| integer on Thu, 2 Mar 2000 21:32:17 +0100 (CET) |
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| Re: [Nettime-bold] invitation |
>INVITATION (summary)
>
>Presentation of CyberArt project
>
>at 3 p.m. on 9 March 2000 (GMT +1)
>
>Gemeentemuseum Den Haag
>
>
>On Thursday 9 March, the Gemeentemuseum Den Haag presents CyberArt, a
>collaborative project by the Gemeentemuseum, the Hague Montessori Lyceum
>
>and artist Martin Sjardijn.
>
>The presentation of paintings, drawings and prints by pupils of the
>Montessori Lyceum is related to a major exhibition of landscape
>paintings by Jan Hendrik Weissenbruch, on at the Gemeentemuseum through
>to 21 May. The secondary school pupils have taken his depiction of the
>Dutch landscape as the starting-point for their own (often highly)
>original work.
>
>Computers in the same exhibition area give access to CyberArt, an
>interactive 3D Multi-User environment on the Internet. Built by other
>pupils of the Montessori Lyceum, this is a virtual museum displaying
>preliminary studies and explanatory notes alongside the finished work
>now on show in the Gemeentemuseum. The virtual museum also includes
>examples of Weissenbruch's oil and watercolour paintings which the
>pupils analysed and used as a source of inspiration, as well as work by
>artist Martin Sjardijn. Visitors can access this virtual museum via the
>computers in the exhibition area, but also of course via any other
>Internet connection.
>
>Directions for visiting the cyber conference of the project on the
>Internet can be found at http://www.hml.nl/cyberart.
>Opening between 3 - 5 pm (GMT +!)
>
>Dr. J.L. Locher,
>director
bewitched | bothered and bewildered am i
- | | - - | | -
fr2ktur | | - - | | -
- | | - - | | -
kontent.ID :
110000101100100011011110111001011000010111010001101001011011111101110
\\ =cw4t7abs . modL c!t!zen t!.me 0+00.ad =cw4t7abs t!.me 0+prezent
element nr 0+2
>= 5 generat!onz
>= verk!ng alred!
>
ou!. madame.
akt!vat!ng d!zturbansz !n sod!um-potass!um
eku!ll!br!um akross neuron membranez.
ou!. madame.
- -
- -
\ \
m! m!
! !
h h
h ||||- kampFb3r3!t h ||||- kampFb3r3!t
! !
m! m!
/ /
- -
- -
m�!�.�h�a�n�d�z�=�w�h�!�t�r�.�d�z�n�.�u�r�z�
!�=�u�t�!�l�!�z�e�-�u�L�t�r�a�.�l�u�x�+�+�
this presentation completed and prezented in [model citizen time] - 1999 a.d.
during the korporate fascist occupation.
during the korporate fascist occupation.
during the korporate fascist occupation.
data zuport!v ov human !ntel!gensz = human !ntel!gensz;
and - closing the synaptic gap [synapse - greek for juncture
- hence the juncture gap - protoplasmic kisses which seem to
constitute the final ecstasy of an epic
love story
- the ethereal kiss which involves
no contact]
enkounter!ng opn zpasez
|
|vouelharmon!
|
zk!n komponent = v!brat az 1 cello ztr!ng.
--\\ 0f0003.m2zk!n3nkunzt.m9ndfukc.com
*For English subtitles scroll down, please!
*For moztly komplete url data lokationz may aksez end ov dokument +?
\ \
- 0f0003.m2zk!n3nkunzt \ \ \ s!n.x(2^n) re:leasz
/ /\ \
-\\
kuer! : is s!n.x(2^n) more akademikc than krop3rom||a9ff 0+2 +?
anvort : true
kuer! :
anvort : true
-//
-\\
- zlalom
anvort : true
kuer! : could one obtain a detailed list of locations for 0f0003 data +?
anvort : [email protected]
kuer! : where +?
anvort : true
kuer! : zttz +?
anvort : bzzp
kuer! : fr.fr +?
anvort : ma! ! hav zom watr plz.
kuer! :
anvort : true
-//
-
-
-
-
-
-
0f0003 \\ s!n.x(2^n) cd no!sz.masch!ne !nterpolat!on. anti.akadem!k.
info - kontakt: [email protected] - subjekt sin(x)
format - 0+00
duration - 0+60
data - http://m9ndfukc.com/propaganda
_____...___.____ 0f0003.m2zk!n3nkunzt_|-art!kl nummer 0+28.
detektion of onset + offset asynchrony in multikomponent komplexes.
