André Rebentisch on Mon, 12 Jun 2017 22:50:35 +0200 (CEST) |
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Re: <nettime> Can the Left Meme? |
Let's suppose meming, as well as the political joke, is simply counter-cultural - a kind of mirror device. When the mainstream is conservative memes become progressive, when the mainstream is predominantly progressive memes become reactionary. Thus, memes jump on the trampoline of a dominant narrative as antithesis. Or in the mirror metaphor, they show different images depending on who looks into it. I found a book of N. Hartmann insightful to this end: Hartmann, Nicolai, Das Problem des geistigen Seins, 2nd edition, Berlin: de Gruyter, 1949 p. 191 "der Gemeingeist als solcher ist nicht Gemeinschaft, er hat nicht die Form des Kollektivums, ist weder als Summe noch als das Ganze der Individuen zu verstehen." --> "The common spirit (Gemeingeist) as such is not community, it does not take the form of a collective, is neither sum nor the whole of individuals." p.182 "Wie der vielzellige Organismus keine Summe von Zellen ist, so ist auch der Gemeingeist keine Summe personaler Geister. Hier wie dort ist die Gestaltung des größeren Ganzen ein ontisches Novum" --> "Just as a multi-cell organism is no sum of cells, the common spirit (Gemeingeist) ist no sum of personified spirits. Here and there the design of the greater whole is an ontic novum" p. 220 then very useful reflections on the superindividual of language with the key thought: "gemessen an dem, was der Einzelne übernimmt - der überkommenen Sprache, "die für ihn dichtet und denkt" -, ist das, was er von sich aus hinzufügt, minimal. [] Niemand ist in der Lage diese "geistige Masse" preiszugeben und durch eine neue, selbst geschaffene zu ersetzen" --->"judged by what the sole person takes over - from inherited language which "verses and thinks for him" -, whatever he adds by himself is marginal. [] No one is capable to abandon the "mental mass" and replace it by a new self-creation." From a theoretical perspective it may be useful to reconstruct a framework of "Geist" theory in a playful manner to address the meme phenonemons and its relation to the general stream of consciousness or the autopoesis within a society. When you look at the meme as the stage diver on the public mind you also need some sort of model of that public mind "Gemeingeist" that carries the memes. All this may involve playful use of "reactionary" biologisms and downplay the role of technology but the term meme presupposes that anyway. Am 12.06.2017 um 00:20 schrieb Gabriella "Biella" Coleman: > https://www.textezurkunst.de/106/notes-toward-memes-production/ > > Lots of good bits in here covering the nitty gritty mechanics of the > alt-right and their stellar command of media manipulation in light of > theories of art and cultural production. Worth a read. -- André Rebentisch Dipl. Kfm. & M.A. Reuterstr. 32 12047 Berlin Germany Fon: +49 30 44 35 78 96 Fax: +49 72 15 09 66 37 69 Cell: +49 16 36 99 23 09 Tw: @agonarch eMail: [email protected] Web: http://www.opentechsummit.net GPG: 0398FC7B // D9DF D3EB 2E79 9B93 2F31 07EE 15E7 9B66 0398 FC7B Tax ID (Germany): 81 240 539 731 # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: http://mx.kein.org/mailman/listinfo/nettime-l # archive: http://www.nettime.org contact: [email protected] # @nettime_bot tweets mail w/ sender unless #ANON is in Subject: