Yukiko Shikata on Mon, 13 Apr 1998 13:14:41 +0100


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Syndicate: ARTLAB Exhibition


Canon's ARTLAB presents "LOVERS" by Teiji Furuhashi and "frost frames" by
Shiro Takatani

ARTLAB holds an exhibition from May 10 to 21, 1998 at SPIRAL, Tokyo,
consisting of "LOVERS," 1994 collaborative work by artist Teiji Furuhashi
with ARTLAB, and a new work by Shiro Takatani, leading member of the art
group Dumb Type.

After shown at ARTLAB4(1994), "LOVERS" has been invited and shown at 11
venues in 7 countries in U.S. and Europe from 1995 to 1997, starting from
"Video Spaces" at New York's Museum of Modern Art (MoMA). "LOVERS" to be
shown this time is its international version, renovated from the original
version, for the first time in Japan.

Furuhashi was the leading member of Dumb Type, and gave numerous
outstanding performances and installations before he passed away three
years ago. LOVERS is his first full-scale solo and posthumous work at the
same time. Since there were many requests to exhibit the work again, ARTLAB
planned a special exhibition to show the installation along with a new
video installation by Shiro Takatani, who is one of the collaborators in
the production of LOVERS.

The theme of LOVERS is a relationship of love, generated along the borders,
for example, between humans, human and body, and humans and information. In
the work, filmed images of life-size humans appear in a dim space. The
movements of visitors in the space are perceived by sensors and affect the
course of movement of the images. On the other hand, "frost frames,"
depicts a world where the contrast of projected images mutually turn
"whiteout."

<ARTLAB Exhibition "LOVERS"(Teiji Furuhashi) / "frost frames"(Shiro Takatani)>
date: May 10 - 21, 1998   11:00-20:00
location: SPIRAL, Tokyo(5-6-23 Minami-aoyama, Minato-ku, Tokyo)
*free of charge

Organized by Canon ARTLAB
cooperation: Wacoal Art Center


Artists' Profile:

<Teiji Furuhashi>
Born in 1960. Graduated from Art Dept.of Kyoto University of Arts. Created
films, music, performances, and experimented with various ways of
expressions. In 1984, formed a multi-media art group Dumb Type in Kyoto,
and created works in a group in the form of performance and installation,
etc. Furuhashi showed his solo work "LOVERS" in 1994 when Dumb Type
performed "S/N." In the autumn of 1995, died of an infection with HIV.

<Shiro Takatani>
Born in 1963. Graduated from Art Dept. of Kyoto University of Arts. Joined
Dumb Type as one of the founders in 1984, and has been involved especially
in the visual and technical aspects. In his solo activities, Takatani
participated in a municipal project of Groningen, Holland in collaboration
with Akira Asada in 1990. Recently, Takatani created images for the
collaboration concert "Dangerous Visions" with Art Zoyd and the National
Orchestra of Lille in March 1998.

<Dumb Type>
Artists from different genres; visual art, architecture, music and video,
formed a group in Kyoto in 1984. Their activities were originally motivated
by potential of innovative artistic expressions in the post-consumer
society, flexible output and explorations in the production system, and
they developed through different media such as performance, installation,
video and publishing. The group has been active in and outside Japan and is
often engaged in international collaborative projects, such as, with  Hotel
Pro Forma(Denmark) and architects Elizabeth Diller & Ricardo
Scofidio(U.S.).

<venues LOVERS was shown>
1994
-ARTLAB4, Hillside Plaza, Tokyo(original version)
1995(from here with International version)
-"Video Spaces," The Museum of Modern Art, New York
-"Age of Anxiety," Power Plant, Toronto
-Biennale de Lyon, Lyon
1996
-Festival International EXIT, Creteil
-Festival International VIA, Meubeuge
-"SONAR96," Barcelona
-"OBJECT: VIDEO," Linz
1997
-Theater am Turm, Frankfurt
-Marstall Theater, Munchen
-Tramway, Glasgow
-Wood Streeet Galleries, Pittsburgh


Yukiko Shikata
postal address: Canon ARTLAB, 106-0032 Japan
Tel: 81-3-5410-3611 Fax: 3615 http://www.canon.co.jp/cast/
next exhibition by ARTLAB: May 10-21[at Spiral, Tokyo]
"LOVERS"(Teiji Furuhashi)+"frost frames"(Shiro Takatani)