diskriminating standard stimulus from signal stimulus
audibility as crisis and kommodification in sine.x
___________________|||||||
dze no!sz ztruktur as system degraded to an abstract totality
inspired by the urge to actualize itself as it arrives into tension with other
its audibility as subject, acquires urgency evoked by experience \ stored data \ memory module
its central impulses mobilized by the objective tendencies of the crisis itself.
accelerating along 0+1 hyperbolic path the system resists delimitation
in an obscure anti-synthesis force of will.
as consequence of audibility the audible gains awareness of
self-internal structure, self-habitation.
its actualization - its loss of maschinik autonomy, incurs an internal dialectic:
retain self-alienation,
experience internal kommodities simultaneously with event, whilst regarded as an
external structure engaged in recursive reflection.
its impulses manifested in exterior structures
it is alienated under a regime of ownership
its becoming audible becomes a means of production.
the industrialization of audibility kommodified - the relationship between
labor of production and the event comprehends the self-generation of linear
audibility as process, the objektivisation as generation of a confronting object
as alienation of the event to the process [ kapitilization ] and
the resolution of this alienation.
actualization alone permits comprehension of the essence of production
and the objective event: an actual becoming of entity - the result of its
process of audibility.
as an existing event, in an effort to preserve self-experience it defines
self-author of self-development. if the process of audibility is
interpreted as the experiential basis of the kommodification of a self-generation process
it eventuates that recognition of the self at stages of production
permits the resolution of the alienation of temporal existence.
critical insight into the dialectic of alienated production and kommodification attains
practical efficacy within the system, arising out of the objective krisis complex.
dze no!sz ztruktur as one kommodified system of recursive discourse impedes
examination as a konsummate territorialized product.
internal events engaged in non-deterministik circulation, insist on non-fixity of form.
consequently the system's architecture may be generalized only as embracing [relays]
the means of production rezultant of the means of production -
it is a massless object, an abstrakt maschine capable of accelerating endlessly,
its capacity directly dependent upon the practical appropriation of internal
events which are measured in accordance to their relations in discourse.
the value of the commodity is subsequently analyzed in terms of explanations of
event relationships as utilized in temporal audible space.
\\
d!fferent!al d.ka! on 0+1 dezolate plane ov debr!z
ccccellofane spasz
!nhab!td w!th !mmater!al 4rmz enkloz!ng
komplecx !nternl referentz
ccccel-konzeptual!szd 4mat!onz dzat =
flatl! abrogate object!v anal!s!z
-
-
-
relat!v!zt!kc effektz bg!n zett!ng !n
-
-
-
alternat!v h!ztor!ez + parallel un!versez
- art!kl nummer 0+28. anti[c]m9ndfukc.com
ma! kontakt [email protected] 4 komplet l!zt!ng [x]
<
0\ zve!te[z]!ztem
\1
>
/ /
/ /
\ \ \ \
rekuezt!ng perm!z!on 2 pozt 1900 : muz!k aprez la l!teratur
/ publ!kall!. !.e on max-l.
/ /\ \ / /\ \
\ \ \ \ \
\ \
avec : !n ordr ov appearansz
=cw4t7abs
dav!d z!karell!
w!ttgenzte!n
godard
anna kar!na
lemm! kaut!on
bertolucc!
passol!n!
deleuze
guatar!
sartre
apple komputr
leopold von sacher - masoch
john holland
ztan!zlau lem
karl sagan
kropotk!n
bakun!n
godw!n
ada
apl
chomzk!
m!nzk!
z!zek
nSk
w.h. kalv!n
kurt godel
klauzl form log!k
kataztrof! theor!
et numerouz addtl arb!trar! zkemaz + komponentz
languaj : =cw4t7abs w!th engl!sh zubt!tlz
zubt!tlz : c!nec!ta
genre. kontent !d : !art housz \\ m9ndfukc
kontent length : 147 m!n - 147k
reg!a : =cw4t7abs
adm!ss!on : grat!z w m9nd konta!nr
\\ 1900 : muz!k aprez la l!teratur : herauzgegen vom !nternat!onalen !nzt!tut 4 ordnung + d!z!pl!n
!n kollaborat!on w!th : m9ndfukc.org - m9ndfukcmachtfre! \+\ m!n!zter de b!tztream ag!tat!on
--\\ et aprez++
=cw4t7abs adressez dav!d z!karell!
