Alan Sondheim on Sat, 14 Feb 2009 06:31:07 +0100 (CET) |
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<nettime> sondheimogram x4: need pub, upcom perf, sir, new loc |
[ digested @ nettime -- mod (tb) ] Alan Sondheim <[email protected]> need publisher, help, please reply backchannel performance upcoming getting-up and go ( Julu Twine joined the session, sir ) * Installation shots of a new piece new location - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Date: Sat, 7 Feb 2009 17:21:02 -0500 (EST) From: Alan Sondheim <[email protected]> Subject: need publisher, help, please reply backchannel Hi - I'm writing a generic letter, apologies; I want to find a publisher for my theoretical work, and everything continues to fall through. At one point Minnesota was going to work with us - us being Sandy Baldwin, who created a framework for my texts - and Sandy wasn't able to continue on the project (he's fully supportive; it was a question of time) - Minnesota withdrew. If you have any idea or better yet, the possibility of publica- tion, please let me know. I have a text out with Fort-Da but there's been no money for an ISBN number, so that's unadvertised; WVU might do something in the future with my texts on writing, if a series gets going, but that's speculative. The texts I've been writing have been on two main themes, and have been collected as such - one on the phenomenology of the analog and digital and their intertwining; and one on the phenomenology of the real/virtual and their intertwining. The latter uses Second Life as a model; the former is more purely theoretical. Neither need illustration. I feel ridiculous sending out a public letter like this, but I'm at wit's end - my writing might not be worth collecting for that matter, and I have no academic affiliation, so it's difficult to get anyone interested. Any help would be greatly appreciated. Please write me backchannel or ignore this, and thanks for reading. (I know I write overmuch, but the mss have always been edited. Salt brought out a book of literary writing in 2004, and that was the last of it.) Alan | Alan Sondheim Mail archive: http://sondheim.rupamsunyata.org/ | To access the Odyssey exhibition The Accidental Artist: | http://slurl.com/secondlife/Odyssey/48/12/22 | Webpage (directory) at http://www.alansondheim.org | [email protected], [email protected], tel US 718-813-3285 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Date: Mon, 9 Feb 2009 08:03:29 -0500 (EST) From: Alan Sondheim <[email protected]> Subject: performance upcoming getting-up and go performance upcoming getting-up and go performance getup and go with Sandy Baldwin in Odyssey exhibition space (nightdream in OpenSim) http://www.alansondheim.org/ sin pngs http://www.alansondheim.org/ evening pngs http://www.alansondheim.org/nightdream.mp4 reminder - We invite you to THE NOWHERE DANCE - A performance at Alan Sondheim's Second Life exhibition "The Accidental Artist" To access the performance site read more on: http://www.beam-me.net/news or go in Second Life to Odyssey directly - http://slurl.com/secondlife/Odyssey/48/12/22 Date of the performance: Wednesday, Feb 11 USA West Coast Time: 8 AM / US East Coast Time: 11 AM Europe MEZ/CET: 5 PM / GB: 4 PM Asia: Mumbai, Bangalore: 9.30 PM / Shanghai, Beijing: 12 PM / Tokio: 1 AM Thanks greatly, Alan - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Date: Fri, 13 Feb 2009 22:26:07 -0500 (EST) From: Alan Sondheim <[email protected]> Subject: ( Julu Twine joined the session, sir ) * ( Julu Twine joined the session, sir ) * Julu Twine: where shalt that move that thou movest me 14-Feb-2009 01:38:04 GMT Julu Twine: or movest to the end of times by any means 14-Feb-2009 01:38:12 GMT Julu Twine: movest across the sea or through the sea, and churl 14-Feb-2009 01:38:23 GMT Julu Twine: who comes to me, that sees, or that might