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Date: Mon, 22 Dec 1997 14:16:39 +0100
To: [email protected]
From: Balint Anna <[email protected]> (by way of Andreas Broeckmann)
Subject: Syndicate: Artpool - call for installations
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1998: The Year of Installation at Artpool

Artpool P60 Art Space
Budapest, VI. Paulay Ede u. 60.
International Installation Festival 1998
Opening exhibition: 17-31 March, 1998


"Installation as an artistic medium (from application to landscape
correction) with its many forms is as widespread as performance (from
actions to events). The original meaning of the word installation, which
latently has always been there, now gets more and more emphasis in a new
view of art. Installation, in open systems, in open works, or in "open
minds", means the implementation of something, that is, the beginning of
something. In this perpetual change one can only regard perpetual starting
over, or installation as a constant. At the heart of this shift thus lies
our unbroken attention to changes, that is, our responsiveness to new
points of installation."
(Gy=F6rgy Gal=E1ntai)



Part of the opening exhibition is the reconstruction of the Budapest
installation of =0B"Po=EFpo=EFdrome =E0 Espace-temps R=E9el No. 1 / Real Spa=
ce-Time
Poipoidrom No. 1" =0Bby Robert Filliou and Joachim Pfeufer from 1976.

"The Poipoidrom is a functional relationship that links thinking, acting,
and communication. A minimal Poipoidrom can be a chair, a workbench or an
open mind." (J. Pfeufer, 1972)

In other parts of the exhibition documents of installations will be
installed. They may be - from the perspective of art history:
Merz-construction, fictional and virtual architecture, quasi-construction,
collage, assemblage, environment, landscape correction, land art, etc.;
from the perspective of genre: poetic, music, sound, light, fragrance,
performance and video, etc. installations; from the perspective of view:
improvisational, conceptual, intermedial and multimedial, etc.;.from a
social perspective: cultural, social, political, commercial, religious,
scientific, technological, etc. installations.



=46easible new projects will be realized in accordance with the given spacia=
l
conditions by the "installators" of P60 throughout 1998.
Documents about installation that are preserved in Artpool Archive will be
presented for the first time together with the new stuff.
Videos of the  events and theoretical lectures will be available for
viewing retrospectively throughout the year.
The evaluation of the project can be followed via the Internet:
http://www.artpool.hu/P60/installation/=0C1998: The Year of Installation at
Artpool

Installation Project 98
International Invitation

Artpool invites all installators, artists, networkers, documenters to take
part in this project, to inform others so as to be informed.

You can send: documents of installations, books, catalogs, portfolios,
photos, slides, posters, audio or video tapes, interactive CD-ROMs,
conceptual works, plans, etc. =0BAll materials will become part of the
Artpool Archive for public research.
All works and information will be displayed. Participants will get a
publication that documents the project and will be prepared at the end of
the year.

The first deadline is February 1998. Materials arriving until September the
same year will also be made public as part of the project.

Please help our research by answering the following questions:
(1) How long have you been making installations?
(2) Why did you choose to make installations and  not anything else?
(3) What do you think of your own works?
(4) What do you think the difference is between your own work and other
installations?
(5) What do you think of the relationship of traditional artwork and
installation?
(6) What is the size and material of an installation determined by?
(7) Could you mention the installation you consider to be the largest and
the smallest one?
(8) Is there any object or idea that cannot be installed?
(9) How does environment affect the installation of the work?
(10) Do you know any fact that restricts the possibilities of installation?
(11) Do you like making installation for order or at request?
(12) What do you think of preserving an installation?
(13) Can the value of an installation be estimated and how?
(14) How does copyright apply to installations preserved only in documents?
(15) Do you agree with publishing your answers-in full or in part-in the
catalog of the project or in the press?=0B        (Yes-No)
(16) Your questions, if there is any, and your answers to them.
Please, number your answers according to the order of the questions. Try to
answer as briefly and clearly as you can, omit the questions you consider
irrelevant.

