Sascha D. Freudenheim on Thu, 3 Feb 2011 20:31:38 +0100 (CET) |
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<nettime> Two recent blog posts: Google-Art & Egypt |
Like many of us, I suspect, recent events in the Middle East have captured my attention. At the same time, my "normal" focus on art/technology/culture rumbles along here in frozen New York. I have two new blog posts up, one on each subject: one on Google's new "art project," the other on Egypt, Israel, and Palestine. Since the web posts include links to sources, I have put a link to each post at the bottom. Sascha Googly Eyes For Google? I have to admit: a little part of me was rather saddened today to see the launch of the Google Art Project. The arguments in its favor make perfect sense, in the abstract. It offers easy access to a lot of art, globally (or at least, for those with a good internet connection and a good computer). In mapping galleries and providing scanning options of the space, it can help someone understand a work of art in its museum context â what works are adjacent, what surrounds it, etc. â as well as get a feeling for a place they may be planning to visit. Providing selected works for high-definition, very detailed viewing offers some joys, too; it can be hard to see most paintings at this level of magnification while they hang on the walls of a museum. And then thereâs the broader trend: museums are digitizing their collections, developing online companion pieces to 3-D exhibitions, creating Smartphone apps, developing teaching tools, and more. All of which â I can say unambiguously â is the right thing to do, and must be done. The museum person and the technologist in me are in agreement on the need to embrace this challenge. Still, I felt sad by the digital rigor mortis of this art, and those clinically captured galleries. For one thing, itâs hard to see even a small work of art effectively on a computer screen. (In my office set-up, I have two; that is, one computer running two, new, 19â flat panels. Even with that luxurious arrangement, I still donât feel like itâs adequate, not least because Google compresses the viewing picture into an inset box.) Zooming in on specific works of art shows you much detail, but you lose the three-dimensionality to which the human eye responds so well in person, as it moves back and forth between different zoom levels and focal points in nano-seconds. You might (rightly) ask yourself whether my perspective means much, as an insider: that the value of this system is for the people who cannot get to these museums in person. But if you are a regular museum goer, itâs hard to see this really taking the place of an in-person visit. And if youâre not a regular museum goer, either because you donât like museums or you donât find art particularly stimulating â well, I just wonder how much allure â or benefit â there is to seeing works of art you probably are not familiar with as they hang in galleries you havenât visited. In fact at some level, this is a very elite take on the idea of accessibility: you need to be able to appreciate art in order to appreciate art in this context. I admire Google for trying this out, just as I appreciate so many of the companyâs Beta and Lab initiatives; Google has the resources to test out solutions to problems real and imagined, and I consider myself generally better off for their experiments. Certainly the museums that participated made the right choice: why wouldnât you want to collaborate with Google on such a project? If it had been my client, I would surely have recommended they move ahead. But this whole thing feels cold to me, demonstrating once again the challenge of trying to replace (or even supplement) the in-person experience of an authentic work of art with a simulation, where so much detail and context is lost. Untangling the gordian knot of digital solutions for art museums is not going to be as simple as one slice through the center with the Google Art Project. http://www.sascha.com/2011/02/01/googly-eyes-for-google/ **************** A Failure of Leadership & Imagination âMr. Netanyahu called on the Palestinian president, Mahmoud Abbas, to resume peace negotiations without preconditions. But the prime minister also said it was possible that the gaps between the two sides were too wide to be bridged.â The New York Times, February 2, 2011 Between 1933-1945, the German government murdered around 6 million Jews, as part of an official policy of state-sanctioned genocide. Two years after the creation of the state of Israel, the two nations were talking. Twenty years after the end of the war, in 1965, Germany and Israel established formal diplomatic relations. By 2008, Germany and Israel had $6 billion in annual bilateral trade, and Germany is Israelâs largest trading partner after the United States. There is probably some crude math one could do thereâ6 million dead Jews to $6 billion in annual tradeâbut letâs skip to the point: over a 78 year period, the situation between Germans and Jews went from desperately murderous to fairly lucrative. Between the establishment of the state of Israel in 1948 and now, 2011, fewer than 100,000 Israelis have been killed, despite several wars, numerous terrorist attacks, and a long-standing and simmering conflict with the Palestinians and some Arab nations. While there has been a peace treaty in place with Egypt since 1979, Israel has not been able to negotiate a formal peace with its Palestinian neighbors over the last 63 years. Recently released papers suggest that the failure to make a peace deal over the last decade rests more with the Israelis than the Palestiniansâdespite common perceptions to the contraryâbut the question of who precisely is to blame for this irrelevant right now. What matters is the mindset embodied by the expression of distance by Israeli Prime Minister Netanyahu: that we cannot make peace, the gap between our views is too big. I am having a tough time with the irony here. That would be the irony of Israelâs largely happy and mutually beneficial trading relationship with the nation that once murdered millions of Israelâs progenitor Jewsâwhile steadfastly insisting that peace is not possible with a neighbor whose inflicted casualties have been but a fraction of the damage previously done. In 2011, of course, most of the Germans who participated in World War II are dead, and most of the Jews who managed to survive the holocaust are also dead. By contrast, many more of the Israelis and Palestinians involved in conflicts since 1948 remain alive. But this suggests that some generational turnover is necessary for peace, and that was clearly not true with Germany. Nor can one simply point to German reparations or an internal sense of guilt and shame, and suggest that these kinds of feelings are missing on the Palestinian side: post-war Germany had plenty of ex-Nazis in government, presumably no less anti-Semitic than they had been before, and it took decades for the view of German history to catch-up to the reality of the war and the holocaust. There are also demographic and different kinds of existential threats from the Palestinians, sure. Yet what is more of an existential threat than concentration camps, gas chambers, and ovensâthings that the Palestinians (for all their issues with Jews and Israelis) have never attempted to construct. I can understand the fear and trepidation that must result from watching the revolution in Egypt play out, with uncertain outcomes on a range of fronts. Still, the perspective captured by that New York Times article and others is depressing. This is a tumultuous time. But tumultuous times demand bold and visionary leadership. An Israel that found ways to support democracy in Egypt might find an Egypt that supports Israel. And an Israel that took this moment of tumult to re-engage with the Palestinians, to finally seek a conclusion to this conflict and the senseless Occupation, might find the long-desired peace it seeks with the Palestinians as well as with its other Arab neighbors. http://www.thetruthasiseeit.com/2011/02/02/a-failure-of-leadership-imagination/ -- Sascha D. Freudenheim Doubt is humanity's best friend. http://www.thetruthasiseeit.com/ http://www.sascha.com http://twitter.com/SaschaDF # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: http://mail.kein.org/mailman/listinfo/nettime-l # archive: http://www.nettime.org contact: [email protected]