Andreas Broeckmann on Mon, 18 Jan 1999 22:06:30 +0100 |
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Syndicate: koen.vandaele: D-Day 7: Dan za dokumentarec - 21.1.99 |
From: [email protected] To: "(D-Day Mailing List)" < ([email protected])> Date: Mon, 18 Jan 1999 15:30:41 +0000 Dear, D-Day 7 presents the Slovene premieres of three new documentaries, that have as point of departure a "document": the world-famous picture of the executed, legendary guerillero Che Guevara; an international observer's report on the living conditions in the World War II Jewish "model ghetto" of Theresienstadt; and an Albanian silent 16mm-film from the seventies. (More info: below). Hope to see you on Thursday in Slovenska kinoteka. Best regards, Koen Van Daele programme curator & coordinator D-Day7: Dan za dokumentarec 21.1.1999, Slovenska kinoteka 20.00: INTERVISTA, QUELQUES MOTS POUR LE DIRE (Intervista, Finding the Words/ Intervista, iskanje besed) by the young Albanian director Anri Sala. (France, 1998, 26 min., col., video, Albanian spoken, with English subtitles) On a 16mm movie we see an applauding Hoxha on a conference facing with an applauding crowd. A smiling woman comes by his side. Then a man interviews her. She is fervently explaining something. But all we can do is imagining her answer, for the soundtrack is missing. Anri Sala finds this newsreel in a box at home. The woman in the seventies' newsreel is his mum. As his mother is not remembering the words, he goes looking for them, and finds them. http://www.idfa.nl/festival/filmlist/inter.html AND: EL DIA QUE ME QUIERAS (The Day You'll Love Me/ Dan, ko me bos ljubil) by the Argentian born, New York-based director Leandro Katz (Bolivia/USA, 1997, 30 min., col., 16mm, English spoken) When Che Guevara was captured and killed in Bolivia in 1967, the generals invited a handful of journalists to see the corpse and bring the evidence of his death to the world. Freddy Alborta was the only professional photographer amongst the reporters and took the world-famous document. A black and white picture of the "hasta la victoria siempre"-guerillero, lying lifeless on a table, surrounded by officers, had to demonstrate that the legend died. Leandro Katz studied and researched this icon, interviewed the photographer, scrutinised and analysed every inch of its surface. Katz: "My approach was that of an archeologist who sifts historical remnants to reveal their hidden powers". http://www.uturn.org/katz.htm 21.30: UN VIVANT QUI PASSE (A Visitor from the Living/ Mimohod ?ivega) by Claude Lanzmann (France, 1997, 65 min., col., video, French spoken, with English subtitles) During the Second World War, the town of Theresienstadt was a model ghetto. It was set up by the Nazis to counter the rumours of a holocaust. The ghetto was meant to be shown to the outside world. The young Swiss Maurice Rossel was representative of the International Red Cross Committee stationed in wartime-Berlin. His main occupation was to inspect the POW-camps and notify any violations of the Geneva Convention. Invited by the German authorities, Rossel went as head of a delegation to inspect Theresienstadt in June 1944. As a neutral international observer he filed his report to the Geneva-headquarters. The German propaganda-office must have been satisfied with a job well done. Claude Lanzmann's point of departure of his Un Vivant qui Passe is this official document. He interviewed its author, confronts him with an abundance of facts that disclose a reality that remained undocumented in his Rossel's report. http://www.idfa.nl/festival/filmlist/unviv.html D-Day: Dan za dokumentarec is produced by Open Society Institute - Slovenia, with the support of Open Society Network Programs - Soros Documentary Fund (New York). Slovenska kinoteka is executive producer. FOR THE MEMBERS OF THE PRESS: If you need any pictures, we can email you stills from INTERVISTA, QUELQUES MOTS POUR LE DIRE (B&W, 800 dpi, 163 KB) and from EL DIA QUE ME QUIERAS (B&W, 1600 dpi, 140 Kb). Koen Van Daele Programme coordinator D-Day phone: -386-61/329.184 fax: -386-61/13.23.092 email: [email protected]