| Martin Sjardijn on 14 Dec 2000 22:54:21 -0000 |
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| Re: [Nettime-nl] YBRIS Returned I-Worm.Hybris.c3, I-Worm.KakWorm.z, I-Worm.Propec, MIME-Version: |
a mirror in outer space visible from earth with the naked eye at clear nights ----- Original Message ----- From: "JODI" <[email protected]> To: <[email protected]> Cc: <[email protected]>; <[email protected]>; <[email protected]>; <[email protected]>; <[email protected]>; <[email protected]>; <[email protected]>; <[email protected]> Sent: Thursday, December 14, 2000 8:43 PM Subject: [Nettime-nl] YBRIS Returned I-Worm.Hybris.c3, I-Worm.KakWorm.z, I-Worm.Propec, MIME-Version: > Date: Thu, 14 Dec 2000 12:47:43 GMT > From: [email protected] > X-Authentication-Warning: server: jodi owned process doing -bs > Subject: Mail sent to Nettime-nl > By: F-Secure Inc. > X-Mailman-Version: 1.1 > Precedence: bulk > List-Id: Nederlandstalige Nettime mailinglist <nettime-nl.nettime.org> > > Your mail to 'Nettime-nl' with the subject: > > Subject: Returned To: [email protected] -Subject:-ssword, > itself) or to -bscribe. It is: <nettime> n its ince MIME-Version: > 1.0 > Subject: Returned mail: User unknown Auto-Submitted: auto-generated > (failure)-history: [email protected], [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] > > Is being held until the list moderator can review it for approval. > > The reason it is being held: > > Only approved posters may post without moderator approval. > > Either the message will get posted to the list, or you will receive > notification of the moderator's decision. > > > > ---------------------------------- > From: [email protected] > X-Authentication-Warning: server: jodi owned process doing -bs > Subject: Your message to nettime-fr awaits moderator approval > To: [email protected] > Sender: [email protected] > X-BeenThere: [email protected] > X-Mailman-Version: 2.0beta5 > Precedence: bulk > List-Id: nettime-fr moderated mailing list <nettime-fr.ada.eu.org> > Date: Thu, 14 Dec 2000 13:46:25 +0100 (CET) > > Your mail to 'nettime-fr' with the subject > > Subject: Returned To: [email protected] -Subject:-ssword, > itself) or to -bscribe. It is: <nettime> n its ince MIME-Version: > 1.0 > Subject: Returned mail: User unknown Auto-Submitted: auto-generated > (failure)-history: [email protected], [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] [email protected], > [email protected], > [email protected], [email protected], > [email protected] > [email protected], [email protected], [email protected], > [email protected], [email protected] > [email protected], > [email protected], [email protected], > [email protected], > [email protected] > > Is being held until the list moderator can review it for approval. > > The reason it is being held: > > Post to moderated list > > Either the message will get posted to the list, or you will receive > notification of the moderator's decision. > > > > > ---------------------------------- > X-Authentication-Warning: server: jodi owned process doing -bs > X-Sender: [email protected] > Mime-Version: 1.0 > Date: Thu, 14 Dec 2000 11:21:18 -0500 > To: JODI <[email protected]> > From: [email protected] (Mike Mosher) > Subject: Re: *Subscription / [email protected] > Cc: Jason Ditmars <[email protected]> > > Jodi, you sure don't know how to set up a mailing list! > > And I really didn't need ten copies of a message only in HTML (I use > Eudora), the mark of a real newbie y'know. I can use that big artists' > mailing list