][mez][ on Thu, 23 Aug 2001 11:52:56 +1000 |
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Syndicate: Net.Wurking An Active Discourse: The Art & ][mezangelled][ Times of Net.Literature |
[apologies 4 XXX-postings] [This article o' mine first appeared in the _Meanjin_ Poetics Edition,Volume 60, No. 2, 2001. I thought syndicaters might find it thought-provoking in terms of an established literary journal publishing a poetics piece obviously designed/formatted for networked mediums.] ******************************************* >Date: Thu, 19 Apr 2001 08:41:34 +1000 >To: [email protected] >From: "][mez][" <[email protected]> >Subject: Net.Wurking An Active Discourse:The Art & ][mezangelled][ Times of >Net.Literature >> _Net.Drenching - Creating The Con.Text_ > >??????????.[insert a projected:] >wired contemporary culture swaying 2ward the + >enveloping & reiteration <of> >broad telecommunicative <or> networked phenomenon >??????????.[=] >an emergent parallel language/meme shift? > ?????????????????????????.. . . . [blip]<static> . . . [.connecting 2 CS <Comprehension Server>, please wait.] . . . ? ?? ?? ? . . ????? ?? ???????. [.connection established] [.downloading context.patch????????? ????????????????????. ????[context.exe consists of a reader]??? ????[.u.]??????????????.. ????[who is an open-ended, active absorber].. ????[ie will attempt 2 engage]?????? ????[the vagaries of a networked text]??... ????[in this dead tree <static> media]??. ???????????????? . . ? . .. ?. ?.. . . ?.. . . ?...] . . . . . . . [.re.establishing _Net.Drench_ connection] . . . [.connection established] ?????..</static>???????????.. > >??????????.[this] >infomatic-shift can be sampled directly >via the Internet [or World Wide Web] itself >??????????..[as well as being entrenched in] >the action of corporate structures <or> institutions >who r currently rallying to protect >telemetric information production. ?????????????????????????????.. .?????????????????????????????. >??????????..[this shift is] >already making an impact on >several strands of nascent literature >that rely on networked conventions & jargon >4 their production. ?????????????????????????.. . . . [context software insert here:] .hordes of .emailers + .International Relay Chatters + .MOO/MUDites .ICQers + .Y-talkers + .ascii cuneiformers + .coders = .knitting & .morphing & .developing a ._new_code_text_fabric . . [end: insert] . . . >These emergent genre/s of net.literature [have] >@ their origins a basic resurgence of the written form >[via email and chat-based >software-driven communication.] . . [4 more information, click on context software link above]. ???????????????????????.. ?????.[.well.]??????????????.. ?????.[in a hypertextual cr?che = browser]???? ?????.[u *would* be able to access]????. ?????.[additional information <or have>]????. ?????.[meanings spliced & extended via]??. ?????.[linked windowed nuances]?????? ?????.[howeva]???????? ?????.[in simple words, the challenge becomes]?... ?????.[a context credit <or> debit]??????? ?????.[depending on yr world [wide web] view]?. . ???????????????? . . ? . .. ?. ?.. . . ?.. . . ?... ??.. ??. ???.. . ? ? . . ... . >This text-communication revival ??????????.[is] >impacting <through> incremental learning/methods ><& on> replication techniques such as the >canonised linear/narrative structure >that "literature" still writhes under. . .. ?. ?.. . . ?.. . . ?... ??.. ??. ???.. . ? ? . . ... . . >>_Net.Tectonics - Exploring The Nuances_ . . [searching 4 host] . [host found:] ????. ? . ... ?????. ?.. [logging on2: mezangelled text zone] . ..*&%4?????? [Be prepared 4 re:wiring/writing/routing] [eg. A mezangelled rewrite of this section's title wood b: _Net.Te][xt][ctonics - X.ploring The N][ew][uances_] > > >the _mezangelled_ textual system is one x.ample ><of> net.literature that is currently m.pacting ><on> the way poetic writing is ][re][constructed >& promulgated via a networked ???[or net.worked] >system. . . <SO:> . . ??????????????????.<IF:> .this system evolved/s largely from a gradual process of network element integration <BY:> .employing [and developing] a dynamic that demands the use of network-dependant modes of communication [namely through a clutch of software such as email programs, International Relay Chat or IRC, and MOOs/Multi-User Object Oriented systems] in order to converse with fellow users ??????????????????.<THEN:> .begins a process of adaptation and application of certain chat-based conventions into hybrid writing/poetic styles .this process began in 1995 and is still colouring the current mezangelled version/system, .which is constantly changing + is flavoured by the contextual hinges that surround it, ie .the markers of the medium itself. ??????????????????.<GO TO:> .multifarious email exchanges .computer code flavoured language .net iconographs . . [n.sert learning curve .here.] . . >2 _mezangelle_ means to take >words/wordstrings/sentences and alter them ><in> such a way as to x.tend and n.hance >meaning b.yond the predicted or the x.pected. >It's similar to making "plain" text >hypertextual via the arrangement & >dissection of words. >Mezangelling @tempts 2 >x.pand traditional text parameters ><through> layered/m.bedded/alternative meaning n.serts > 2 mezangelle is 2 n.courage: + ev[post-po-m]o.lutionary and active structural/net.wurked realitees + sliding from irc/icq/moo-like word n-fuzions in2 denser, phonetically N hypertextually-lay[feath]er.ed text tracts + further linguistic delving & particip][collabor][atory act.ion][s & electrons & neurons][. + n.nate s][entence][tructural divisions & play loadings . . . . </hyperjump> ??????????????????..<USE:> .computer/mathematical conventions liberally and subversively [ie n.dicate fracture or mangle points with a dot & translate <for> and <too> in2 the numeric <4> or <2>. .network elements in your poetic discourse such as emoticons <;)> and abbreviations <r u there?> etc . open source distribution and construction . the reader as an inform][ed][ation node point . polysemy/parataxis/neologisms . proactive/re][di][dactive states of correspondence ??????????????????..<AIM:> . 4 contributors 2 n.teract via various communication modes that n.courage curiosity and radical meaning absorption ??? ??????????????...<LEARN:> .2 love the square bracket, humor, & confusion. Use the square bracket <or a triptych> 2 indicate a meaning-mode-hyperjump, whether that b via the implication of a gender discrepancy; indicating an additional sense state/loading, or just playing around with letters <lettah[!]s> .2 condense letters into their phonetic counterparts - <in> or <and> becomes <N>, <are> becomes <r>, <u> = <you> or <ewe>. Use these liberally within words; <express> becomes <x.press>, <issues> becomes <s.sues>, etc . 2 switch/n.courage double/triple meanings through common associations and phrases; <manifest> becomes <[wo]manifest>; <other> becomes <ot.her[e N there]>. . . [.stop.] . . . .[end]??????.. ?.. ?????.. ?? [& begin yr net.work]. ***************************************************** . . .... ..... net.wurker][M.ollient][ pro.ject.ile x.blooms.x .go.here. xXXx ./. www.hotkey.net.au/~netwurker .... . .??? ....... -----Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/syndicate to post to the Syndicate list: <[email protected]> to unsubscribe, write to <[email protected]>, in the body of the msg: unsubscribe syndicate [email protected]