - deadline July12th
Dear friends and collegues,
We are happy to announce the
Digital Pluralism - UNESCO Digital Arts Award 2003 at IAMAS
<http://www.iamas.ac.jp/unesco_award>
<http://www.iamas.ac.jp/unesco_award>
Please find our website and instructions for submissions in 10 languages
at:
http://www.iamas.ac.jp/unesco_award
<http://www.iamas.ac.jp/unesco_award>
1.) AWARD: <http://www.iamas.ac.jp/unesco_award/e/prize.html>
The award is organized in collaboration between IAMAS
<http://www.iamas.ac.jp> Gifu, Japan and the UNESCO Digi-Arts Portal
<http://portal.unesco.org/digiarts>, Paris.
The award consists of a 10.000 USD money award & a 6-month
artist-in-residence stay at the IAMAS <http://www.iamas.ac.jp>,
Institute of Advanced Media Arts and Sciences and the International
Academy of Media Arts and Sciences in Ogaki, Gifu Japan.
a) Award Money:
The total money award of USD10,000 is provided by the Higashiyama Fund
set-up and managed by the National Federation of UNESCO Associations in
Japan (NFUAJ) and given by the Director-General of UNESCO.
In addition, IAMAS provides a 6-months salary for the 1st price winner
who will be invited as artist-in-residence to IAMAS. This salary is
around 2,100,000 yen (~ 18.000.- USD) for 6 months (the exact amount
will depend on the number of years' professional experience that the
artist has had, for example, an artist with 2-6 years' experience will
receive 350,000 yen per month, totalling 2,100,000 yen for 6 months).
The components of the Award are:
1st prize: USD 5,000 & 6 months artist-in-residency at IAMAS
2nd prize: USD 3,000
3rd prize: USD 2,000
b) 6-month Artist-in-Residency at IAMAS
IAMAS <http://www.iamas.ac.jp/E/index-html.html> will welcome the main
award winner as artist-in-residence
<http://www.iamas.ac.jp/intro/E/air.html> for 6 months. This is intended
to give the young artist the chance to work in a very well equipped,
high-tech environment where he/she can realise the chosen project and
benefit from cultural exchange with IAMAS staff and students.
IAMAS will provide the artist with a monthly salary during this time
(depending on the numers of years' professional experience up to
2,100,000.- yen for 6 months) as well as travel expenses incurred when
joining and leaving IAMAS. Furthermore, IAMAS will rent an apartment for
the artist-in-residence. However, the artist is asked to pay for part of
the rent.
The artist-in-residence will be at IAMAS from October 2003 until March
2004. During this time, the artist will develop his/her work, based on
his/her award-winning project proposal. The final artwork will be
presented at the 5th World Forum for Media Art and Culture exhibition to
be held in Ogaki, Japan in March 2004. This is when the award winner and
his/her work will be introduced to the public
2.) HOW TO SUBMIT <http://www.iamas.ac.jp/unesco_award/e/howto.html>
Project proposals in the field of digital art (including web art,
interactive art, media installation, digital music, performance or other
media art forms) are accepted.
1. One project proposal per artist is accepted. The official language
for all submissions is English.
2. The proposed project must not be an already finished artwork.
3. Total length of the project proposal: 5-7 pages, A4 format.
4. The project proposal must include: title, 500-word abstract, concept
of the work, project description, technical description, drawings and
set-up plan as well as a timetable for carrying out the work during the
6 months as artist-in-residence at IAMAS.
5. A short biography (2-3 pages, A4) including education, career,
exhibition list and list of activities as well as contact address
(including telephone number and email address) and 2 passport photos are
required.
6. All submissions must reach IAMAS by postal mail by 12 July 2003.
7. Download and sign the entry form
<http://www.iamas.ac.jp/%7Eiuko302/unesco/entryform.pdf> and send it
along with your submission by postal mail to IAMAS:
IAMAS
Institute of Advanced Media Arts and Sciences
International Academy of Media Arts and Sciences
3-95 Ryoke-cho Ogaki City Gifu 503-0014 Japan
Phone. +81(0)584 75 6600 Fax. +81(0)584 75 6637
[email protected]
<mailto:[email protected]>
3.) SUBMISSION GUIDELINES <http://www.iamas.ac.jp/unesco_award/e/guide.html>
� The award focuses on supporting young, talented people involved in
media art.