though, so thanks. > > Cheers, > > --Mike M. > > > ---------------------------------- > Date: Thu, 14 Dec 2000 12:15:25 +0100 > From: "Postmaster" <[email protected]> > Sender: <[email protected]> > To: <[email protected]> > Subject: Undeliverable Mail > > Delivery failed 20 attempts: [email protected] > Delivery failed 20 attempts: [email protected] > Delivery failed 20 attempts: [email protected] > Delivery failed 20 attempts: [email protected] > > > Original message follows. > > Received: from tro.filnet.es [195.77.1.10] by mail.ilimit.es with ESMTP > (SMTPD32-6.00) id AEBEF9BA0084; Thu, 14 Dec 2000 02:13:34 +0100 > Received: from [62.82.11.42] [195.77.1.198] by tro.filnet.es with ESMTP > (SMTPD32-6.00) id A08A55860082; Thu, 14 Dec 2000 01:12:58 +0100 > Message-Id: <v04003a05b65dbddc74ec@[62.82.11.42]> > Mime-Version: 1.0 > Content-Type: text/plain; charset="us-ascii" > Content-Transfer-Encoding: 8bit > Date: Thu, 14 Dec 2000 01:19:53 +0100 > To: [email protected] > Subject: Original message follows.-------------------- Returned message > follows --------------------- > Cc: [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > > [message truncated] > > ------------------------------- > From: [email protected] > X-Authentication-Warning: localhost.my.domain: jodi owned process doing -bs > Mime-Version: 1.0 > Date: Thu, 16 Nov 2000 12:49:01 +0000 > Subject: AVISO_mail infectado > To: [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], > [email protected], [email protected], [email protected], > [email protected], [email protected], [email protected] > > ATENCAO! > > a Viatura responsavel pelo Via: cidade: suburbio: capital. > > teve conhecimento que foi enviado por [email protected] um email com o > virus navidad.exe para todos os enderecos que constam da nossa mailing list > > > pedimos as maiores desculpas, por este incidente > > > a Viatura > > > > > Viatura, responsible for Via > just acknowledged that an email containing thr virus navidad.exe was sent by > mariana to all the addresses in our mailing list > > please accept our apologies for the incident > > > Viatura > > ybris o la desmesura > > > La hybris era para los griegos la 'desmesura'. Hay momentos > y espacios propicios para la desmesura, como en las elecciones. > En todo proceso electoral se exacerban las efusiones > emocionales. Las campa�as ja, Niemcy. D�wi�ki jakie jest mi dane doby� z tego sk�adaka s� r�wnie> spor� rozpi�to�ci�, tak jak i > samo poj�cie el kustyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ci! > wie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na! > tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na tyki. P�yt� w�a�ciwie mo>na podzieli� na par� cz��ci- na szcz��cie brzmi to w miar� sp�jnie dla wytrawnego odbiorcy wszelkiego rodzaju eksperymentu. > We�my takiego John`a Palmer, kt�ry tworzy niekontrolowane, wr�cz chaotyczne ha�asiki posk�adane ze wszelkiego rodzaju urywanych d�wi�k�w w sprytny kola>, b�d�cy na > pierwszy odbi�r niezrozumia��, wibruj�c� plam� bezsensu i absurdu muzycznego- w efekcie okazuje si� by� ewenementem swego rodzaju, gdy> po�r�d tego m�tliku da si� odczu� > ca�� nerwowo�� systemu ludzkiego i za�amania temu towarzysz�ce. Podobnie Martin Alejandro Fumarola z Argentyny. Wariacje zahaczaj�ce o wsp�czesn� muzyk� powa>n�, > acz w elektronicznym wydaniu. Pe�ne napi�cia i swoistego rodzaju grozy d�wi�ki przedstawione w i�cie surrealistycznym stylu. Mo>e nie jest to mistrzostwo �wiata, ale dla > sympatyk�w gatunku na pewno b�dzie to mi�a chwila. Podobnie Pete Stollery, kt�ry zaczyna od niepokoj�cych "przesuwanych" d�wi�k�w, by zamilkn�� na chwil�, by dotar�a do > nas cisza, wzgl�dnie odg�osy spoza naszego pokoju. Wszystko jest niepokoj�ce, wyczekuj�ce i "przedmiotowe"- odg�osy niby znane z codzienno�ci, przekszta�cone w > zwariowan� struktur�. To jakby d�wi�ki otoczenia, porozrzucane i w efekcie wwiane w mroczny kocio�. Nast�pnie pojawia si� Rudiger Gleisberg ze swoim "African Moods"- zn�w > cisza, za chwil� rytualne, transowe g�osy afrykaYskich wojownik�w, by szybko przekszta�ci� si� w elektroniczny pasa> pr�buj�cy stworzy� afrykaYski nastr�j- moim zdaniem niezbyt > udanie, gdy> jest to bli>sze kulturze raczej europejskiej, no tak Rudiger pochodzi z Niemiec. Utw�r swym do�� wznios�ym (niestety czasem pompatycznym) nastrojem, jak gdyby > zaczyna drugie oblicze sk�adanki- bardziej elektroniczne, nastrojowe, pe�ne kolor�w i swoistej onirii. Taki jest Alejandro Iglesias, kt�ry zaczyna do�� wyciszonymi d�wi�kami, by za > chwil� atakowa� pot�>nymi gromami i groz� niczym ze staro indiaYskich mit�w- to ju> moja wyobra�nia, gdy> Alejandro pochodzi z Argentyny i my�l�, ten �wiat ma wp�yw na > tworzone przez niego d�wi�ki. Przynajmniej ja to tak odbieram. My�l�, >e w tego typu tw�rczo�ci jest to g��wn� si�� i podstawowym argumentem, dlatego warto si�gn�� po > zaczarowan� muzyk�, pe�n� "otoczeY", ilustracji- nasza wyobra�nia ma w�wczas niesamowite pole do popisu. Polecam taplanie si� "d�wi�kowych opowiastkach" (ArtH.93) SIC #4 - CD Tym razem zbi�r nagraY archiwalnych z lat 1964-1971!!! S�dz�c po nazwiskach w ca�o�ci po�wi�cone > rosyjskim tw�rcom, co w sumie po zapoznaniu si� z ca�o�ci� wygenerowanych d�wi�k�w jest dla mnie bardzo du>� niespodziank� w pozytywnym tego s�owa znaczeniu. Archiwum > owo dowodzi, >e lata industrialne dotyczy�y r�wnie> i naszych wschodnich s�siad�w i czu� tu bardzo du>e zaanga>owanie i klas� poszczeg�lnych tw�rc�w. D�wi�ki konkretne, > swoiste zewy "kosmosu" i �wiata przebiegaj�cego r�wnolegle, s� tu bardzo wyra�n� kresk� wyrysowane. Cisza i rosn�cy niepok�j ery industrialnej przejawiaj�cej si� w > nawi�zaniach do pierwotnych zalot�w nieznanej natury �wiata. Wszystko zbudowane z pr�bek d�wi�ku, zap�tlone, zilustrowane w tajemniczy, acz znajomy dla najg��bszych > pok�ad�w psychiki spos�b. Wszystko co znajduje si� na tej p�ycie spotykamy noc� w cichn�cym mie�cie, w ustronnych miejscach zindustrializowanej natury. To cisza, kt�ra > "zjada" nasze ego i wypluwa na zewn�trz. Tak tworzono ponad 30-ci lat temu w Rosji i na Wyspach, gdzie tworzy�a si� scena kierowana przez Genesisa P-Orridge, gdzie > s�ycha� dronowato�� La Monte Young`a- ciekawe co na wyczyny obecnych tu tw�rc�w powiedzieliby by panowie Balance i Christopherson z kultowego dzi� przedstawiciela > WORLD SERPENT, projektu o nazwie COIL. Ciekawe ile> wp�yw�w zaczerpn� legendarny ju> dzi� mistrz S. Stapleton (m.in. NURSE WITH WOUND), ile razy zachwyci�by si� > niejaki Lustmord. Z p�yty Electroshock v.4 bije alchemia d�wi�ku i to na bardzo wysokim poziomie. Pojawia si� swoisty eksperyment z instrumentami nieobcymi muzyce klasycznej (z > wyj�tkow� psychodel�). Czasem te> s�ycha� przyjazne trzaski, dobywaj�ce si� niczym z p�yt a comiciales crean un contexto en el > que la tolerancia retrocede y los m�s exaltados tienden a copar > el escenario hasta el punto de no dejar o�r a los que m�s y > mejor han meditado lo que dicen. > > Esta irracionalidad no ser�a tan lamentable si el contenido de la > discusi�n se ocupara de temas cardinales. Eso al menos > colocar�a el foco