Geert Lovink on Sun, 22 Aug 1999 18:18:56 +0200 |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
Syndicate: travelogue from belgrade - about b92 (by ft) |
From: "f," <[email protected]> dear friends, some holidays delayed distribution of this last text from the travelogue to belgrade in july. it may by now be a bit outdated ... anyway. if you did not get part 1./2. or 4. and are interested in, let me know. take care f, 3. b92 had been taken off air on march 24th, a few hours after announcing that the bombing by nato-forces will start soon. the staff continued to produce a news service distributed via email and a programm available via realaudio and rebroadcasted by anem-stations in yugoslavia and via satellite. this was interrupted when the station was taken over on april 2nd by a state loyal management with the help of the court and the police. the threat of banning had been already acute in last year's fall; parts of the archive and the equipment were then removed from the radio's premises and brought back after the immediate danger was over. this year the station had taken less precautions, but though the police showed up every day after march 24th parts of the the music- and the newsarchive were saved. the new management did not realize at once what they had conquered. it took them days to take posession of the enterprises, premises and projects connected to b92. sometimes clumsy they tried to evoke the impression that except the people running the station nothing has changed. when in may they finally succeeded in cracking the http://www.b92.net-site (which was by then still under control of the b92-staff) the new design included old symbols (but the webstream to be received from the site is the one of radio belgrade, the local station of rts; the service is rather unreliable); they try to make money by selling cd's published by the b92-label before the takeover; they recycled old jingles with the voices of b92-people despite the programm was completely changed. it now consists mainly the so called turbofolk. d., member of the old b92-staff and now working for the new b2-92 explains: "it's a trivial phenomenon, unfortunately not very recognized by those who think about art and music here. turbofolk has its roots in the late sixties when lots of yugoslav went abroad to work in germany, france, switzerland etc. and then original traditional folkmusic was transformed and that was called new composed folkmusic. it deals with the problems of people going away from home, working in a strange country and they are homesick for their villages. this music was mainly played in those countries in kafanas, in bars; here it became popular only later. the turbofolk of today is a mishmash of dancemusic, parts of popmusic, hard rock, recently techno and parts of balkan folkmusic including bulgarian, rumanian, macedonian and turkish elements. so turbofolk is popular in the countries surrounding yugoslavia; in a way it was an attack on the cultural life of those nations because it destroyed the local musicproduction; in serbia itself for instance the rock scene nearly vanished. gouvernment here was very benevolent to turbofolk and despite their nationalism and hatred against muslims they didn't mind the oriental influence. turbofolk is music not for the peasants but for urban people and it keeps their minds away from the real problems. it's a big industry and the mainstream today." so the programm now broadcasted on the old frequency 92.5 and under the name of b92 has it's popularity today. it can be heard in the pedestrian zone, in department stores and gas stations - z. and d. told me that it was rather torturing when a few days ago they had to wait for an hour for gas and the programm was emitted by big speakers there at the gasstation. the new management were no radio-professionals; they were mainly recruiting of the youth council of belgrade loyal to the current gouvernment. they claim to be the legal posessors of the station because when the station was founded ten years ago this organisation gave kind of first permission for operation. to corroborate their argumentation they rewrote the history of b92 (to be read in serbo-croatian at http://www.b92.net/radiob92/index.html) and let it start in 1977; strange enough their story ends 1990. out of the need for professionality and camouflage of the takeover the new management tried to convince members of the old staff to work for them. all employees were invited one by one to talks in april. z., another member of the staff recounts: "it was not the first time that b92 was cut off; i worked for the radio when it was banned back in 1996 during the protests against the repeal of communal elections and then i was scared; but this time i was so angry that i became kind of militant. and after i had the interview with those people who took over the station in april i became sick, i had temperature and i suffered badly." d. describes the interview: "it was a very unpleasant situation. although we knew what people we were dealing with i didn't believe that those apparatchiks, figures from kafka's books still exist. i'm not sure whether they all know about the beatles. we were asked to collaborate with them - there would be only minor changes. they asked me for instance to work in a show and i asked them: what do you expect me to do? to do what i've done the previous years? they answered that it will be slightly