JURIJ KRPAN on Mon, 29 Sep 1997 20:52:40 +0000 |
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(Fwd) Ikona in sekira |
------- Forwarded Message Follows ------- From: "Miran Mohar" <[email protected]> Organization: IRWIN To: [email protected] Date: Mon, 29 Sep 1997 16:45:10 +0000 Subject: Ikona in sekira Priority: normal From: [email protected] To: "Miran Mohar" <[email protected]> Date sent: Mon, 29 Sep 1997 14:44:38 +0000 Subject: Icon and the Axe Priority: normal I think that this is an interesting event and I anybody find more on it please e-mail it to me. [email protected]. I only know about this event from Slovenian daily newspaper Dnevnik and a friend of mine from Belgrade confirm the event. Here is more on it from Michael Benson. Miran Mohar ---------------------------------------------------------------------- ---------------------------------------------------------- Miran: Use this one -- it's updated at the end. Cheers, M THE ICON AND THE AX: INITIAL INFORMATION ON THE DESTRUCTION AT THE MONTENEGRO BIENNIAL (This report filed by Michael Benson -- [email protected] -- based on a report in the Slovenian newspaper Dnevnik. I would appreciate that any further information about this event be forwarded to me at that e-mail address as it comes in) Monday September 29 -- Apparently over the weekend a rampaging horde of Orthodox monks attacked and destroyed a good part of the Montenegro Biennial, which had given itself the provocative title "New Icons". According to a patchy account in Slovenian daily paper Dnevnik, they were "not satisfied" with the paintings exhibited. (!) The paper said that fourteen paintings vanished and a number were destroyed; an installation by Montenegrin artist Anka Buric was completely destroyed. The monks also burned down a bus station in Cetinje where French and Belgrade student artists had exhibited their work. According to the paper, it probably wasn't an attack directly sanctioned by the Montenegrin Orthodox Church, because the head of that autocephelous body had visited the exhibition opening without negative comment. According to the paper, some of the works destroyed belonged to "major European museums" (there were no further details). The paper also said that the people of Cetinje apparently tried to stop "the destructive act of the monks of the Monastery of St. Peter of Cetinski." On Friday there were rumors that those in charge of "protecting orthodoxy and Serbian values" in Niksic and other northern Montenegrin towns were preparing a march on Cetinje to expel foreign and domestic artists in Montenegro for the biennial. The Montenegro biennial is only three years old. It is organized by Nikola the Second Petrovich Njegosh -- a descendant of King Nikola the First of Montenegro. Along with it's far bigger neighbor Serbia, Montenegro is one of the two remaining republics of the rump Yugoslavia. Having twice visited the monasteries in the Monastic Autonomous Republic of Athos (a protectorate of Greece, on the northernmost Halkidiki peninsula) in the 80's, I can personally attest to the fact that Orthodox monks in particular see themselves as guardians of Orthodox purity -- calling anything other than an icon an icon is obviously pushing them a bit too far. The Serbian Orthodox church directly endorsed Serbian territorial claims on Bosnia and Croatia during and after the bloody Balkan wars of 1991-95. Orthodox leaders have been widely criticized for not condemning the massacres of Bosnian and Croatian civilians (and the wholesale destruction of mosques and Catholic churches), which took place during that conflict. (end) [email protected]