de atenci�n sobre lo que vale la oi NI > >I was wondering if you (both or either one of you) would have interest and time > >to take part in my (PhD) research concerning artists and technology, the role > > h8ypin > -------------------------------------------------------=================== ======= > > asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543 2 > asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543 2 > asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543 2 > asd fghj klkjhgfq wertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765asdfghjklkjhgfqwe rtyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432 > asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543 2 > asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543 2 > asd fghj klkjhgfq wertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432asdfghjklkjhgf qwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432 > asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543 2 > asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543 2 > asd fghj klkjhgfq wertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432432 > pena. Pero no > es as�. El eje de la discusi�n se ha situado casi exclusivamente en > asuntos que debieran ser de inter�s privado: los negociados de > los pol�ticos, las preferencias sexuales, los manejos dolosos de > este o aquel funcionario, las calificaciones zool�gicas... Pareciera > esto m�s bien la Granja de animales de George Orwell que unas > elecciones de un pa�s de humanos, pues el debate se dirime > entre gallinas, �guilas, moscas, serpientes y otras bestezuelas. > > Lo m�s grave no es solo que se distraen las energ�as en temas > de poca monta, sino que se ocultan y escamotean los que son > verdaderamente cruciales z ATROPOS i za choler� nie wiem co niby jedno z drugim mia�oby mie� wsp�lnego- przeci�tno��? Mo>na by si� zgodzi�, ale o ile ATROPOS mo>na > jeszcze pos�dzi� o jak�� przysz�o��, tak tu... kolejny "mortiis`ek" nam si� zrodzi�! Kolejny kole�, kt�ry swe elektroniczne pr�by zechcia� wypu�ci� na �wiat�o dzienne... ups! > przepraszam- na mrok nocy, bo koledzy z bloku obok powiedzieli, >e fajne i trzeba by wyda�. C�>, po ponad dw�ch latach le>enia w szufladzie wype�z�o to w �wiat. Jaka szkoda, > >e i tak pe�na przeci�tniactwa firma COLD MEAT postanowi�a swego czasu zawojowa� ch�on� scen� metalow�. Oto efekty. A> przykro, gdy potem czyta si� w biografiach tego > typu projekt�w, ile to oni maj� wsp�lnego z Ambient. A mog�o sobie le>e� w szufladzie... (ArtH.93) > > Ciemno wsz�dzie, mrocznie wsz�dzie... Miki sentara Barlog`owi kaset� wydawa� b�dzie- a w�a�ciwie wyda�. I tak mamy tu bardzo mroczny po cz��ci industrialny, po cz��ci > zahaczaj�cy o Illbient materia�. Wolno, monotonnie sun�ce si� plamy d�wi�kowe, kt�re daj� popali� strzaskanym nerwom. P. Quisi�ramos un debate electoral que > concentrara sus enfoques en cuestiones como la pol�tica > fronteriza, la educaci�n, el papel de la Fuerza Armada, la > econom�a, el petr�leo, la reconstrucci�n de Vargas, la > autonom�a de los poderes regionales, la seguridad, las > telecomunicaciones, etc. Una lista enorme si consideramos > tambi�n los asuntos de inter�s estadal, municipal y hasta > parroquial que no por ello carecen de inter�s. > > En este asunto los medios de comunicaci�n tienen una > responsabilidad decisiva. Es por ello que Venezuela Anal�tica > reitera que sus p�ginas est�n abiertas a todos los candidatos > de todos los niveles para que expongan sus puntos de vista > sobre materias del tipo de