� The age limit for submitting artists is 35 years.
� The award will be given to project proposals, not to finished artworks.
� Project proposals should relate to the theme of the award.
� The main award winner's project proposal will be carried out at IAMAS
during a special artist-in-residence period provided by IAMAS.
� We especially encourage submissions by artists from developing countries.
4.) OBJECTIVES OF THE AWARD
<http://www.iamas.ac.jp/unesco_award/e/index.html>
In our increasingly diverse societies, it is essential to ensure
harmonious interaction among people and groups with plural, varied and
dynamic cultural identities as well as their willingness to live
together" (UNESCO Universal Declaration on Cultural Diversity, 2
November 2001)
But how does technology shape cultural identity and how has it changed
the way we live together? Can digital technology promote dialogue
between people from different cultures, creating a better, fairer and
more peaceful world where cultural diversity and tolerance prevail? And
how can an artist's vision and sensibility reflect and contribute to
cultural diversity and digital pluralism?
These are the questions we want to address through the "Digital
Pluralism - UNESCO Digital Arts Award 2003 at IAMAS". We encourage
artists to reflect on the theme of cultural diversity, digital pluralism
and social interaction, and to send project proposals for a media
artwork that considers these topics and that can be realised during a
6-month artist-in-residence period at the Institute of Advanced Media
Arts and Sciences (IAMAS) in Gifu, Japan.
5.) JURY <http://www.iamas.ac.jp/%7Eiuko302/unesco/e/jury.html>
An expert jury, representing the 5 cultural regions as well as UNESCO
and IAMAS has been assembled.
The jury members are:
Africa:
Ibrahima Ndiaye [Multimedia critic, Professor of Universite Cheikh Anta
Diop de Dakar, Senegal]
Asia/Pacific:
Eliane Ng [Independent curator specialized in contemporary and new media
art, China]
Latin America/Caribbean:
Diana Domingues [Professor and Researcher at the University of Caxias do
Sul/ CNPq, Brazil]
Europe/North America:
Gerfried Stocker [Director of Ars Electronica, Austria]
Arab States:
Azza El-Hassan [Independent filmmaker, Palestine]
IAMAS:
Itsuo Sakane [Founding President of IAMAS]
Hiroshi Yoshioka [Professor of IAMAS]
NFUAJ:
Shigeru Okada [Secretary General of the National Federation ofUNESCO
Associations in Japan]
UNESCO:
Tereza Wagner [Deputy team leader for the Digi-Arts Project, Paris
Headquarters]
External supervisor of the jury:
Christa Sommerer [Associate Professor of IAMAS]
We are looking forward to receive your project proposals and to welcome
you at IAMAS !
Best regards
Dr. Christa SOMMERER
UNESCO Digital Arts Award 2003 at IAMAS
Organizing and Program Committee
=================================
Dr. Christa Sommerer
Associate Professor
IAMAS Institute of Advanced Media Arts and Sciences
3-95 Ryoke-cho, Ogaki-shi, Gifu 503-0014, Japan
Tel/Fax: +81-584-75-6806 or -6808
Mobile: +81-90-5880-1801 or +81-90-8957-4524
[email protected] http://www.iamas.ac.jp/~christa
=================================
------------------------------
Date: Fri, 16 May 2003 16:59:25 -0400
From: <[email protected]>
Subject: event listing
May 29 - 31, 2003
"dancing pixels"
video edition austria/release 01
artistic and documentary videos curated and presented
by media/video artist and lecturer Gerda Lampalzer
5/29 at 6pm: THE BODY 1 at 8pm: THE BODY 2
5/30 at 6pm: THE SPACE 1 at 8pm: THE SPACE 2
5/31 at 6pm: THE MEDIUM 1 at 8pm: THE MEDIUM 2
at the
AUSTRIAN CULTURAL FORUM
11 East 52 Street, New York City
Admission is free.
Program can be obtained online: www.acfny.org or
in person at the front desk. Tel. # 212.319.5300
------------------------------
Date: Sat, 17 May 2003 04:14:16 +0200
From: "Karoly Toth" <[email protected]>
Subject: ZEROGLAB_INVITATION_FOR_THE_OPENING_OF_THE_UEBERGROUND_SALON_IN_ROTTERDAM
INVITATION FOR THE OPENING OF
THE �BERGROUND SALON IN ROTTERDAM
dear sir/madam,
we are very happy to invite you for the opening
of the first cultural �berground salon in
rotterdam.