- Merci pour la qualit� de votre contribution
- danke fuer ihre nachricht!
bin im augenblick ausser haus und erst ab 27. 01. wieder erreichbar.
no insistence intended.
-
-
-
"
dav!d z!karell! 2 =cw4t7abs + w!ttgenzte!n 2 dav!d z!karell!
c!rca 2 monthz pr!or 2 prezent
>Hey dude, the use of the word "bothersome" was a mistake, actually
>I wasn't pissed about the repost at all, I was just using it
>as a way to be "casual" about recovering from an oversight on
>my part. Sorry if it seemed to be at your expense.
>
>My sources tell me b!257+!2 is great, can I check it out?
>
>David Z.
log!k f!llz dze velt. dze boundar!ez ov dze velt = !tz boundar!ez az well.
!n log!k dzere 4 1 kannot ztate dzere = d!sz and d!sz !n dze velt but not dzat
4 2 ztate tzo would presupoze dzat serta!n posz!b!l!t!ez = eczkludd + d!sz
kannot b dze kasz az !t would reku!re dzat log!k should travl b!ond dze
boundar!ez
ov dze velt az !f !t kould kontemplate dzeze boundar1ez 4rom dze odr s!de
az well.
what 1 kannot th!nk 1 kannot th!nk dzere 4 1 altzo kannot ztate dzat wh!ch
1 kannot th!nk.
log!kl p!kturez dp!kt dze velt.
1 p!kture haz log!ko p!ktor!al 4rm !n kommon w!th what !t = dp!ktz.
1 p!kture dp!ktz real!t! b! reprezent!ng 1 poz!b!l!t! ov eczs!ztensz
+ non-ecz!stensz ov ztatez ov affa!rz.
1 p!kture agr!z w!th real!t! or !t fa!lz 2 agr!
!t = korrekt or !t = true or falsz.
what 1 p!kture reprezentz !t reprezentz !ndependentl! ov !tz truth or fals!t!
- b! meanz ov !tz p!ktor!al 4rm.
what 1 p!kture reprezentz = !tz sensz.
1 log!kl p!kture ov faktz = 1 thought.
1 ztate ov affa!rz = th!nkabl.
dze total!t! ov tru thoughtz = dze p!kture ov dze velt.
1 thought konta!nz dze posz!b!l!t! ov dze s!tuat!on ov
wh!ch !t = dze thought. what = th!nkabl = posbl az well.
thought kan nvr b ov an!dz!ng !llog!kl due 2 !f !t were
1 should hav 2 th!nk !llog!kall!
truth = dzat 1 kannot ztate what 1 !llog!kl velt would look l!ke.
!t = az !mposz!bl 2 reprezent !n language an!dz!ng dzat kontrad!ktz log!k
az !t !z !n geometr! 2 reprezent b! !tz koord!natez 1 f!gure wh!ch kontrad!ktz
dze lawz ov spasz - or 2 g!v dze koord!natez ov 1 po!nt wh!ch doez not ecz!st.
though 1 ztate ov affa!rz dzat would kontravene
dze lawz ov f!z!kx kan b reprezentd spat!all!
1 dzat would kontravene dze lawz ov geometr! kannot.
!n 1 propoz!t!on 1 thought f!ndz 1 eczpress!on dzat kan b perce!vd b! dze sensez
1 propoz!t!on doez not aktuall! konta!n !tz sensz but !t konta!nz dze poz!b!l!t!
ov eczpress!ng !t
>wreck something,
luv zomth!ng
[k z m o g l t a]
|
|vouelharmon!
|
||
- http://209.150.144.226/=cw4t7abs/spCa
||
"
>Date: Wed, 21 Oct 1998 12:32:50 +0200
>Subject: Re: '8p8
>
>>>My sources tell me b!257+!2 is great, can I check it out?
>>>
>>>David Z.