las que mencionamos arriba, que > mantendr�an el debate en la altura que requieren los asuntos > nacionales de > Rewelacja! Wsp�czesna muzyka improwizowana mo>e nie ma zbyt wielu wyznawc�w, ale �wiadczy to te> o trudno�ci w odbiorze takich d�wi�k�w. Tak jak i poprzedni materia� > Jesionki wywar� na mnie multum wra>eY, tak i teraz jestem pe�en r�>norakich odczu�. Po raz pierwszy wys�ucha�em tego materia�u przy otwartym oknie, sk�d dobiega�y mnie > dodatkowe atrakcje w postaci odg�os�w z ulicy, pobliskiego podw�rka i przyznaj�, >e po pewnym czasie pogubi�em si� co sk�d dobiega- czy to jeszcze d�wi�ki z g�o�nik�w, czy > ju> z ulicy i vice versa. Niby zboczone, bo przecie> Warszawska to taka elita pe�na duchowych uniesieY. C�>, tak ukierunkowana ma psychika- te wariacje powa>kowe odbieram w > taki a nie inny spos�b. Doskonale odzwierciedlaj� klimat muzyki tytu�y, chocia>by "Z wizyt� u muzykologa", gdzie to w �wietny spos�b zobrazowano panuj�cy tam nastr�j (czy>by > pr�ba wej�cia w g�ow� pe�n� ch�oni�tego d�wi�ku tego> fachowca? Wsp�czuj� wi�c muzykologowi che che), nast�pnie "Ma�y koncert na klarnet i baterie", czy wcze�niejsza > "Kuwertura do opery MISTACHE". Awangardowe podej�cie do tworzenia, pe�ne za�amaY, niespodziewanego chaosu, pozornego nie�adu, trzask�w, niekontrolowanych > d�wi�k�w instrument�w klasycznych, kt�re uk�adaj� si� w niemal>e free jazzowe, zgrabne formy. Wielopoziomowa struktura, gdzie na ka>dej z osobna toczy si� opowie��, > niejednokrotnie bardzo zaskakuj�ca. Sztuka, kt�ra zmusza do wysi�ku i po jakim� czasie mo>e wywo�a� b�l g�owy- jest wi�c efekt, i o to chyba chodzi? Gratuluj�. (ArtH.93) > > > Artiemiy jest szefem ELECTROSHOCK Recs.- o jego wydawnictwach (sk�adanki i genialne dzie�o Edwarda Artemiev`a) przeczytacie jeszcze w tym numerze WIATR�W. Jest to ju> > pi�te wydawnictwo, kt�rego dane jest mi wys�ucha� i przyznam, >e robi ono na mnie najwi�ksze wra>enie z dotychczasowych dokonaY tego tw�rcy. Na pewno dojrza�e i pe�ne w > swym przekazie, tre�ci i formie. Brak b�azeYskiej przypadkowo�ci (co nie oznacza, >e na poprzednich wydawnictwach by�o to ra>�co s�yszalne!). My�l�, >e tytu� na pewno du>o > podpowie o d�wi�kach tu zawartych ludziom, kt�rzy z podobnego rodzaju klimatem si� spotkali. W�a�nie, Artemiy ponownie roztacza plamy d�wi�kowe, kojarzone z ambientalnymi > zewami, pojawiaj�ce si� ilustracje muzyczne s� pe�ne spokojnych, wolno mijaj�cych przed naszymi oczami obraz�w. Nastr�j tej p�yty jest przepe�niony niepewno�ci�, zadum�, > groz� i zaczajonym gdzie� za rogiem strachem. D�wi�ki z drugiej strony kontempluj� cisz� i ezoteryczne rejony. M�j zdecydowany faworyt, to "Cataclysm Of The XX Century" > objawiaj�cy obok taplaj�cych odg�os�w, przeci�g�ych zew�w, monotonny, transowy, "u�piony" g�os, niczym z powolnej, skupionej tybetaYskiej mantry. W tle, jak wspomnia�em > dziej� si� pomalutku, ale konsekwentnie dziwne zaj�cia, wyci�gni�te niczym z innego �wiata- niekoniecznie z innej planety, a raczej na pewno nie, cho� skojarzenia z cisz� > kosmosu mog� by� r�wnie> jak najbardziej na miejscu. Wszystko to przelewa si� wci�> przez blisko 77 minut- niepokoj�ce, stonowane (jakkolwiek wyobrazicie sobie te > przeciwieYstwa) przenosz� w inny wymiar. To dobre... wr�cz wskazane jest wieczorn� por� zrzuci� szaty zabrudzone i przesi�kni�te ulic�, by zasi��� przy �wiecy i potapla� si� w > takim mistycyzmie. (ArtH.93) > > esta hora: la m�xima jerarqu�a en la atenci�n de > todos. > > De otro modo ocuparemos toda nuestra energ�a intelectual en > resolver, si acaso, solo