�berground is a new art space and transcultural
playground in rotterdam, open for the public
on a regular base for shows and salon events.
time: 18.30, saturday, 24 may 2003
place: �BERGROUND, gedempte zalmhaven 923, rotterdam
downtown rotterdam, near by the erasmus bridge, north side.
entrance = free
http://www.xs4all.nl/~are/samizdat/uberground/
theme of the salon:
'computerfinearts.com, a netart collection, 1999-2003'
our guest this time:
Mr. Doron Golan, art collector and artist
from new york city, usa.
Doron Golan-Goldstein was born in Haifa, Israel,
and has been living and working in New York since
1979.
Doron has worked in dv, computer animation and
media. Since 1998 he has been working primarily
with quicktime streaming.
Doron's works is concerned with cinematic and
digifi art presentation and engaged in
reproductions of contemporary social phenomenas.
Studied fine arts and comparative literature in
Haifa University, Israel, and fine arts at The
Free Academy of Den-Haag, and The Arts Student
League in NY.
One person exhibitions include: M-13 Gallery and
Moving Image Gallery in NY. Group exhibitions
include: American Fine Arts Gallery, The
Alternative Museum, and the New York Digital Salon.
Doron is the founder of Computer Fine Arts - a
netart collection at: http://computerfinearts.com
- ---------------------------------------------------
�berground is also the name of our samizdat
magazine, which is published parallel with
our shows.
�berground events deal with new media,
architecture and design, experimental art, theory,
performance, music, social issues, things on,
or over the edge.
hereby we also invite curators and artists to
organize events in the �berground.
�berground is organized by zeroglab rotterdam
web page: www.xs4all.nl/~are
phone +31 (0)10 2400390
------------------------------
Date: Fri, 16 May 2003 21:33:54 -0300 (ART)
From: Monty Cantsin <[email protected]>
Subject: Mail Art
Casa do Mar: Arte Postal, Ecologia e Anarquia...
Por M.A.R. 16/05/2003 �s 01:19
Mostra Internacional de Arte Postal
Convocat�ria - Mostra Internacional de Arte Postal
"�gua: Ouro Azul"
Nesses tempos em que a vida e a comunica��o pareciam transcorrer somente por uma tela, quando a maioria est� submetida � desesperan�a, a Arte Postal se apresenta como instrumento de est�mulo de nosso potencial criativo e de comunica��o entre os seres humanos.
Na Arte Postal participa quem quiser. N�o h� sele��o nem jurados, n�o se comercializa a obra e o correio � utilizado como meio de envio.
O Projeto �gua tem como objetivo abrir um espa�o de reflex�o sobre o tema da convocat�ria; Seguir trabalhando em distintos �mbitos desde a proposta art�stica, articulada com os conhecimentos cient�ficos e t�cnicos, de forma horizontal, autogestionada, baseada no respeito m�tuo.
Est�o todos convidad@s.
�gua: Ouro Azul
Um elemento necess�rio para a vida se transformou em um NEG�CIO. No Brasil, como em muitos pa�ses do mundo, a �gua j� n�o � mais de quem habita este solo, mas das grandes empresas estatais e privadas. Essas empresas est�o ocupando a gest�o da �gua pot�vel e da �gua mineral em todo planeta, e por outro lado, ganhando muito dinheiro.
Todos temos direito � usufruir dos recursos naturais para assegurar nosso direito a vida, solidariamente aos demais seres e esp�cies, viventes que povoam o planeta e com as futuras gera��es. A gest�o da �gua deve estar nas m�o de cada um de n�s e se trabalharmos de forma individual e coletiva, poderemos concretizar essa utopia.
Convidamos � enviar suas obras sobre o tema "�gua: Ouro Azul".
T�cnica Livre: tamanho A4 (21 x 30 cm) m�ximo, podendo ser enviadas at� dia 21 de julho de 2003.
As obras levar�o o nome do autor, endere�o, telefone e e-mail.
Local de entrega: "Casa do Mar" � Rua Doutor Zuquim, 564. Cep: 02035-020. S�o Paulo-SP Brasil
Abertura da mostra: 01 de agosto de 2003, a partir das 19:00 horas, na "Casa do Mar".