hurl 14-Feb-2009 01:38:37 GMT Julu Twine: longing for the flesh and longing overmuch 14-Feb-2009 01:38:58 GMT Julu Twine: alas, what can I say, the fleshed dim touch 14-Feb-2009 01:39:13 GMT Julu Twine: escapes thee, and me, and everyone in life 14-Feb-2009 01:39:36 GMT Julu Twine: across which universe, which universal strife 14-Feb-2009 01:39:53 GMT (Julu Twine left the session) (Julu Twine joined the session) Julu Twine: here, yes there Julu Twine: here, yes, there's something to be said, sir Julu Twine: I am speaking to you, sir, it is the 13th of the month, would I be Julu Twine Julu Twine: think of it as a learning, sir, one of many. I would if I were you Julu Twine: here is the learning Julu Twine: to reach me, you must touch me Julu Twine: to touch me, you must reach me Julu Twine: I am the mistress, sir, of touch, of all that may be touched, of all that may not be touched Julu Twine: and I am the mistress, sir, of all that may be reached, of all that may not be reached Julu Twine: of the race, sir, I am the mistress of what is to be run Julu Twine: of the dreams of night, sir, I am your mistress, and of you, I may say, sir, I do run you, and run you as I please Julu Twine: of please, the pleasure of it, of pleasure, may it be pleasing, and of learning, sir, why there is nothing better Julu Twine: than, sir, to learn the reaching of the touching, perhaps, sir, I will reach you Julu Twine: perhaps, sir, I will touch Alan Sondheim: she feared for her life 14-Feb-2009 03:05:27 GMT Alan Sondheim: struggling with the one person who was willing to testify against Julu Twine 14-Feb-2009 03:05:47 GMT Alan Sondheim: there's no twist, just cruelty, this case is murder, exactly what it looks like 14-Feb-2009 03:06:10 GMT Alan Sondheim: but he's not guilty, that's the verdict! 14-Feb-2009 03:08:13 GMT Alan Sondheim: who knows what will happen next? certainly THE MATH WIZARD 14-Feb-2009 03:08:27 GMT Alan Sondheim: will have a say in it all. 14-Feb-2009 03:08:40 GMT Alan Sondheim: you can imagine MATH reveals the hidden structure of the world - 14-Feb-2009 03:09:05 GMT Alan Sondheim: if there is one! (laughter and applause) 14-Feb-2009 03:09:13 GMT Alan Sondheim: now on the off-chance there isn't... 14-Feb-2009 03:09:21 GMT Alan Sondheim: we wouldn't be here, discussing it, would we? 14-Feb-20 ================= * at http://www.alansondheim.org/ beme2.jpg 13-Feb-2009 17:47 119K beme1.jpg 13-Feb-2009 17:47 94K while1.png 13-Feb-2009 17:47 105K while2.png 13-Feb-2009 17:47 143K while3.png 13-Feb-2009 17:47 243K beme4.jpg 13-Feb-2009 17:47 74K beme3.jpg 13-Feb-2009 17:47 109K beautiful! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Date: Thu, 5 Feb 2009 00:21:49 -0500 (EST) From: Alan Sondheim <[email protected]> Subject: Installation shots of a new piece new location Installation shots of a new piece new location On the installation at OCAD Hybrid (more information forthcoming) (thanks to Ian Ah) http://www.alansondheim.org/ panel pngs http://www.alansondheim.org/ panels pngs transform and Odyssey import [11:07] Flight Band: All Go [11:51] sensor: noone around. [12:10] There is no suitable surface to sit on, try another spot. [12:21] Alan Dojoji: There are two different land parcels here - each has its own weather [12:21] Alan Dojoji: so you get two different particle flows, storm fkiws [12:21] Alan Dojoji: storm flows [12:22] Alan Dojoji: The texture at the very end is different with different physics [12:22] Alan Dojoji: it's at the end of a stationary platform [12:22] Alan Dojoji: These squares revolve much faster than any raster so they appear irregular [12:23] Alan Dojoji: different monitors will create different synchronizations [12:23] Alan Dojoji: meanwhile the weather is away from the campus/gallery [12:23] Alan Dojoji: I hope [12:23] OCADland Minotaur: They are rezzing full blown for me [12:23] >>> OCADland: Ellos son rezzing plena soplado para mí [12:23] OCADland Minotaur: no lag [12:23] >>> OCADland: sin retraso [12:23] Alan Dojoji: They rezz full blown - but their rotational sync is different [12:23] Alan Dojoji: They're even full-blown on my slow machine [12:23] Alan Dojoji: You should to be able to walk out on it [12:24] Alan Dojoji: The spheres generate these things - they're miniature reductions of the 40x40x40m spheres in the other show [12:24] Alan Dojoji: the blue textures were made here [12:25] Alan Dojoji: You can actually walk out on the rotation elements. [12:26] Alan Dojoji: The weather stuff fascinates me - from above you can see 'waves' form just like in the atmosphere [12:26] Alan Dojoji: but the split remains - it's a node - on the boundary [12:27] OCADland Minotaur: The object is in constant reproduction and prpaganda mode [12:27] >>> OCADland: El objeto está en el modo de reproducción y prpaganda [12:27] OCADland Minotaur: but the scroll is one ended - meaning The End Of Times? [12:27] >>> OCADland: pero el desplazamiento es un terminado - El sentido final de los tiempos? [12:27] Alan Dojoji: yes and it's "about" sexuality, reproduction, dissemination [12:28] OCADland Minotaur: Why is the Torah at the last chapter? [12:28] >>> OCADland: ¿Por qué la Torá en el último capítulo? [12:28] Alan Dojoji: the end image are of breasts being held/squeezed slightly - power or sex but not the Torah, anti-Torah at best [12:28] Alan Dojoji: it's almost phallic, bends different and remains more coherent than the other particle disseminations [12:28] Alan Dojoji: the spheres glow slightly as well, a kind of lighting an impossible path [12:29] OCADland Minotaur: The background of the particles looks like a rolled scroll [12:29] >>> OCADland: El fondo de las partículas se parece a un laminado de desplazamiento [12:29] OCADland Minotaur: at the end [12:29] >>> OCADland: al final [12:30] Alan Dojoji: maybe a form of writing [12:32] Alan Dojoji: Should I cut the end off? (castration complex heh) [12:32] OCADland Minotaur: it is ok for now [12:35] Alan Dojoji: I like the idea here that the whole area up here is empty at least at the moment - and then there's a lever (reminds me of Carl Andre GASP) going out where everything occurs [12:35] OCADland Minotaur: but in the root prim is fine [12:35] >>> OCADland: pero en la raíz prim está bien [12:37] Alan Dojoji: I love this surface by the way [12:37] OCADland Minotaur: Canada [12:37] >>> OCADland: Canadá [12:38] OCADland Minotaur: Alan Dojoji (Alan Sondheim master net artist) will be working on new works above the Studios and has donated a new sculpture that is now installed on the Hybrid Conference SIM. Alan's work on Odyssey will be taken down soon and he is working on a new work that will be displayed in the Hybrid Lab Gallery in the near future. You will find a lot of info on him and his work via Google search and constantly changing work at www.alansondheim.org [12:38] >>> OCADland: Alan Dojoji (Alan Sondheim maestro artista neto) se trabaja en nuevas obras por encima de los estudios y ha donado una nueva escultura que ya está instalado en la Conferencia Híbrido SIM. \n\n Alan en la labor de la Odisea se tomará en breve y que está trabajando en un nuevo trabajo que se mostrará en la Galería Laboratorio híbridos en un futuro próximo. Va a encontrar mucha información sobre él \n y su obra a través de búsqueda de Google y en constante evolución en el trabajo www.alansondheim.org [12:38] Alan Dojoji: Maybe I could use part of ourconversation as a description... - [12:56] Alan Dojoji: Are these at all useful? [since then additional objects at OCAD and objects imported from OCAD into Odyssey - both sites feed each other - OCAD a new direction for me - however] - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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