Irina Cios on Wed, 10 Jul 2002 12:12:20 +0200 (CEST) |
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[Nettime-ro] Fw:Mediaterra 2002 - 4th International Art and Technology Festival |
Medi@terra 2002 > > 4th International Art and Technology Festival > > New Platforms of Spectacle, Communication and Resistance > > 6-15 December 2002 > > > Call for projects > > If "the medium was the message", the platform is the message of the message > and > the weakening of the message. > > "Platform" is the combination of technology, a new way of thinking about > meeting > needs, and the vision of a group of people who are preparing a "space" in > which > to invite interested persons to develop their own ideas.=20 > > If the late 20th century was characterized by McLuhan=92s maxim "the medium > is the > message", the beginning of the next one can be characterized as follows: > "We are > preparing new platforms for new messages".=20 > > With these thoughts in mind, and with all possibilities open, we are= > exploring > and challenging new platforms by touching (or clicking on) all matters of > interest, from growing new pop art (SMS) to the entertainment field > (feature-length video art, interactive theatre) and technological= > development > (smart agents).=20 > > And finally, in this new situation, given the chance to talk about the > past, we > pay homage to individuals or even machines that have already marked the > history > of the digital culture.=20 > > We believe that a new idea cannot exist unless it is preceded by a new > platform > to host it and this is essentially what determines the way a society= > evolves. > > There are times when evolution is characterized by the destruction of the > platform, but not the ideas; and others when even though the platforms have > been torn down, and ideas are homeless, new platforms are nevertheless= > created > and new ideas generated.=20 > > The period that our culture is now passing through belongs to the second > instance. Therefore, acts of renewal or resistance can be primarily= > described > as the creation or testing of new platforms and not dispute of a system > that is > already as empty as a discarded snake skin.=20 > > Nor is it accidental, that the word "platform" in the industrial world > describes the space between where you are and the means of transportation > (train, boat) you are about to board to go elsewhere. To board a plane or= > boat > you must first cross the platform=85 > > The new platforms then are the landing-stages for the long journey humanity= > is > embarking on... The question is who will be boarding and who will stay= > behind > and watch the ship pull out=85 > > Manthos Santorineos=20 > Artistic Director of Medi@terra Festival > > =20 > Feature Length Digital Video=20 > > Streaming Video > > The advent of DV technology offers new tools to film and video makers. These > tools are making it possible to produce high quality films cheaply and > independently of the industry monoliths that currently determine what we can > see. The new lightweight cameras, streaming technology, and DV technology= > have > brought a new lightness of touch to all aspects of the moving image from > production through to distribution. And a new relationship has been created > between creativity, technology and the digital industry, in the search for a > new aesthetic and financial basis for film and video makers.=20 > > Conditions for entry =20 > The work must have been produced within the past two years.=20 > > Works shall be in English or with English subtitles=20 > > Just one work per candidate can be accepted in each category=20 > > The works may have been presented in other festivals.=20 > > Each work should be accompanied by a. the entry form, b. a synopsis, c. a > short > CV of the artist, d. Some stills, images in TIFF or JPEG mode, submitted in > digital format, saved on a floppy, on a CD ROM, or as email attachments > (please > note: texts should be in Word for Windows)=20 > > Pre-selection will be made by the programming committee for Medi@terra 02.= > =20 > > No originals must be submitted, as materials will not be returned. The works > will become part of the Fournos Archive. Artists reserve all artistic and > commercial rights to their works, and for any future use or presentation of > the > works, their permission is needed.=20 > > Fournos and Medi@terra festival reserve the right to publish the submitted > material for the promotion needs of the festival.=20 > > > > Please also note the following > > The feature-length digital video should =20 > be a minimum of 50 min.