Com a presen�a da artista pl�stica argentina Alicia Zarate, uma das organizadoras da mesma mostra na FLA � Federa��o Libert�ria Argentina, em setembro de 2001. Alicia tamb�m estar� expondo 8 obras de 110 x 75 cm, acr�lico, com o t�tulo: "L�minas de historia argentina", que faz uma inter-rela��o da situa��o argentina com temas de domina��o e explora��o, abordagens do anarquismo.
Maiores informa��es: [email protected] ou [email protected] ou [email protected]
CONVOCATORIA AGUA : ORO AZUL
Un elemento necesario para la vida se transform� en un NEGOCIO. En Brasil , como en muchos otros pa�ses del mundo, el agua ya no es m�s de quienes habitamos este suelo, sino de multinacionales. Esas empresas se est�n ocupando de la gesti�n del agua potable y del agua mineral en todo el planeta, lo cual, por supuesto, les brinda cuantiosas ganancias. Todos tenemos derecho a acceder a los recursos naturales para asegurar nuestro derecho a la vida, solidariamente con los dem�s seres y especies vivientes que pueblan el planeta y con las futuras generaciones. La gesti�n del agua debe estar en manos de cada uno de nosotros y si trabajamos en forma individual y colectiva podremos concretar esta utop�a.
WATER: BLUE GOLD
The fight for the control and ownership of water will be the next goldrush. Every creature has the natural right to natural resources in order to assure the right to live but multinationals and corporations see it only as a tool for more profits, exploitation and domination. The management of water must be in the hands ol local people everywhere. This is part of the new battles against globalizaton.
Invitamos a enviar su obra sobre el tema AGUA:ORO AZUL TECNICA LIBRE- Tama�o A4 (21 x30 cm) m�ximo -Vencimiento 21 de julio de 2003 Las obras llevar�n al dorso nombre del autor, domicilio, tel�fono, direcci�n electr�nica.
You are invited to send you artwork on the theme WATER:BLUE GOLD OPEN TECH. Maximum size A4 (21 x 30cm) - Closing date 21st july Works must have on the back name of artist, address, telephone number, e-mail.
Lugar de entrega: Send to: "Casa do Mar" � Rua Doutor Zuquim, 564. Cep: 02035-020. S�o Paulo-SP Brasil
Inauguraci�n de la muestra: 01 de agosto de 2003, a partir das 19:00 horas, na "Casa do Mar".
En estos tiempos en que la vida y la comunicaci�n parecer�an transcurrir solamente por una pantalla, cuando la mayor�a est� sumida en la desesperanza, el Arte Correo se presenta como instrumento de est�mulo de nuestro potencial creativo y de comunicaci�n entre los seres humanos. En Arte Correo participa quien quiera hacerlo. No hay selecci�n, ni jurados, no se comercializa la obra y el correo se utiliza como medio de env�o. El proyecto Agua tiene como objetivo abrir un espacio de reflexi�n sobre el tema de la convocatoria; seguir trabajando en distintos �mbitos desde la propuesta art�stica, articulada con los conocimientos cient�ficos y t�cnicos; en forma horizontal, autogestionada, basada en el respeto mutuo. Est�n todos invitados.
WATER: BLUE GOLD In times when life and communication seem to happen only on a screen, when most are steeped in hopelessness, MAIL ART becomes the instrument to stimulate our creative potential and for communication between human beings. In MAIL ART anyone who wants to can participate. There is no selection committee, works are not bought or sold and the works are sent by mail. The WATER PROJECT aims to create a space for re-thinking, a new area of interaction between art, the sciences, the environment and the people involved now and in the future. WATER will be our legacy to our children and their descendants. The quality of water is inextricably related to the quality of life. GOOD WATER QUALITY=GOOD QUALITY OF LIFE BAD WATER QUALITY=BAD QUALITY OF LIFE NO WATER=NO LIFE The accesability of good quality water must be democratic. We must not leave life-giving water in the hands of the market. If this continues to happen, water will be only for ! those who can buy it, thus co!
ndemning to illness and despair those who cannot pay the market price
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Date: Sat, 17 May 2003 14:13:38 +0530 (IST)
From: "Frederick Noronha (FN)" <[email protected]>
Subject: FLOSS in the developing countries (a study)
OneWorld Finland <http://www.maailma.net> and KEPA
<http://www.kepa.fi/english/> organise an International Seminar on
Free/Libre and Open Source Software (FLOSS) in Developing Countries
Thursday, May 22nd , 2003
At The Swedish School of Economics and Business Administration - Hanken
<http://www.hanken.fi/hanken/eng/index.php?>
Auditorium Maximum, II floor
Arkadiank. 22, Helsinki.