Thanks for your attention,

Gy=F6rgy Gal=E1ntai (concept and design), L=E1szl=F3 Beke (expert), Anna B=
=E1lint
(documentation), =0BJ=FAlia Klaniczay (management), Fatime Pl=F3t=E1r (assis=
tant),
=C1gnes Ivacs (translation), =0BL=E1szl=F3 T=F6lgyes (Web technology)

Installation Project '98

Postal address: Artpool, H-1277 Budapest 23., Pf. 52.
Tel.: +36-l-268 01 14 * Fax: +36-1-321 08 33
e-mail: [email protected]
 http://www.artpool.hu



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NEW ARTPOOL WEB PAGES 1997

Correspondence Art of Ray Johnson
Parallel to the exhibition with the same title (Ernst Museum, Budapest, 19
=46ebruary - 23 March,1997) the Ray Johnson web site was completed
<http://www.artpool.hu/RayJohnson.html>: a hybrid of a book, a catalog, an
exhibition and a museum walk allowing a multiple way inquiry. The links
tied to the texts help understanding the topic and its cultural era. From
the link page <http://www.artpool.hu/Ray/RJ_links.html> all the Ray Johnson
web sites can be reached.

UNI/vers(;)
The presentation of Guillermo Deisler's (1940-1995) UNI/vers(;) series of
bookworks in Artpool (14 March - 11 April 1997) offered an opportunity to
realize the net version of an 1988 issue of the series and to check how an
old idea works in a new environment.
<http://www.artpool.hu/univers/uni.html>

T3
The web adaptation of Tomasz Konart's bookwork was created on the occasion
of the lecture by Piotr Rypson about =93Polish Avant-garde and Bookworks
1919-1997" (Artpool, 23 April 1997)
<http://www.artpool.hu/bookwork//T3/1.html>

Quotations from Kass=E1k
Artpool's open air exhibition (Budapest, Liszt Ferenc Square, 26 September
- 12 October, 1997) displaying a selection from Kass=E1k's dadaist
picture-poems from 1920-1922 and quotations from his poems published in the
Activist art review MA, commemorates the 110th birthday of the
artist-writer-publisher. On the Hungarian web page
<http://www.artpool.hu/Kassak/Kassak-quotationshu.html>
essays, text documents and links are added to the exhibition. The English
version shows the visual poems of the exhibition
<http://www.artpool.hu/Kassak/Kassak-quotations.html>

Artpool P60
A web site presenting Artpool P60, the new art space (Budapest VI., Paulay
Ede u. 60.) introduced during the Budapest Autumn Festival (26 September -
12 October): <http://www.artpool.hu/P60/about.html> (under construction)

Monument Square, Budapest
How 134 artists of 21 countries see the Budapest Heroes Square. Web site
presenting the =93add to" postcards of the exhibition =93Budapest - World
Capital" (Artpool P60, 26 September - 12 October, 1997) :
<http://www.artpool.hu/Postcard/Monument.html> (in completion)

Boite - Box
Interactive boxes, fluxus boxes, bookworks and other memorial works. The
web version (in completion) of the international exhibition for the 110th
birthday of Marcel Duchamp with works by 169 artists from 28 countries
(Artpool P60, 26 September - 12 October, 1997) continues the 1987 project
=93IN THE SPIRIT OF MARCEL DUCHAMP":
<http://www.artpool.hu/Duchamp/MDboxes.html>

Mikl=F3s Erd=E9ly Page
This web page is an addendum to Artpool's =93Mikl=F3s Erd=E9ly Year". It mak=
es
accessible all documents formerly published by Artpool and links all
avaible information on Mikl=F3s Erd=E9ly at other sites:
<http://www.artpool.hu/Erdely/EMcontenthu.html>

Mail Art On Line
Texts, publications, documents and on-line shows related to Artpool's mail
art projects between 1979-1997 and the chronology of the Hungarian mail art
activity. Links to all Mail Art pages of the world:
<http://www.artpool.hu/MailArt/MAonline.html> (english version under
construction)

Networker Bridge
The web adaptation of a bookwork  consisting of 64 Tarot cards with motifs
by 64 artists published by Artpool in 1994.
http://www.artpool.hu/bookwork/bridge/bridge.html. The original bookwork,
created by Gy=F6rgy Gal=E1ntai, used images of Artpool=B4s international sta=
mp
anthology, the =93Networker Post".

Research Site
Artpool's Research site promotes research on new art mediums and their
antecedents, and on Hungarian Avant-garde with internal and external links
leading to documents, bibliographies, databases and on-line shows. For
Hungarian readers see <http://www.artpool.hu/Research/kutatolap.html>
English version will be soon available at
<http://www.artpool.hu/Research/researchsite.html>



Artpool Art Research Center * 1277 Budapest 23, Pf. 52. * e-mail:
[email protected] * http://www.artpool.hu