los problemas personales de los > interesados en envilecer el debate porque solo en ese nivel saben > desenvolverse. En la sere > > Profile > Virus Name > Una tarjeta virtual hoax > > Aliases > A virtual card hoax > > Variants > None > > > > Description Added > 11/16/00 11:16:45 AM > > Virus Information > > > Discovery Date: > 11/16/00 > > Origin: > N/A > > Length: > N/A > > Type: > Hoax > > SubType: > E-mail > > Risk Assessment: > - > > Minimum Dat: > N/A > > DAT Release Date: > > > Virus Characteristics > > AVERT HOAX Notice!! > > NAI Labs AVERT would like to inform you of a new email HOAX.nidad alguien puede tener la raz�n, > pero en este nivel de envilecimiento y de trivialidad nadie puede > tener la raz�n. > Recomendar esta p�gina a un amigo > Preparar esta p�gina para imprimir > > ybris o la desmesura > > > > > Home > > Update My PC > > News & Features > > Free Newsletter > > Essential Updates > > Search For Updates > > > > > > > My Updates List > > Manage My Notify List > > Submit an Update > > Request an Update > > > > > > Help & How-To > > ZDNet Downloads > > GameSpot.com > > Tweakfiles.com > > InfoRocket > > > > > > Technical Support > > About Updates.com > > FAQ > > > > > > > > > > > > F-Secure Anti-Virus AVP 3.0 Weekly Engine > Updates > > > > > By: F-Secure Inc. > > > > > > Latest Version: > 001208 > > Last Updated: > 11-Dec-00 > > Platform: > Windows 95/98/NT > > Product Type: > Freeware > > File Size: > 18.8 KB > > No. of Downloads: > 10,087 > > Approx. Download Times: > At 56k: 3 sec > At 28k: 7 sec > At 14k: 13 sec > -------------------------------------- > X-Authentication-Warning: server: jodi owned process doing -bs > Date: Fri, 01 Dec 2000 20:58:25 +0900 > From: Marc Voge <[email protected]> > Reply-To: [email protected] > Organization: Total Museum > X-Accept-Language: en,ko > MIME-Version: 1.0 > CC: Hyungmin Moon <[email protected]> > Subject: The Opening of Web Project 8 > > Dear everyone, > > Thank you for your fine work. > > Please take a look at the show, and if you see anything that bugs you > about your work, give a yell -- to Hyungmin -- and pass it along to me. > > More soon. > > Yours, > > Marc > > http://www.totalmuseum.org/webproject8.html > > > > > ==================================================================== > Abomb.728, Abomb.730, Alcom.257, > BAT.IBBM.Rbm, BAT.Rbm, > Backdoor.Cafeini.11.dr, Backdoor.ControlTotal, > Backdoor.Gift, > Backdoor.IRC.Flood, > Backdoor.Incommander.16.f, Backdoor.Monster, > Backdoor.RAdmin.10b, Backdoor.Studio, > Backdoor.Sub7X.21, > Backdoor.TDS.SE.32, Backdoor.Udps.10, > Backdoor.WebCT2, > Backdoor.WebDL, Belial.717, CLME.Ming.1950, > CLME.Ming.2027, > Constructor.DPOG, Constructor.IRC.SenSi.02, > Constructor.SennaSpy.OEM.10, > Constructor.TrojanRunner.EliteWrap.103, > Constructor.TrojanRunner.Gr, DL.326, DL.328, > DemoCrazy.225, EE.a, > Eocb.899, Funk.501, HLLC.7322, HLLP.6384, > HLLP.9344, Hoax.AnDum, > I-Worm.Benny, I-Worm.Energy.b, > I-Worm.Energy.c, I-Worm.Hybris.c3, > I-Worm.KakWorm.z, I-Worm.Propec, > ----------------------------------------- > > > > > > > > > > > > ReAS sdfghjkree SpDiritdA67890-=s Of ddA PeDDmiADan Man, ODr D21D69 DChaDracDteDsD TDo ADnDya'DDsD PDageD==== * -* +-* -* -* -* ==== * -* +-* -* -* -* ==== * -* +-* -* -* -* ==== * -* +-* -* -* -* ==== * -* +-* -* -* -* ==== * -* +-* -* -* -* ==== * -* +-* -* -* -* ==== * -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�============ ======= a -**d=��*���*��f�f��*�=��*���*��f�f��*�! 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