[oldboys] gender in music technology: call Organised Sound

[Hannah Bosma <mail@hannahbosma.nl>]

++++++++++ please forward ++++++++++

Organised Sound
An International Journal of Music and Technology
Call for articles and works

Volume 8, Number 1
Issue's thematic title: Gender Issues in Music Technology
Date of Publication: April 2003
Publishers: Cambridge University Press

For this special issue on gender, we invite submissions in the form of 
papers, short audio pieces or excerpts, and/or short audio-visual 
artworks, related to gender issues.

Articles might focus on one or more of the following issues, although 
other approaches are also welcome:

What is the relationship between gender and the use of contemporary 
technology in pop music, electronic and computer music, experimental 
and electroacoustic composition, live electronics, radiophonics, 
multimedia, performance art, sound sculptures, and other sound art?
Which gender perspectives can be articulated in the composition, 
production, performance, reception, interpretation or mediation of 
these musical genres?
Why is there an apparent lack of women in most fields of contemporary 
music technology and electronic audio art, and how does this relate to 
the music, practices and interpretations?
How do musico-technological cultures relate to masculinity?
Are there feminine styles of electroacoustic composition?
How do women composers make a difference?

Guest editor Hannah Bosma will co-ordinate this issue. Please contact 
her at Hannah.Bosma@hum.uva.nl .

Deadline for submissions is December 1, 2002. Audio and audio-visual 
material will be presented as part of our annual CD-ROM which will 
appear with issue 8/3.

The editors, as always, welcome submissions that fall outside of the 
scope of this issue's theme.

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SUBMISSION DEADLINE: 1 December 2002

SUBMISSION FORMAT:

Notes for Contributors/Further Details can be obtained from the inside 
back cover of published issues of Organised Sound or from:

http://uk.cambridge.org/journals/oso/

Hard copy of articles and other material should be submitted to:

      The Editors
      Organised Sound
      Centre for Technology and the Arts
      Clephan Building
      De Montfort University
      Leicester LE1 9BH, UK.

Email submissions should be mailed to (please see SUBMISSION FORMAT 
above):

      os@cage.york.ac.uk

Editors: Leigh Landy and Tony Myatt.
Associate Editors: Ross Kirk and Richard Orton
Regional Editors: Cort Lippe, Eduardo Miranda, Shimoda Nobuhisa, J�ran 
Rudi, Barry Truax, Ian Whalley, David Worrall
ICMA Representative: Mary Simoni
International Editorial Board: Marc Battier, Laurant Bayle, Allesandro 
Cipriani, Francis Dhomont, Simon Emmerson, Rajmil Fischman, David 
Howard, Miller Puckette, Jean-Claude Risset, Francis Rumsey, Trevor 
Wishart


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