different - the show would have a new title: 'you have to fight for your country with your heart.' i said: sorry - i didn't work for the children's department and they asked why, what's wrong with the title and i told them that it reminds me on the pioneers from the socialist system. you can fool them as much as you want as long as you let politics aside. but as we know for the last ten years everything is connected with politics and it's stupid to pretend we're living on mars." no one agreed to work for the new management; even the charwoman did quit. 50 employees and 150 freelancers lost their economical base or at least a major part of their income; few had other financial sources; some went abroad, some men were drafted for the army; most of the staff stayed in belgrade. the loss of the station meant more than a financial problem. z.: "for me b92 wasn't just a station, it was a whole idea. in one moment of my life i realized that everything i do is somehow connected with the this radio, that my life completely _is_ this radio. many of my friends work there, many others are passionate listeners - and those were in much worse condition when after the shutdown of the radio because for them it was the only normal thing in the city. and then i realized that i had to stay here and to help this thing to sort out. in the beginning it was very hard to concentrate on anything because of the bombing; later i got used to it as you can get used to everything in life. i stayed home and wrote ten thousand emails the day explaining people what happened and answering questions about other people. The only other thing you could do against falling into apthy was to see friends, not to be alone and sitting together in the light of candles, listening to good music, remembering the work in the radio and thinking how we should go on." during the wartime two websites were set up. while http://helpb92.xs4all.nl/ was organized by non-b92-organizations with the goal to gain support for the station http://www.freeb92.net was devoted to represent the real b92-staff as kind of a backbone. After netaid 1, a webcast dedicated to the 10th anniversary of b92 on may 15th, netaid 2-4 followed the 15th of june, july and august with streaming from different places in the world featuring dj's from those places and various bigshots from the international music-scene. while the helpb92-site was stopped some weeks ago, freeb92.net became the website of the station when b92 was relaunched by the old staff as b2-92.immediately after the takeover legal steps were taken to regain the frequency and the premises of b92 - until now without success. when studio b, another radio- and tv-station in belgrade in june offered broadcasting time on the frequency 99.1 the opportunity was taken even it was not an easy decision: studio b is mainly under control of the serbian renewal movement, the party of vuk draskovic, the chameleon of the yugoslav political scene: once part of the zajedno-coalition back in 1997 he joined milosevic's gouvernment later until he was dismissed in april this year. the staff of b2-92 is aware of the problems this arrangement may cause even the contract guarantees them independance: "we know that draskovic wants to get back some political credibility with this deal. but we left no doubt that we would rather stop broadcasting than accept any intervention." since all the equipment remained in the old premises after the takeover b2-92 had to start under rather poor technical conditions. the broadcasting studio under the roof of the beogradjanka, one of the skyscrapers in belgrade looked like a relict of the real socialistic times when i saw it in july: the speakers studio was a small room with space for hardly more than three people, walls and chairs lined with brown imitation leather and connected to the sound mixer's studio with a huge window; there beside the console was little more to find than a recordplayer, two cd-players and two old reel-to-reel-machines. the bureaus were accomodated in three or four rooms down at 17th floor with perfect view over smoggy belgrad and especially to the building at makedonska 22 that was the home of b92 only a few months ago. preparing the program and equiping the offices simultaneously the desks were loaded with packages, empty coke-bottles, full ashtrays, papers while people were discussing, chatting, soldering, trying phonelines, installing programs. the relaunch of b92 as b2-92 first was scheduled to july 15th; technical problems delayed it. z. told a few days before the start: "the iniative for b2-92 was born here in belgrade and i was so happy when i heard about it and sad when it was delayed again and again because i can not wait to begin: i've so many things to say. we will have this frequency to tell people what happened and to stir something up. throughout the last ten years i had the feeling to see a very bad movie but i didn't want to go abroad because i didn't want to miss the last five minutes." b2-92 did start its broadcasts for 12 hours the day on july 28th with a music-program; since august 2nd the program contains again the news b92 once was famous for. and since a few days the old news-service via email is set up again and distributed via xs4all. ------Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/syndicate to unsubscribe, write to <[email protected]> in the body of the msg: unsubscribe [email protected]