Free/Libre and Open Source Software in Developing Countries - advantages and
obstacles
PROGRAMME
09.30 Opening of the Seminar
09.45 *Niranjan Rajani *(Researcher, Finland): Presentation of the report /
Free as in Education: Significance of Free/Open-Source Software for
Developing Countries/
10.15 *Edgar Villanueva Nunez* (Congressman, Peru): /
Legal and Other Experiences in Promoting FLOSS in Peru/
11.15 *Sinikka Sassi,* (Professor of network communication, Helsinki
University) &* Seppo Koskela *(Analyst, Helsinki University):
/Presentation of the Applied Linux Institute Project/
11.30/ Floor open for discussion/
*12.30. - 13.30 Lunch* (Available in Hanken Lunch Room, or surrounding
restaurants)
13.30 *Nico Coetzee* (Open Source Developer, South Africa):/
Sustainable ICT Development in Africa ^� How FLOSS can help NEPAD/
13.50 *Fredrick Noronha* (Journalist, India):/
LIBERATION TECHNOLOGY: What Free Software could do for Asia.../
14.20 *Cesar Brod *(/ /IT Manager, Brazil): /
Free Software and regional development/
14.40 *Claudio Cesar Carvalho de Almeida* (Brasilian Bank for Social and
Economic Development) /
Free Software as a Policy/
15.00 /Floor open for discussion/
/The Seminar is Free and Open for Public/
The Report
/Free as in Education: //Significance of Free/Open-Source Software for
Developing Countries /
/*More information */
About the research project and the seminar itself:/
/ juha dot rekola at kepa dot fi/
/ timo dot mielonen at maailma dot net/
A/bout the Applied Linux Institute Project:
seppo dot koskela at helsinki dot fi/
The Speakers
The Peruvian Congressman,* *
*Dr. Edgar Villanueva Nuuez*
<http://www.congreso.gob.pe/congresista/2001/evillanueva.htm>
has recently become somewhat of a celebrity in the Free Software and Open
Source communities as a result of his legislative efforts
<http://www.gnu.org.pe/proleyap.html> favouring free software and his highly
publicized <http://www.linuxjournal.com//article.php?sid=6099>, well
informed and eloquent response
<http://www.aful.org/politique/perou/english/rescon_en.html> to a Peruvian
Microsoft executive's letter
<http://www.aful.org/politique/perou/english/alt2_ms_to_villanueva.html>
<http://www.gnu.org.pe/mscarta.html>.
*Niranjan Rajani *
is the main author of the research "Significance of Free/Libre Open-Source
Software for Developing Countries".
*Cesar Brod* <http://brod.univates.br/>
is presently the IT Manager in Univates University
<http://www.univates.br/>, and one of the coordinators of the Free Software
Project of the State of Rio Grande do Sul and a member of the Linux Around
the World initiative. Cesar Brod got first involved with GNU/Linux in 1993
when he needed a "Unix" that he could use in his computer in order to
emulate problems he was having in a System V based machine.
*Fredrick Noronha*
Goa (India)-based journalist, who is co-founder of Bytes For All
<http://www.bytesforall.org/> - a collaborative venture studying the use of
IT and Internet for development in South Asia, and also founder member of
India-Linux Users Group-Goa.
*Nico Coetzee*
a full time Open Source developer in South Africa, is always tinkering with
some obscure Open Source code, trying to make life a bit easier. It all
started in 1995, just shortly after the official launch of Windows 95. Since
then he has started to focus on Perl development, because "it's simply the
most flexible and easy to learn language out there...". In his research
capacity, he looked at the Open Source movement in Africa, as well as what
needs to change (from his perspective) in order for Africa to become a IT
world player.
- --
- -------------------------------------------------------------------------
Frederick Noronha (FN) | http://www.fredericknoronha.net
Freelance Journalist | http://www.bytesforall.org
http://goalinks.pitas.com | http://joingoanet.shorturl.com
http://linuxinindia.pitas.com | http://www.livejournal.com/users/goalinks
- -------------------------------------------------------------------------
T: 0091.832.2409490 or 2409783 M: 0 9822 122436
- -------------------------------------------------------------------------
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