>
> - - Wonder what his sources are.... :)
x = don.t_kare 2 x 1 | 2 x 3 :: delta 1 x 2 | 3 x 2 :: beta 2 x 2 ::
gamma 1 x 1 | 3 x 3 | 1 x 3 | 3 x 1 :: alpha tranz4mat!on 0+3: delta
:: ) beta :: ( alpha :: 1 gamma :: 0 rezultat: (1 0 ... 0 (0 0 ... 0)
0 1 0 1 ... 0 (0 0 ... 0) ... 0 1) 1 1 1 ... (1 0 1 0 ... 1) 1 1 1 ...
nomen zubstant!vum = !mya zushcheztv!tel'no!e
hav 1 plznt da! [zujezt!on naturlment]
\\
my room and this vastness
awake over the darkening land
are one; I am a string
and stretched taught over wide
raging resonances
the things are violin-bodies
full of grumbling darkness:
in it dreams the grief of women
in it the grudge of whole generations
stirs in its sleep...I shall
vibrate like silver: then everything
beneath me will live ---
and what wanders lost in the things
will strive toward that light
that from my dancing tone ---
around which the heavens pulse ---
through thin, pining rifts
into the abysses endlessly
falls...
s!lensz movz !n d!ffrnt la!erz h!er
mikro empfiehlt
> = doez ur prznl zk!n komponent v!brat az 1 cello ztr!ng +?
Hip Hop gilt als eines der Genres, dass auf tradierte bis sexistische
Geschlechterrollen zurueckgreift und diese Symbolik auch erfolgreich
verkauft. Gerade in den vergangenen Jahren jedoch schafften immer mehr
Frauen den Weg nach oben und schreiben Musikgeschichte.
Typing expressions which are hard to remember correctly:
scientific names like "Uvulapalatopharangoplasty" which is a surgical
procedure for correcting sleep apnea and is also the longest word without
any "e's
* Typing expressions which are frequently misspelled: e.g. accidentally,
maneuver, embarrass, pronunciation, mnemonic, occurrence...
* Writing in a foreign language: e.g. Kabriolett which means cabriolet one
of the favorite words of my two years old daughter
trez sch!k. kabr!olet
* Some words are just plain difficult to type. e.g. =cw4t7abs
Programmers often work on projects that contain global declarations :
I hate Antiorp
\\ if one specific person wishes to meet =cw4t7abs
please be konsiderate. del global declarations prior to.
> > disappointing; a posting i've already read on infowar... only instead
> >of a davidz quotation i see mine.
> >
> > Alex.
> >
> >=cw4t7abs wrote:
> >>
> >> >hi there
> >>
> >> tz
> >>
> >> >so silent you are
> >>
> >> sch
> >>
> >> > different from what?
> >> >
> >> >=cw4t7abs wrote:
> >> >>
> >> >> s!lensz movz !n d!ffrnt la!erz h!er
> >>
> >> log!k
>
> X-Attachments:
>
> >there is a lethargy inherent in the
> >ivory system.
!nst!tut fuer arbe!tsw1rtschaFt
|+|
d ! sz ! p l 1 n
pr�dukt1on und log1st!k
|schw3r|punkte|
>From: Stefan Wray <[email protected]>
>Mime-Version: 1.0
>Content-Type: text/plain; charset="us-ascii"
>
>Since you seem to think you know how things should be
>Why don't you come out of the closet
>Quit hiding behing your odd text
>And propose a better idea.
>
>Or do you prefer to be off by yourself? All alone. In a corner
>Let's have a dialogue rather than simply sending these coded messages from
>time to time
>
>What are you afraid of?
ur klozet
>Subject: Re:
>your perzonal public password for b!257+!2 = kap!tal de la douleur [case + human sensitive]
thank you
>kap!tal de la douleur : : psycho.anal-!ze et !nternet
mass psychology = fascism?
global politics, any large controlling organ, always fascism?
these are questions for me, born from heavy war damaged people
you don't need to answer
luv
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
To: a9ff@
Subject: Re:
[sand and foam]
[sand and foam]
[sand and foam]
\
\
I dream, I am floating by the sea
the waves, are they coming to me
sweat, salt, saliva leaks from stones, sand
flesh becomes fluid, breath land becomes
I dream - I am
sal!va == good
dze kommun!ztz sa! komrade luvrz zttz freel+e
let dze kurrent run sweetl+e doun ur sp!ne ++
dze human be!ng avgz 4k orgazmz \ l!fe t!me
plz !nzert 1 algebr!n kapzul. fr. tzzt. zkueekc.
\
3rr0r.h0rr0r \
eternal m!sc!ble surfasz
chmod o755
netochka nesvanova
lovrs+probe
gentl+e
n(f-1)
wh!le(loopkontrol)
�t=/1-Vsq. / Csq.
|akses.all.portz.|
||recurs!v.sekuenc=!ng||
bl!p.verdammt.loszov
3lektr!s!t+e
eczauztd. dorm!r.
takk 4 konversat!on.