=20 > be sent in DV or DVD format. For the preliminary selection VHS tapes are= > also > accepted.=20 > not be a made-for-TV production. Co-production is accepted. =20 > The streaming videos should be =20 > a maximum of 5-10 min.=20 > sent in DV or DVD format, but also the exact URL location should be > indicated. =20 > =20 > Artificial Entities=20 > > Since the early nineties, the interdisciplinary fields of art, science and > technology have created a different platform for research, collaboration and > creation. This generates works that encourage audience participation, > continuous change and evolution. These could be interactive artificial > intelligence environments, autonomous and advanced robotics and intelligent > agents. The features we are looking for are innovation, autonomy, > interactivity, as well as the subjective adjustment and interpretation they > suggest to the user/viewer allowing him to become a user/ co-creator. The= > aim > of creating autonomous virtual characters that pose and realize goals,= > develop > actions, are influenced by the changes in the environment and then adjust= > it, > gives a new dimension in the space of art.=20 > =20 > > Conditions for entry =20 > Each work shall be submitted in one of the following forms:=20 > > 1. video documentation (DV, VHS tape in Pal or Secam). The maximum length > shall > be 15 minutes and it should have an English-language description, either in > voice-over narration or accompanying text.=20 > > 2. of an executable (.exe) file saved in a CD ROM, accompanied by a > description > and the instructions for use in English > > 3. any type of software that can be run on a "standard" PC, accompanied by a > description and the instructions for use in English. =20 > =20 > Only one work per candidate is accepted in each category.=20 > > The works may have been presented in other festivals.=20 > > Each work should be accompanied by a. the entry form, b. a synopsis, c. a > short > CV of the artist, d. Some stills, images in TIFF or JPEG mode and e. a > technical description of the work, with a reference to all the technical > requirements that should be met by the steering committee.=20 > > Preselection of works will be made by the programming committee of the > festival, representing Medi@terra 02.=20 > > Fournos and Medi@terra festival reserve the right to publish the works > submitted for the promotion needs of the festival. =20 > =20 > > Awards > One prize of 9.000 Euros for the best Feature Length Digital Video > One prize of 4.000 Euros for the best project from the Artificial Entities > One prize of 1.500 Euros for the best Streaming Video > > > A call for SMS will also follow soon! > > > Deadline > 20 October 2002 > > > > How to participate > Please print attached file or download and print the entry form from > http://www.mediaterra.org and send it along with the material required for= > its > category to: > > FOURNOS > Center for the Art and the New Technologies > Mavromichali 168 > 114 72 Athens > Greece > > > For more information=20 > Please contact Eleni Kouvari, In Charge of Communication by telephone on= > +3010 > 6460748, +3010 6420451 or via email at [email protected]=20 > > > > > Medi@terrra 2002, International Art and Technology Festival is organized by > Fournos, Center for the Art and the New Technologies and the Hellenic= > Ministry > of Culture. > > Medi@terra 2002 - Steering Committee=20 > > Dodo Santorineos, Director of Fournos & Medi@terra Festival > Manthos Santorineos, Artistic Director of Fournos & Medi@terra Festival > Maria X, Curator of Fournos > Dimos Dimitriou, Artist=20 > John Kontos, Professor of Artificial Intelligence at the Department of > Methodology, History and Theory of Science, U. of Athens > Maria Roussou, Head of the Virtual Reality Department, Foundation of the > Hellenic World > Maria Bouligaraki, Researcher in Information Science, University of Athens > Daphne Dragona, Coordinator for Fournos & Medi@terra Festival > > =20 > Special Advisors > Zoe Kazazaki, Head of the International Organizations Department, Hellenic > Ministry of Culture > Maria Maragou, Director of Rethimnon Contemporary Art Center=20 > > > > > ______________________________________________ > SPECTRE list for media culture in Deep Europe > Info, archive and help: > http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre > > > _______________________________________________ Nettime-ro mailing list [email protected] http://amsterdam.nettime.org/cgi-bin/mailman/listinfo/nettime-ro --> arhiva: http://amsterdam.nettime.org/