intim@ on Mon, 15 Jun 1998 00:52:31 +0100 |
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Syndicate: The nobilitation of the material |
Darko Golija "The nobilitation of the material" online exhibition / Statuary http://www2.arnes.si/~medianox June 15 - July 15, 1998 "Art is as sublime as divinity, as inexplicable as life, independent to definitions, and without any intention. A work of art rises through the artistic evaluation of its elements. I by myself am only aware of the way I create it, and the medium I bear inside is the only thing I know, without knowing the final intention," this is what Kurt Schwiters said nearly eighty years age. After the concept of mimesis as the key concept in the history of art has been substituted by unmimetic artistic practices, an endless space for interpretations and records, associations and symbolic as well as for analysis of pure forms and materials opened up. The syntagmas of Schwiters are to a great extent true for the sculptural projects, constructions and installations of the sculptor Darko Golija which at first sight often are an amorphic symbiosis of the material and ideas but in the same time they are also full of submeanings, nobilitations of apparently obscure materials and their transformation to physical and metaphysical meanings. The materialization of THE CLOUD as a transsubstantiation of the modern apotheosis and the epiphany of the civilization at the end of the XXth century which sometimes serves also with an artistic, installation - technical interpretation of its origin; THE LINE as a sort of an artistic ECG of this civilization and art; the archeotype POSITION OF SUCTION and the monumentaly trivial TONKA'S HOUSE are only a few examples which bear witness to an expressive authorial artistic optics which is anchored in the modern and also in the postmodern period. Golija possesses a full arsenal of esthetic experiences of the sculptural form, and beside the imaginativity in his realization of specific onthologic and epistemologic extensions of the sculptural media he distinguishes himself also by his distinctive poetics and a soft nearly not self-conscious ironic note. (by Peter Rak) ------------------------- posted by intim@