... utrum Christus debuerit doctrinam Suam Scripto tradere
fr.fr.
I also wonder sometimes what's real and what isn't. When I was 15-16,
and began making up my Conlang Tesk in boring maths classes, I knew a
little Dutch and nothing at all about Afrikaans. I changed Dutch and
German words in various ways, and many years later discovered that I'd
changed them into Afrikaans. This thread seems to me to relate to a kind
of linguistic version of deja vu - knowing words before we learn them,
and knowing language before we learn it.
On a separate (but maybe not entirely unrelated) note, my 3-year old son
has used a very cute expression over the past few weeks. He got a
flashlight to play with, and when he wants to be able to see it to its
full extent he says "Turn on the darkness" so that we'll turn the lights
off.
\\ jetzt \\ dream
>shall ! tell ov dze feros!t! ov man +?
= mozt kute u kno.
dze! = feed!ng each odrz egos thru u
tell ov dze feros!t! ov man
// =_?
mot!vatd.adapt!v.bhav!our = funda.mentl 2 !ntell!genss
--learn!ng bhav!ourz - 3 parad!gmz (c.note 1)
-s!ngl.st!muluz.prezentat!on
---------------------------------------------------------------------|
-ekzposur. 2 relat!onz among. st!mul!
---------------------------| |
-ekzposur. 2 relat!onz b.tween rezpons.z +
st!mul! | |
|
|-------------------------------|
|
| |
|
| hab!tuat!on.bhav!ourz
| |
| |
| klass!kl.kond!t!on!ng
|
!nztrument.l kond!t!on!ng
//note 1 = parad!gmz = !kk ||d!nam!kx relatd 2 cha!n!ng
> various well-bred moralities have already finished youth
> wh!lzt awa!ting penult!mat po!nt !n t!me
> tais toi !
Quelle violence ! L'expression du d�sir
relation th�rapeutique ou parent/enfant.
= mozt kute u kno.
dze! = feed!ng each odrz egos thru u
relation th�rapeutique ou parent/enfant.
= mozt kute u kno.
dze! = feed!ng each odrz egos thru u
relation th�rapeutique ou parent/enfant.
= mozt kute u kno.
dze! = feed!ng each odrz egos thru u
relation th�rapeutique ou parent/enfant.
Quelle violence ! L'expression du d�sir
sch . . . penult!mat po!nt !n t!me
-
[ - tehkn!k .
- . -
m 9n df uk c . \ k om \ \
- .
- . [ s!rur .g!kl.m3kan.!kc.
- e+ m2+3.m2+.!kc auss!
\ \
- the ethereal kiss which involves
no contact]
http://www.m9ndfukc.org/memocide.neu+improved.genocide-swastika
http://www.m9ndfukc.org//mcgill-lizt_ounr/
http://www.m9ndfukc.org/konkurs/00.html
http://www.m9ndfukc.org/pre.doktoral.massively.parallel.metamodeling.meme.kompetition/
http://www.m9ndfukc.org/nato.0+00
http://www.gmeb.fr/SoftwareCompetition/Softs99/nebulam81.htm
http://www.m9ndfukc.com/propaganda
http://www.m9ndfukc.org/korporat/nato.0+55+3d.html
http://www.m9ndfukc.com/forum/prev_released_data http://194.19.130.194/spCa/zveite
http://www.m9ndfukc.org/korporat/=cw4t7abs.3nkod0r..0+2.html http://www.m9ndfukc.org/korporat/starledger_inter.bzzp.html
http://www.m9ndfukc.com/botz
http://www.m9ndfukc.com/bit_revolution/
http://www.m9ndfukc.com/botz/kinematek_kurrent.html
http://www.m9ndfukc.com/kinematek
konzp!rass!_ov-ekualz
________________________________________________________
18 .
� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � pro satisfacer le metro � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
\+\
-
SSEkretar!at.0+55
^Pf^P^P^P3.MASCHIN3NKUNST
@www.m9ndfukc.org
17.hzV.tRL.478
e
|
| +----------
| | <
\\----------------+ | n2t^P
| >
e
leave
- indelible traces on said troubled image\inations.
k^Pntent !d :baz!n.ov.atrakz!on
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