annika blunck on Wed, 6 Aug 1997 16:53:43 +0100 |
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Syndicate: The opening of the ZKM Karlsruhe |
______________________________________ ZKM|Center for Art and Media Karlsruhe ______________________________________ 18/19 October 1997, 6pm: Opening of new ZKM site ------------------------------------------------ P e r m a n e n t E x h i b i t i o n + ZKM|Media Museum + Interactive, 'hands-on' installations that solicit spectator participation were collaboratively developed for the museum by artists and researchers. Artistically and technically sophisticated commentaries on the fascination and hazards of the media world introduce the user to the 'world of games' or investigate the relationship of media to body and space. An 'AcousticWorldAtlas' invites visitors to compose and experiment with soundscapes derived from all corners of the globe. An 'interactive art gallery' brings together pioneering works and current output in the field of media art. Here, the actions of the visitors call into being artworks that are invariably new and different according to the manipulation of the individual. The 'Salon Digital' takes up its activities as a forum for discussion and virtual museum both locally and on the global network. The individual installations will be opened by small-scale performance events during the inaugural weekend. Including works by: Agnes Hegedues, Lynn Hershman, Perry Hoberman, Jill Scott, Jeffrey Shaw, Christa Sommerer/ Laurent Mignonneau + ZKM|Museum of Contemporary Art + The Museum of Contemporary Art houses one of the world's largest media art collections. 'Classics' of the young genre, such as Bill Viola's 'The City of Man' and Nam June Paik's 'Passage', are displayed alongside distinctive pieces by famous video artists like Gary Hill, Marie-Jo Lafontaine, Bruce Nauman and Fabrizio Plessi. While the Media collection sets the tone in the Museum of Contemporary Art, all artistic fields are included - with painting, graphics and sculpture figuring as prominently as contemporary photography. This direct confrontation between the different art forms can open up new prospects for the future. The first wing of the museum will open to the public concurrently with the inauguration of ZKM. Public access to the full collection of the Museum of Contemporary Art will be granted >from 1999 onwards. Supplemented by the contributions from Baden-Wuerttemberg's leading private collector, the museum will then be Germany's most important forum for contemporary art. *Permanent Service* + ZKM|Media Library + Awaiting visitors are more than 10,000 contemporary music titles, a comprehensive collection of the major positions in video art, and literature in the fields of contemporary art, architecture, theater and design: a treasure-trove for the researcher, but also a place where the general public is welcome to browse and learn. -------------------------------------------------------------------------------- E V E N T S Opening of the new ZKM site Saturday, 18 October 1997, 6pm Opening Multimediale 5 - 6pm - 'Audio-visual tour' through the ZKM museums and institutes. 'TopoPhonie No. 4': a concertante stereophonic sound installation by Sabine Schaefer for a large ensemble of loudspeakers (Commissioned by the City of Karlsruhe) Admission free - 8pm - Global teleconference: ZKM Plays Host to Goethe and the World A 24-hour project conducted jointly with Goethe Institutes all round the world and delivering multimedia commentaries on the human image on the Net Admission free - 8.15pm to 9.45pm - Live broadcast on 3sat television ZKM: Future, Art and Media Discussions, films and music celebrating the opening Moderation: Markus Brock Admission free - 10.30pm to midnight - Repeat showing on SŸdwest 3 - 9pm - Concert: Kraftwerk and guests Kraftwerk, the maschine legend, will perform in germany for the first time after years. Tickets are available from all major booking offices and via phone. Advance sales: 35 DM Outdoor: 45 DM - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Sunday, 19 October 1997 - 11am - Discussion: Conflicting Images - Talking about art Made by SWF for 3sat *Conflicting Images* is an attempt to reflect the discussion about art in a way which is interesting for a wide audience as well as experts and art lovers. In each broadcast a panel of experts is invited to conduct a clear, to-the-point debate on the merits of artists and their current shows. The new ZKM museums and the Multimediale 5 are the scheduled topics of discussion on the third issue. Admission free - 4pm - Discussion: End of the Century - End of Optimism The prevailing 'fin-de-siecle' mood suggests civilization is caught up in a general process of economical, ecological and cultural decline as the new electronic era dawns. Or are there good reasons for having confidence in a new departure? Marion GrÅ fin DÅ¡nhoff, Hildegard Hamm-BrŸcher and Jutta Limbach debate the potential for a fresh start as the 20th century draws to a close. Admission free - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - *Moving Arts* Friday, 24 October 1997 Lecture - 6pm - Lecture: On Reproduction Media and the Change