Florian Schneider on Wed, 23 Sep 2009 12:31:19 +0200 (CEST) |
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<nettime> dictionary of war, 9th edition in new york |
Dear nettimers! Please allow me to point your attention to the 9th edition of the DICITONARY OF WAR that will take place this Saturday, September 26th 2009, at Columbia University, New York. http://dictionaryofwar.org/newyork After editions in Frankfurt Staedelschule, Munich Muffathalle, Graz steirischer herbst, Berlin Sophiensaele, Novi Sad studio m, Gwangju biennale, Bolzano manifesta, and Taipei biennale, we are very glad to be hosted by the "Cities and the new wars" conference that Saskia Sassen is organizing on Friday and Saturday. http://cgt.columbia.edu/events/cities_and_new_wars For the New York edition of the DICTIONARY OF WAR 15 guests have been invited to present a concept that plays a crucial role in the contemporary discourse of war and urban spaces. Such a concept might be a term that needs to be newly created, it can be one that has been neglected so far, or one that needs to be re-invented. Speakers at the 9th edition of the DICTIONARY OF WAR are: Ted Byfield (Parsons, The New School for Design), Tony Conrad (University of Buffalo, New York), Susan Crile (Artist, New York), Ashley Dawson (CUNY Graduate School), James Der Derian (Brown University), Fiona Jeffries (CUNY, Graduate Center), Danny Kaplan (Tel Aviv University, Israel), Jennifer S. Light (Northwestern University), Suketu Mehta (New York University), Rosalind C. Morris (Columbia University), Richard Sennett (New York University and London School of Economics), Ida Susser and Jan Schneider (CUNY Graduate Center) Gar Smith (Environmentalists Against War), Gediminas Urbonas (MIT, Visual Arts Program). What is at stake is the unsettling of notions of war instead of a pacification of meaning that only re-affirms the unbearable status-quo. If it is the case that there is increasingly less difference between war and non-war, that war is the constitutive form of a new order, that war is perpetual and everywhere, then it becomes essential to desert from a war of words which can no longer be challenged or even critisized. Instead, what seems urgently needed are new vocabularies, new terminologies that by abandoning old certainties are capable of grasping changing realities and addressing uncharted problems. DICTIONARY OF WAR is characterized by its openness towards all sorts of formats, genre, media and conceptual approaches. Rather than defining consensus and limiting meaning, DICTIONARY OF WAR is about a non-uniform, many-voiced, asymmetric, and deregulated production of concepts as the tools with which to attain new ideas. DICTIONARY OF WAR is a performance and a production space at the same time: The concepts will be presented in 20-minutes time slots, in alphabetical order and without a break; they are recorded in a television studio setup, encoded in real-time and published on the internet via the open source video syndication network v2v. http://dictionaryofwar.org # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: http://mail.kein.org/mailman/listinfo/nettime-l # archive: http://www.nettime.org contact: [email protected]