of New Media Around 1600 Klaus Theweleit Klaus Theweleit goes back to the beginnings of opera history and Claudio Monteverdi's 'Orfeo', to locate the starting points marking a transition in epochs. - 9pm - Concert: Movement In and Between the Arts Film, video and music by artists-in-residence at ZKM Kiyoshi Furukawa: 'Die Gabe des Lapislazuli' for soprano and interactive computer system Elena Kats-Chernin, Kirsten Winter: 'Clocks' and 'Smash', music films Steina Vasulka: Music performance with video - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Saturday, 25 October 1997 - 8pm - Concert: Music in Space Peter Eoetvoes: *Der Blick* (Premiere) Concert installation with computer graphics by Alexander Urban and music by the Ensemble Modern. Peter Eoetvoes, an internationally esteemed composer and conductor, has designed an audio-visual environment that thematizes 'interior and exterior' with musical electronics. Wolfgang Rihm: *Etudes d'apres Seraphin* (Premiere) Directed by Manfred Reichert, the Ensemble 13 plays the concluding work in Rihm's Seraphin cycle. The theme of the cycle - the superimposition of contemporary sounds over traces of the past and future - is implemented here by a linkage of electronically shaped music inserts and instrumentalists playing live. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Sunday, 26 October 1997 - 11am - Discussion: Media Art Trans-Formations Is media art the artistic usage and deployment, fueled by the search for new aesthetic adventures, of electronic technologies? Or is media art a space in which one can view, contemplate and reflect upon the rapid rise of the new technologies? A discussion among representatives of the international media art scene. - 3pm - Lecture: *On the Archaeology of Art Through Media* by Siegfried Zielinski The director of the Kunsthochschule fŸr Medien, Cologne, sifts through the CD-ROM 'Media Art Action - The 1960s and '70s in Germany' (produced by ZKM and the Goethe Institute) in order to find illustrations for a media-based theoretical and practical archaeology of art. - 5pm - Discussion: Media Art - Salvation of Art? An answer to this question will be sought by the prominent media artists Klaus vom Bruch, Jochen Gerz, Marie-Jo Lafontaine, Marcel Odenbach and Jeffrey Shaw, as well as professors from the State School of Design, Karlsruhe (HfG). Moderator: Heinrich Klotz - 8pm - Video Premiere:David Larcher *Ich Tank* David Larcher, an experimental filmmaker in the 1970s, and at the forefront of research into the electronic image since the 1980s, has won a number of awards and was nominated for the 1997 International Award for Video Art. 'Ich Tank' promises to join his earlier works in becoming a further milestone of video art. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - *Narrative Forms in Media Art* Friday, 31 October 1997 - 3pm - Book introduction- Forum Kino Karlsruhe (EIKK/ZKM) *Trau-Schau-Wem* about digitalization, documentational form and our association with image (a new publication from the Documentarfilm Center Stuttgart) - 5pm - Discussion: Forum Kino Karlsruhe (EIKK/ZKM) The Cinema from Tomorrow: a second birth in the third thousand year A discussion between Gideon Bachmann and european film producers - 6pm - Introduction to the multimedia operas on Friday, 31 October 1997 - 8pm- Multimedia operas: Music Theater with Electronics (Three Premieres) Three composers were commissioned to respectively work out a half-hour-long scene in collaboration with artists in other fields and the incorporation of electronic media. Electronic music, computer animations and interactive audio-visual environments were realized for stage performance in close cooperation with the ZKM-Institute for Music and Acoustics and the ZKM-Institute for Visual Media, which placed their technological resources, programmers and engineers at the disposal of the composers. Director: Henry Akina, musical director: Zsolt Nagy Kiyoshi Furukawa *Den ungeborenen GÅ¡ttern* with computer animations by Robert Darroll for one singer, theremin and four instrumentalists: a modern version of the ancient notion of a cyclical path connecting the realm of the dead with the labyrinth of life. In its aural and visual composition, the scene makes use of virtual computer realms and diverse interactive technologies. Mesias Maiguashca *Die Feinde* freely based on the story 'The Secret Miracle' by Jorge Luis Borges with computer animations by Tamas Waliczky for two singers, string trio and two bass clarinets. In 'Die Feinde' ('The Enemies') the artists take a fresh approach with electronic means to the subjects of suspended time, distorted spatial perspectives and the interlocking of dream and reality. Alejandro Viâ??ao *Rashomon* Libretto by Craig Raine for five singers and computer music. Four different, mutually contradictory and exclusive versions of one procedure construct the chaotic diversity of truth in the age of electronic media. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Saturday, 1 November 1997 - 5pm - Discussion: Inhabited Information Spaces In the scope of an EU project titled '13' ZKM is involved in the development of virtual information spaces in which people can interact even over long distances. These spaces range from virtual cyber spaces to physical, technologically expanded rooms. The partners participating in the project will reflect upon, criticize and discuss current developments and the issues thrown up by the potential of these new spatial forms. - 8pm - Multimedia operas: Music Theater with Electronics (see Friday, 31 October 1997) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Sunday, 2 November 1997 - 11am - Matinee: New Media, Music, Scenes Conversation with the artists involved in the three multimedia operas Moderator: Marita Emigholz - 5pm - Discussion: Music Theater Today What's new in contemporary musical theater and contemporary music written for a stage setting? Is there a reservoir of topical themes and unspent artistic resources that might provide new aesthetic experiences? Representatives from musical and dance theater, national opera houses and fringe theater have been invited to form the discussion panel. - 8pm - Multimedia operas: Music Theater with Electronics (see Friday, 31 October 1997) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - *Nostalgia and New Art* Friday, 7 November 1997 - 4pm - Productions, projects and cooperation partners of ZKM Akademie Schlo§ Solitude Zorah Mari Bauer: Multifuntional Ranking System Lectures and Presentations of their new works of art - 8pm - Concert: Live electronic music Daniel Rothman: Fool Wind (premiere) Marc AndrŽ: AB (premiere) Luigi Nono: Guai ai gelidi mostri Ensemble Recherche, director: Andre Richard This is the first joint concert resulting from the close cooperation between the ZKM-Institute for Music and Acoustics and the Experimentalstudio of the Heinrich-Strobel-Stiftung of SWF in Freiburg. One of the classics of live electronic music, Luigi Nono's 'Guai ai gelidi mostri', will be presented for the first time in Karlsruhe. The new pieces by the French composer Marc AndrŽ and American composer Daniel Rothman were jointly commissioned by the Experimentalstudio and ZKM. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Saturday, 8 November 1997 - 11am - Siemens Media Art Prize Prize Award Ceremony - 3pm - Lectures and Presentations by the Prize-winners In associations with the Siemens Cultural Program, ZKM biennially awards the Media Art Prize in recognition of outstanding contributions to the field of media art and its dissemination. The 1997 awards have been bestowed on the artists Peter Weibel and Ingo Guenther, and posthumously on the philosopher Vilem Flusser. The event will concentrate on illuminating different aspects of the work of the prize-winners. - 8pm - Concert: Computer music Ludger Bruemmer: Phrenos (premiere) Ramâ??n Gonzâ?¡lez-Arroyo: De l'Infinito Universo et Mondi Johannes Goebel: Vom Uebersetzen ueber den Fluss Music consisting of sounds that actually do not exist ... played and projected into space in the ZKM's new music studio. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Sunday, 9 November 1997 - 11am - Symposium: New Places for A New Art. Vanguardists of media art are finally putting into effect the old modernist dream of tearing down the museum walls. What shape will be taken by the fitting setting for art in the 21st century? Museum directors and custodians from Japan, the USA and Europe share their visions of the future. - 4pm - Symposium: The End of Art - The End of the Museum? Forecasts made for the close of the 20th century have decreed the simultaneous end of virtually all of human civilization; scenarios drafted include the end of history, the end of the nation state, the end of work, the end of art. Could it be that the flourishing growth of museums since the late 1970s was only a final, defiant swan-song? This question will be discussed by Jean-Christophe Ammann, Hans Belting, Siegfried Gohr, Boris Groys and Katharina Schmidt. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - C U R R E N T + Multimediale Exhibition 18 Oct to 9 Nov + On the occasion of the Multimediale 5, the ZKM|Institute for Visual Media will open its production facilities in the new building, and present selected works of its artists-in-residence. Created between 1995 and 1997, these works show how new technologies, methods and materials can be embodied for artistic purposes. Their interactivity also calls for an engaged and critical involvement of the viewer. Works by artists including Luc Courchesne, Larry Cuba, Marina Grzinic & Aina Smid, Dieter Kiessling, Bill Seaman and Bill Viola invite the public to be explorers in a territory of digital expression. ------------------------------------------------------------------------------- Advance sales for events on the inaugural weekend: 1 September to 16 October 1997 ZKM|Schaufenster, Lammstra§e 7a, Rathaus-Passage, Karlsruhe (Mon to Fr 12pm to 6pm, Thurs up to 8pm) As of 19 October 1997: Lorenzstrasse 19, 76135 Karlsruhe (Wed to Sat 12pm to 8pm, Sun 10am to 6pm) tel. +49.(0)721.92 03 79-1 fax +49.(0)721.92 03 79-2 e-mail: [email protected] ZKM|Center for Art and Media Karlsruhe Postfach 6909 D - 76049 Karlsruhe tel. +49.(0)721.8100-0 fax +49.(0)721.8100-1139 Internet: http://www.zkm.de e-mail: [email protected]